Através de um misterioso portal temporal, um filho comunica com o seu pai, falecido precocemente há trinta anos, através de um velho rádio amador. Os dois vão tentar manipular o passado de m... Ler tudoAtravés de um misterioso portal temporal, um filho comunica com o seu pai, falecido precocemente há trinta anos, através de um velho rádio amador. Os dois vão tentar manipular o passado de modo a evitar a morte e alterar o futuro.Através de um misterioso portal temporal, um filho comunica com o seu pai, falecido precocemente há trinta anos, através de um velho rádio amador. Os dois vão tentar manipular o passado de modo a evitar a morte e alterar o futuro.
- Prêmios
- 2 vitórias e 8 indicações no total
Avaliações em destaque
You can't help it!! You have to cheer and applaud this movie. I can't remember the last time the whole audience clapped at the end of a movie. It has been such a long time since a movie was made that warmed your heart, while keeping you at the edge of your seat. This movie will make you laugh, get a little misty in the eyes, and you won't even notice the time. You're almost sad to see it end. Dennis Quaid is excellent, this is his best movie in years. This movie also has some new faces you won't soon forget. Don't take my word on this, see it your self. You will be thinking about this movie for weeks.
An excellent movie, what a pleasant surprise. I can't remember the last time I was in a movie where the audience applauded at the end, and at scenes during the movie, too. It could be called a thriller, but that's just a part of what the movie was about. It was filled with well placed sentimentality and timely humor. Not a moment in the movie was there a wasted scene or a time when I lost interest. Yes, a Hollywood ending, but like most good things, it's the journey not the destination that makes it worth while. I saw it at a sneak preview, and I will go see it again in general release. I highly recommend it. It's not an epic, but it is the best movie I've seen in years.
10dribe
The plot in Frequency is hard to believe, but the movie's twists, action, and dramatic moments cover up its uncertainties. The idea of how the past affects the future is not original, but the rest of the film is.
When I first saw the preview for Frequency, I thought that the idea of a son talking to a his deceased father over a radio was original and interesting. I didn't think, however, that the film would be very good. I was wrong though. The movie is packed with action, mystery, twists, and emotion. The love between the father and son is so real, as are the characters themselves.
Frequency uses remarkable use of film's ability to stretch out moments of time and intercut between different events. And as far as timing goes, this movie has stopwatch-precision. As a result, it can produce tears, outbursts of laughter, or dropping jaws in the audience.
I think the ending of the movie could be improved, but I still highly recommend seeing this film. As long as you don't worry too much about the plausibility of the time-lapse details, you'll enjoy it. After all, it's entertainment in its finest form.
When I first saw the preview for Frequency, I thought that the idea of a son talking to a his deceased father over a radio was original and interesting. I didn't think, however, that the film would be very good. I was wrong though. The movie is packed with action, mystery, twists, and emotion. The love between the father and son is so real, as are the characters themselves.
Frequency uses remarkable use of film's ability to stretch out moments of time and intercut between different events. And as far as timing goes, this movie has stopwatch-precision. As a result, it can produce tears, outbursts of laughter, or dropping jaws in the audience.
I think the ending of the movie could be improved, but I still highly recommend seeing this film. As long as you don't worry too much about the plausibility of the time-lapse details, you'll enjoy it. After all, it's entertainment in its finest form.
FREQUENCY / (2000) ***1/2
It' 1999. Jim Caviezel stars as John Sullivan, a detective whose life is falling apart. Recently, he has split up from his girlfriend, he and his police partner Satch (Andre Braugher), are unable to solve a serial murder case that has been reopened due to the discovery of skeletal remains of a past victim. The thirty year anniversary of the death of his firefighter father (Dennis Quaid), is also approaching. John is beginning to sink in a pit of despair.
One night John stumbles upon his dad's old ham radio. He makes an effort to get the machine to power up once again. When he does and begins conversations with another operator, however, he realizes the person he is communicating with is his long dead father. Somehow, due to the presence of the Northern Lights, John is able to transmit back in time to 1969 and literally alter the course of his existence.
The concept of time traveling communication may seem far-fetched to some, and "Frequency" is a little hard to grasp at times, especially when the film never directly explains why the father and son are able to talk with each other through time. Notwithstanding, the production works as a science fiction thriller with supernatural overtones. While the filmmakers do succeed in convincingly constructing "Frequency," most audiences might have to leave logic at the theater entrance before viewing it.
"Frequency" is a well-structured motion picture; the movie is focused throughout. Although its story changes pace at different periods, for the most part the audience can follow along with the characters. This is a movie with a complicated and challenging story. Because of the film's complexity, we are enormously involved, if slightly confused. Screenwriter Tobias Emmerich links original and fresh feeling material here. Gregory Hoblit produces the right amount of action and suspense, combined with gentle emotions, to generate a film we have not seen before.
Dennis Quaid and James Caviezel are the perfect choices for the principal characters. Quaid performs with intriguing tension and appropriate receptivity. Caviezel dazzles with intricacy and dexterity. Offering refined supporting roles are Andre Braugher ("City of Angels", "Get on the Bus") and Noah Emmerich ("The Truman Show") who furnishes some light-hearted material as John's best friend.
