Complicity

In Japan, this film is given the title Psycho 2001. The cover of the DVD shows a writhing figure in a bloody bathtub, apparently boiling in a stew of guts and organs after ritual disembowelment.

No such scene exists in the film. This title and cover seem to be one more chapter in the harsh treatment this film has suffered at the hands of distributors.

And it is undeserved treatment. This is a classy thriller, Johnny Lee Millar giving his trademark performance in moral ambiguity as a clapped-out journalist looking to break a huge scoop on government conspiracy. As he digs deeper, he finds the story becoming less about the wicked ways of the world, and more about the murky secrets of his own past.

The Highland locations are well used in sweeping helicopter shots, the pacing swift as journo Cameron moves through a sea of bodies, a mysterious Deep Throat figure keeping him one step behind the bad guy(s). Brian Cox is as solid as ever, rehearsing his bad-ass law enforcer routine before Bourne. Millar stands up to a demanding role, especially in the final third when all his chickens come home to roost, and regret, anguish, atonement, cynicism and hope are all required to be shown.

Complicity appears to have been overlooked by most theatres, distributors, award-givers and reviewers. A shame really, much worse British films have travelled abroad in recent years. Complicity is fraught, character-driven, quirky, kinky and pays off at the end. Well worth checking out.

Brave yet flawed adaption of Iain Banks' dark novel. The characters appear flat as they wade through some bland dialogue. Jonny Lee Miller goes through the remarkable events as if he were buying socks. The shocks and surprises fail to shock or surprise. A more full on darker thrust would have prevented this from resembling a poor episode of Taggart. Well done for having a go and well done for keeping it in Scotland rather than moving it to another locale.

First I read the book, which is highly recommendable, and I have it as one of my top books ever. Later on I watched the film, and I found it good. I think the characters are casted very well, except perhaps William, but, on the other hand, Keely Hawes plays Yvonne very well.

I think the film misses out some important information on the book that give sense to the story. The film changes a couple of things here and there and does not fully respect the final, which I find a bad error. I think if the film had been 30 minutes longer it would have been a world success.

My review seems negative but only because the book is superb. Of course the plot is good, the actors are good and the story flows well. I do wonder, however, if I have been able to follow the whole plot because I know the book inside out or because it is well told. I had the feeling a couple of times that the story was told in chunks.

Do watch the film, but read the book first

Vile, violent, but intelligent thriller about a writer for an expose newspaper shocked to discover that everybody he was going to ruin in the press is turning up dead and all the clues point to him as the killer.

The premise may not sound like much, but just give this film a chance and watch it. You'll be surprised. It goes in directions that you would never expect, yet they are all credible. It also doesn't go for the easy answers in trying to wrap up it's little mystery. As good as the whole film was I never expected them to create a good ending for it, but yet again the script surprised me there too. A very good film.

Rated R; Graphic Violence, Profanity, Drug Use, Adult Themes, Sexuality.

sometimes, a film can suffer greatly from just one drawback, even if everything else is top notch. unfortunately, this is the case here.

this film, based on iain banks' novel, is an impressive production, with excellent actors, breathtaking scottish settings, believable and very enjoyable character quirks, truly shocking murders, suspense and even some steamy sex.

however, "complicity" doesn't quite succeed, and i can only trace it back to one thing: it's much too compressed. i haven't read the original novel, but it's obvious a great deal of it made it to the screen; unfortunately, the film's 93 minute running time just doesn't suffice for this epic tale: cameron colley's journalistic investigation into several seemingly unrelated murders, egged on by a mysterious anonymous source, which causes him to clash with his disapproving bosses; his relationships with his old friends, and the many secrets they share; his affair with yvonne; the various grisly murders as seen by the killer; flashbacks to cameron's childhood and teenage years; and the psychologically jarring moments after cameron becomes the police's prime suspect.

of course, this film offers many funny, thrilling, surprising and shocking moments, but they're all a bit rushed. a longer format would have benefitted this film greatly. banks' exceedingly clever and profound story manages to come over very well, but the film is so densely packed that i'd recommend you take small breaks so as to take everything in; make a cup of coffee or something and come back, as you would to a good novel (of course you could go straight to the source, but me, i'd rather watch the movie.)

the fabulous bbc production of banks' "the crow road" shows the extent to which a longer format is more suitable to his multifaceted stories.