Rien sur Robert

I just saw it again after many years and I must say that Rien sur Robert is very enjoyable film, very clever comedy about emotions and our expectations about habits and feelings.

Robert, before the story begins, has done something that he shouldn't (and MeisterK too!), and he continues making wrong choices, all the time, to the end of the film, and this is what makes the plot so different from the Hollywood-plots.

But the best part is dialog of the characters, who are so amazing types with their way of behave.

And the actors make excellent work.

A genuine comedy of manners and mores with razor sharp timing and a troupe of actors, including the inimitable Michele Piccoli, who can convey a vast range of feelings with the slightest nuances of gesture or tone. The story of a French critic most famous for reviewing a film he never saw and the ups and downs of his love life is especially delicious if you are familiar with the hothouse atmosphere of French intellectual life. But the French gift for portraying the childish emotions that beset adult activities makes this film enjoyable for a wide audience.

"Nothing about Robert" is the description of empty, mediocre, hateful and paranoid existences... If the leading characters declare once in a while their love, they really like to let suffer each other. Is it a comedy or a drama? Is there even a plot? I had the pleasure of watching this unclassifiable movie because the characters in their vileness and outrageousness make one laugh. I loved their complexity which makes them at the same time close and odious. Especially, I discovered Valentina Cervi, actress with a very disconcerting performance, which interprets an exoplanet in the intellectual Parisian microcosm. Luchini is faithful to himself i.e. one always wonders from when he does a little too much. Sandrine Kiberlain is perfect in all the details.

I disagree with MeisterK's comment that this is a "plotless, pointless, depressing, just plainly bad" film. (In any case, depressing just doesn't fit with the rest of the epithets. It takes a *good*, dark film to affect today's jaded audience to/near the point of depression.)

This film is certainly not one made to please the masses, but genuine works of art are rarely created with that intention. This is a very rich and intelligent film. The writing is impeccable and the directing just as good.

Michel Piccoli gives a great performance, as do Luchini, Cervi and Kiberlain.

Initially, I stopped watching a copy of this film because I found myself feeling disgusted with the protagonists. Later, I decided to watch the film again as an impartial observer. To me, it became an interesting black comedy of frailties and morals.

This is a story of middle-class immorality and a pathetic obsession reminiscent of Maugham's Of Human Bondage. Morally-weak Didier (Fabrice Luchini) tries vainly to break his ties with brazen/ promiscuous Juliette (Sandrine Kiberlain). She has no need to be reasonable/considerate as long as she has the upper hand. Didier vacillates in a promising affair with insatiable Aurélie (Valentine Cervi) which would free him from Juliette. Others involved with Didier and Juliette are womanizer Jérome (Laurent Lucas) and his fiancée Violaine (Nathalie Beautefeu). Unfortunately talented Michel Piccoli is wasted in his role as Ariel, Lucien's smug/outspoken critic.

As in this film, Luchini seems to specialize in far less than ideal `heros'. In the '96 Beaumarchais the Scoundrel, Luchini was a brilliant-but-roguish delight and Kiberlain played his confidante/ mistress-and-later-wife. In '90 La Discrete, he played an egotistical womanizer who gets his come-uppance.