Lupin III: Island of Assassins

Then I am the first person who will not speak highly enough of this film. So for me this film really shows potential because we have never seen a much more violent and bloody Lupine III film. And yet this river was truly a disappointment for me because a good oneit really had potential But I never understand these things that really get on my nerves. That is, you make a very violent and bloody film and it's that you add comedy and that's what's worse than these things that aren't funny at all, for example that Fujiko gives Lupine a slapThese things aren't funny to me at all and the villains. That is, the tarantulas are badly used in the film. She's the main villain, thrown at random. The only positive thing about this film is Ellen who, for me, was a really good character but you need another film. Failure of Lupine IIIWhat a shame with something like this that was really wasted to conclude the vote 5.

This Lupin the 3rd TV movie is different than the other ones.

It has more violence and the plot to it is more dark. Still has some humor in it but not a whole lot.

Lupin has to face the most dangerous group of Assassins ever. Who are trained/savaged killers. Lupin also tries to find his lost famous Wather P38 he use to own.

The animation is very smooth and well done.

Character designs are different than the previous TV movies character designs.

This may very well be the most violent Lupin the 3rd anime ever.

It's still worth seeing. I give it an 8/10

This 90-minute TV special from 1997 is much more of an action thriller than a typical comic caper from the long-running series of Japanese animated action comedies featuring the charming master thief, Lupin III (a descendant of Arsene Lupin). It boasts an elaborate island setting-the home of the Tarantula assassin syndicate, whose gold stash is targeted by Lupin and his crew. All who arrive on the island, including Lupin and his three cohorts, are poisoned and kept alive only by the island's native sulfuric gas. Leaving the island means certain death without a mask with a 24-hour supply of the gas. Lupin and company are betrayed at one point by the island's doctor, who turns out to be a onetime partner who had double-crossed Lupin on their first job, seen in lengthy flashbacks.

This is as fast-paced and action-packed as any Lupin III film, but is far more violent than normal for the series. There is lots of shooting, bloodshed, and killing, including deaths of the innocent. There is no sexual innuendo in this one and the comely Fujiko keeps her clothes on for once. (Bummer!) A very nice jazz score makes good use of the standard Lupin theme. Fans of hardcore anime action who've steered clear of Lupin III because of the comedy may find this entry a suitable means of introduction to one of Japan's most popular animated series.

Like any Lupin film, Walther P-38 is completely entertaining, with a wide appeal base. That is to say, anyone can enjoy any film of the Lupin series, be they an otaku or someone not familiar with anime. Unlike others of the series, this film is deadly serious at times, with mature imagery and violence. The slapstick humor is ever present, for that is what endears fans to the Lupin series. For fans, those who find Goeman particularly more entertaining than Jigan (myself certainly NOT included), this film is perfect. The plot centers around an inescapable island on which the greatest cabal of assassins is trained. This fact is certainly reflected in the writing and plot; most of the action take splace on this island and most characters are stoic badasses. Whoever you are watch this movie, but specifically those of you who have watched Lupin, but felt it couldn't complete with more graphic, more adult anime. This one will hopefully have you rethinking that.

Somewhat a change of pace and tone, even in its animation, when compared to the first few bright and lively TV specials. Lupin the Third: Island of Assassins, which I much prefer original title Lupin the Third: Walther P38, had rather a distinctively punchy, somber and violent approach. Sort of mixing together an intriguing whodunnit angle with a ludicrous conspiracy laced adventure sub-plot like out of a James Bond film. The story delves into a past incident of a mysterious figure shooting a familiar looking Walther P38 at Lupin falling out of a plane, well, it's déjà vu, as during a heist, in what looks like a set-up, Lupin's arch nemesis Interpol inspector Zenigata is shot by the same mysterious figure and elegant pistol from Lupin's past. Being framed for the shooting, this leads Lupin to the island of the Tarantula assassins, where he and co go about trying to uncover this shooter from his past, while also stealing the Tarantula's massive gold fortune.

The game plan is set, but it doesn't go so smoothly, as chaos erupts and the revelation to who set it all in motion shows their true self. Action, when it occurs, hits hard and fast with few bang-up scenes in the opening and closing sequences. Once the story hits the island, the operation rarely leaves and it can hit a bit of a bump as it slowly chugs along. In doing so, it felt like it could've been tighter and a little less self-contained, but this opened up a relationship struck between Lupin and one of the assassins, Ellen. The script gave it an opportunity to dig a little deeper into Lupin's psyche, and background showing a serious side whenever he's not being coy. This is powerfully projected in its final melancholy scenes of self-sacrifice and pure reflection - finishing on a beautiful end credits song "Don't Forget My Eyes" by Emi Shinohara, the Japanese voice actress of Ellen and who also did voice work for Sailor Moon and Project A-Ko.