Os amigos Tim e Daisy do norte de Londres e com um futuro incerto, devem fingir ser um casal para viver no único apartamento que podem pagar.Os amigos Tim e Daisy do norte de Londres e com um futuro incerto, devem fingir ser um casal para viver no único apartamento que podem pagar.Os amigos Tim e Daisy do norte de Londres e com um futuro incerto, devem fingir ser um casal para viver no único apartamento que podem pagar.
- Indicado para 2 prêmios BAFTA
- 2 vitórias e 6 indicações no total
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Resumo
Reviewers say 'Spaced' is acclaimed for its witty writing, pop culture references, and dynamic camera work. The show is celebrated for its relatable characters, especially Tim and Daisy, and their quirky friends. Edgar Wright's direction is praised for its creativity. The series balances humor with heartfelt moments, making it both funny and touching. Its attention to detail and homages to various films and TV shows enhance its appeal.
Avaliações em destaque
10jack-71
The whole two series was as close to perfect as I can imagine. Funny, beautifully shot, well-produced, the only downside was that there wasn't more of it. Perhaps the reason that it wasn't as successful as it should have been was that it didn't get a large enough audience. It was aired in a time when "The Royle Family" undeservedly won all the awards and praise, whereas Spaced was considered to be aimed at immature adolescents, film parodies and comic book references only worthy of an audience that doesn't know quality when they see it. And this is a tragedy, because, if television series' can be considered art form by any stretch of the imagination, then this is a masterpiece, something to be admired by others, a definite benchmark for all other programmes.
If there is one show you had to take with you to a deserted island, Spaced would be it. It sums up exactly how the minds of 20-somethings work. The fantasy world we would love to be in, but will never have. The only show to stand up to George Lucas and say that the phantom Menace was crap but at the same time cherish the magic of the first three.
Watch this show, try to count all the films and TV shows it mimics, and all the shows it references. 2001, Empire Strikes Back, The Matrix, One Flew Over The Cuckoo's nest, Scooby Doo, Robot Wars, Close Encounters and so many others.
The cast is top notch, and the writing is perfect. All I can say is "Roll on series 3"!!!
Watch this show, try to count all the films and TV shows it mimics, and all the shows it references. 2001, Empire Strikes Back, The Matrix, One Flew Over The Cuckoo's nest, Scooby Doo, Robot Wars, Close Encounters and so many others.
The cast is top notch, and the writing is perfect. All I can say is "Roll on series 3"!!!
Having just watched this series again, I am prepared to say that "Spaced" is definitely one of the greatest comedy shows EVER!
Funny, striking, imaginative, clever, compassionate, sarcastic, inventive, etc, etc, etc. You get the impression that co-stars and co-writers, Simon Pegg and Jessica Stevenson, just cannot write a boring line of dialogue or envisage a predictable scene. Using its "nothing new" premise (mismatched couple pretend to be romantically entangled to find a place to live), this show twists and turns its way off into many brilliant and original directions, while never failing to provide the required belly laughs along the way.
It uses movie in-jokes and references in a way that would make Tarantino envious, and the hipness of its execution makes it both a show that, paradoxically, is of the moment but is also certain to be talked about in ten or twenty years from now.
The cast are all first-rate: Pegg and Stevenson manage to be both madcap and touching, and are backed up by a sterling supporting cast of fresh and exciting talent. Julia Deakin as Marsha, the flirtatious middle-aged landlady and Mark Heap as the pretentious but vulnerable artist from hell, Brian, make a hilarious double act; Nick Frost is a real find as military mad Mike; and Katy Carmichael as the initially snobby Twist manages to be dotty without turning up the annoyance factor.
Even the guest appearances are great. My two personal favourites are Michael Smiley as the chemically enhanced Tyres O'Flaherty, a non-stop raver who even dances to the ringing of a telephone; and the excellent Charles Dale (II), who is usually cast as the heavy, but gives a marvellous comic performance here as the "yes man" security guard who helps our bumbling heroes rescue their beloved pooch, Colin, from an evil freelance vivisectionist!
Credit must also be given to director Edgar Wright who has created a unique and vivid look to the show, enhancing the script's wired look at the banalities of everyday life with his brilliant use of camera movement, lighting, cross-cutting, flashbacks, etc. Even if it wasn't funny (which it most emphatically is), "Spaced" would get top marks for being the best looking show on the box.
I could go on, but "Spaced" is a comedy that needs to be seen to be believed, and then seen again...and again...and again...
Funny, striking, imaginative, clever, compassionate, sarcastic, inventive, etc, etc, etc. You get the impression that co-stars and co-writers, Simon Pegg and Jessica Stevenson, just cannot write a boring line of dialogue or envisage a predictable scene. Using its "nothing new" premise (mismatched couple pretend to be romantically entangled to find a place to live), this show twists and turns its way off into many brilliant and original directions, while never failing to provide the required belly laughs along the way.
It uses movie in-jokes and references in a way that would make Tarantino envious, and the hipness of its execution makes it both a show that, paradoxically, is of the moment but is also certain to be talked about in ten or twenty years from now.
The cast are all first-rate: Pegg and Stevenson manage to be both madcap and touching, and are backed up by a sterling supporting cast of fresh and exciting talent. Julia Deakin as Marsha, the flirtatious middle-aged landlady and Mark Heap as the pretentious but vulnerable artist from hell, Brian, make a hilarious double act; Nick Frost is a real find as military mad Mike; and Katy Carmichael as the initially snobby Twist manages to be dotty without turning up the annoyance factor.
