Births, Marriages and Deaths

After a foolhardy prank goes wickedly awry during an especially bizarre, drunken stag do, the once amicable existence of long-time boyhood pals, Terry (Mark Strong), Graham (Phil Davis), and the shifty khunt Alan (Ray Winstone), very soon takes a vicious wrong turn into far murkier waters! Blacker than a Bishop's benighted ring! Edgier than a flint codpiece! Sharper than a butcher's hook, witty writer Terry Grounds blithely boozy, blissfully bellicose, deliciously unpredictable drama has a grip like a 10 bob Brass, and a filthy gob on it ta' match! Vivid, no guff performances from powerhouse performers Ray Winstone, Mark Strong, and Phil Davis make gifted director Adrian Shergold's well blahdy tasty 4-part, off-beat thriller 'Birth, Marriages, and Deaths' an engagingly triple-threat'd Thespian treat! Splendidly skewed, downwardly descending adult drama that's rawer than a docker's armpit... so, buckle up! As it's gunna get propah lairy, mayte!!!! Top notch, diamond bright, late-night entertainment from the Beeb!

I'm sure that this story exists somewhere in Greek mythology. It contains everything of life, with the rich and successful Ray Winstone character being made to pay for his wrongdoing in a beautifully suitable way. This series introduced me to Mark Strong and I was completely bewitched, his screen presence is masterful. Only the BBC could do justice to this slightly strange tale, and it is a masterpiece.

Ray Winstone is superb in this series, but both Mark Strong and Philip Davis provide fantastic support. After a slightly bizarre stag night the lives of the three friends start to fall apart, although Alan (Ray) tries his utmost to pull his friends back together, things are never the same again. Alan thinks money can solve everything, including hiding the past, but both himself and his friends soon learn otherwise. This mini-series has so much style you couldn't shake a stick at it. Although the ending leaves you feeling you want to know more, it's still worth the ride. BBC2 drama is definitely not dead.

I have heard Winstone referred to as the British DiNiro, but in this series his character Alan is more of a British Tony Soprano - if Tony's best friends were "civilians". Alan (Winstone) is a narcissist (and a lot of other bad stuff) but he is not as intentionally evil as Tony Soprano. One of his problems his that he seems to prefer socializing with his mates who are a lot less successful than him.

The result is a more believable character, and the unusual turns of this story are more believable than the Sopranos.

To this American (me) the British accents are hard to understand in this series. I am a New Yorker who watches a lot of UK films. This was extra hard to understand.

It is rare to see a series that looks fresh and original- one that catches the attention, and manages to sustain it. This is one of those rare gems. The series looks great- wonderfully dark, with imaginative filming; the acting is first class, and the bitter-sweet story is very memorable. One of those shows that manages to be just the right length. The final episode comes far to soon, which is the hallmark of a great series- the story is sustained over a small number of high quality, and the series ends before the story can ware thin. A great series.