Director Gregory Hoblit ("Fallen," "Primal Fear") clearly executes topics on screen. This film is overflowing with ideas and contains enough plot for a television series. However, "Frequency" is not without flaws. Sullivan's chaotic life is only vaguely portrayed. Although we do care for the character, more development would increase the relationship between the audience and he. Some of the make-up effects depicting age differences were disgraceful. Andre Braugher appeared as if his make up artists were straight out of junior high, slapping too much pancake cream plaster on him. The film's contrived climax concludes with a formalistic fight instead of continuing its battle of wits.
Despite a few unacceptable external problems, internally this is a very effective production. As a whole, "Frequency" contains a very encompassing story and places interesting characters in engaging circumstances. The movie is definitely worthy of recognition, but do not view it unless you plan on thoroughly discussing it afterwards.
It' 1999. Jim Caviezel stars as John Sullivan, a detective whose life is falling apart. Recently, he has split up from his girlfriend, he and his police partner Satch (Andre Braugher), are unable to solve a serial murder case that has been reopened due to the discovery of skeletal remains of a past victim. The thirty year anniversary of the death of his firefighter father (Dennis Quaid), is also approaching. John is beginning to sink in a pit of despair.
One night John stumbles upon his dad's old ham radio. He makes an effort to get the machine to power up once again. When he does and begins conversations with another operator, however, he realizes the person he is communicating with is his long dead father. Somehow, due to the presence of the Northern Lights, John is able to transmit back in time to 1969 and literally alter the course of his existence.
The concept of time traveling communication may seem far-fetched to some, and "Frequency" is a little hard to grasp at times, especially when the film never directly explains why the father and son are able to talk with each other through time. Notwithstanding, the production works as a science fiction thriller with supernatural overtones. While the filmmakers do succeed in convincingly constructing "Frequency," most audiences might have to leave logic at the theater entrance before viewing it.
"Frequency" is a well-structured motion picture; the movie is focused throughout. Although its story changes pace at different periods, for the most part the audience can follow along with the characters. This is a movie with a complicated and challenging story. Because of the film's complexity, we are enormously involved, if slightly confused. Screenwriter Tobias Emmerich links original and fresh feeling material here. Gregory Hoblit produces the right amount of action and suspense, combined with gentle emotions, to generate a film we have not seen before.
Dennis Quaid and James Caviezel are the perfect choices for the principal characters. Quaid performs with intriguing tension and appropriate receptivity. Caviezel dazzles with intricacy and dexterity. Offering refined supporting roles are Andre Braugher ("City of Angels", "Get on the Bus") and Noah Emmerich ("The Truman Show") who furnishes some light-hearted material as John's best friend.
Director Gregory Hoblit ("Fallen," "Primal Fear") clearly executes topics on screen. This film is overflowing with ideas and contains enough plot for a television series. However, "Frequency" is not without flaws. Sullivan's chaotic life is only vaguely portrayed. Although we do care for the character, more development would increase the relationship between the audience and he. Some of the make-up effects depicting age differences were disgraceful. Andre Braugher appeared as if his make up artists were straight out of junior high, slapping too much pancake cream plaster on him. The film's contrived climax concludes with a formalistic fight instead of continuing its battle of wits.
Despite a few unacceptable external problems, internally this is a very effective production. As a whole, "Frequency" contains a very encompassing story and places interesting characters in engaging circumstances. The movie is definitely worthy of recognition, but do not view it unless you plan on thoroughly discussing it afterwards.
The idea of this film is pretty original; I don't think I've ever heard of a story so well-thought out about time-travel/alternate time-lines before. The idea is based on the main character being able to communicate with his father, who's been dead for 30 years. His father hears it then, 30 years earlier. They quickly do some things that shouldn't have happened back then, which then changes the future(or present). The movie deals very well with how they change the future back and forth. The plot is very good, the acting is superb and the characters are all believable. The special effects are very good. The very idea behind the film is very good, but the way it develops so much further is amazing. The ending, while it may seem corny too some, and is, by all means, a bit of a typical Hollywood ending(some might even call it a cop-out), but personally I just think it worked better than anything else could have. I'd recommend this to pretty much anyone who can watch a movie where they have to suspend disbelief, but especially anyone into time-travel or alternate time-lines, as this is, in my opinion, one of the best movies made, concerning this subject. 8/10
Você sabia?
- CuriosidadesIn the warehouse fire scene, all the firefighters except Dennis Quaid, Peter MacNeill and Jordan Bridges are real.
- Erros de gravação(at around 5 mins) In the 1969 segment, there is a glance of a record collection where you can clearly see the "Elvis Presley In Concert" double album, which was released in 1977.
- Trilhas sonorasCrimson and Clover
Written by Tommy James (as Thomas Gregory Jackson) and Peter P. Lucia Jr.
Performed by Tommy James and Tommy James & The Shondells
Courtesy of Rhino Entertainment Co.
By Arrangement with Warner Special Products
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- How long is Frequency?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- Desafio al tiempo
- Locações de filme
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 31.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 45.010.278
- Fim de semana de estreia nos EUA e Canadá
- US$ 9.025.584
- 30 de abr. de 2000
- Faturamento bruto mundial
- US$ 68.106.245
- Tempo de duração
- 1 h 58 min(118 min)
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1
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