Even the guest appearances are great. My two personal favourites are Michael Smiley as the chemically enhanced Tyres O'Flaherty, a non-stop raver who even dances to the ringing of a telephone; and the excellent Charles Dale (II), who is usually cast as the heavy, but gives a marvellous comic performance here as the "yes man" security guard who helps our bumbling heroes rescue their beloved pooch, Colin, from an evil freelance vivisectionist!
Credit must also be given to director Edgar Wright who has created a unique and vivid look to the show, enhancing the script's wired look at the banalities of everyday life with his brilliant use of camera movement, lighting, cross-cutting, flashbacks, etc. Even if it wasn't funny (which it most emphatically is), "Spaced" would get top marks for being the best looking show on the box.
I could go on, but "Spaced" is a comedy that needs to be seen to be believed, and then seen again...and again...and again...
There simply isn't a better TV comedy around at the moment than Spaced. Simon Pegg and Jessica Stevenson's scriptwriting is so sharp and full of references it can sometimes be hard to keep up through the onslaught of hilarious jokes. With such well rounded characters it is just too good for words, it is the recognition humour and references that make this a wonderful comedy.
"Spaced" is like watching the cartoon of the life of the average SFX reader or Ain't-it-Cool UK talkbacker. It's the closest thing to fanboy (and fangirl) heaven there is. By that, I don't mean it's a perfect word for word film version of Lord of the Rings nor even a big BBC production of Asimov's Foundation trilogy. No, this is where really good fanboys (and fangirls) go when they die.
Set around the lives of Tim Bisley and Daisy Steiner sharing a ground floor flat somewhere in North London it shows in a disturbingly honest way the lives of the average late 20-something, recently moved to London, wannabe creative, painfully middle-class, skint people in much the same way that David Attenborough might bring to life the daily trials of a family of pandas. Their many rituals and habits are studied in detail as they go about carving their way in the cruel world around them. We see them go clubbing, going to sign on, in the pub, and rescuing dogs from animal testing laboratories. The one thing that leads me to think that this is only a sitcom and not real life is that their flat is always suspiciously clean.
As Tim is a struggling graphic artist trying to break into the world of comic illustration, it's appropriate that the characters are all cartoons themselves. They almost spew stylised behaviour, phrases and clothes. Some even have their own signature moves such as Brian's standardised description of his 'work' when he is asked what he paints. The editing follows this lead with many cut-aways into people's thoughts much in the manner of a thought bubble. The sheer quantity of cultural references is staggering. However, having lived a life similar to this, I know the number of cultural references in real life is at about the same level.
If you're currently aged between 27 and 34, this is the only sitcom you'll ever need to see again. Well, Black Books is pretty good too. Anyway, there are few things that make me laugh as much of this. If you know the words to the Ewok song, watch this.
Set around the lives of Tim Bisley and Daisy Steiner sharing a ground floor flat somewhere in North London it shows in a disturbingly honest way the lives of the average late 20-something, recently moved to London, wannabe creative, painfully middle-class, skint people in much the same way that David Attenborough might bring to life the daily trials of a family of pandas. Their many rituals and habits are studied in detail as they go about carving their way in the cruel world around them. We see them go clubbing, going to sign on, in the pub, and rescuing dogs from animal testing laboratories. The one thing that leads me to think that this is only a sitcom and not real life is that their flat is always suspiciously clean.
As Tim is a struggling graphic artist trying to break into the world of comic illustration, it's appropriate that the characters are all cartoons themselves. They almost spew stylised behaviour, phrases and clothes. Some even have their own signature moves such as Brian's standardised description of his 'work' when he is asked what he paints. The editing follows this lead with many cut-aways into people's thoughts much in the manner of a thought bubble. The sheer quantity of cultural references is staggering. However, having lived a life similar to this, I know the number of cultural references in real life is at about the same level.
If you're currently aged between 27 and 34, this is the only sitcom you'll ever need to see again. Well, Black Books is pretty good too. Anyway, there are few things that make me laugh as much of this. If you know the words to the Ewok song, watch this.
Você sabia?
- CuriosidadesEdgar Wright was originally skeptical of casting Nick Frost in the role of Mike. At the time, Frost was a waiter with no prior acting experience. In fact, the character of Mike was born out of Frost making Simon Pegg (his flatmate) laugh, and Wright later said that Frost was brilliant in the part.
- Citações
Brian: I'm an Artist
Tim: What sort of thing?
Brian: Pain... Fear... Anger... Aggression...
Tim: Watercolours?
- Cenas durante ou pós-créditosEpisode 1.6, which features the characters going out to a nightclub, replaces the usual names in the credits with hip hop style alternatives. For example, the show's writers and lead stars Jessica Stevenson and Simon Pegg become 'Jazzy Jess' and 'The Fresh Pegg'.
- ConexõesFeatured in Skip to the End (2004)
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- How many seasons does Spaced have?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Centrais de atendimento oficiais
- Idioma
- Também conhecido como
- Долбанутые
- Locações de filme
- 23 Carleton Road, Tufnell Park, Londres, Inglaterra, Reino Unido(exteriors: 23 Meteor Street)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração25 minutos
- Cor
- Mixagem de som
- Proporção
- 1.78 : 1
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