Quem Não Matou Mona?

I believe that this movie was panned when it first came out, and I don't know why. It is truly an underrated comedic gem that deserves more recognition. The performances are perfect (with the exception of Campbell) and the dialogue is hysterical.

William Fichtner steals the show as the sleazy "battered husband." His performance is tops in a stellar cast. Marcus Thomas is excellent as his son and lazy landscaping partner to Affleck, who is marvelous as the nervous and long-suffering lead. Will Ferrell puts in a great cameo as a creepy mortician.

Are there flaws? Of course. As another comment mentioned, Tracy Walter's character, Clarence, could have been developed more. Also, some the other characters' run-ins with Mona probably could've been better detailed as well, and the resolution isn't the most satisfying. But this movie is less about the plot and more great characterizations and riotous dialogue.

I own the DVD and I roll with laughter every time I see it, even though I practically have it memorized. This movie should be remembered as

An obnoxious woman (Bette Midler), who was despised by everyone who knew her, got murdered. Who did it?

The characters in this movie are to die for, because they are truly hilarious. Great acting, by a lot of great actors. But after a great start, the movie slowly peters out.

Funny enough for 1 watch, but when you know the plot, there isnt much else left to be enjoyed. Yes, the jokes are good, but this comedy is a bit TOO dumb and farcical at times. I can only handle that many farcical jokes in a row before I get numb.

For fans of Casey Affleck dont let this chance pass by to see him, because he is truly hilarious as a meek, blonde, dumb looser. Will Ferrel as a funeral employee is hilarious as well.

Drowning Mona is now a cult favorite of mine. The script is unusual yet amazingly funny. Every time I watch this movie, my understanding of its comedic genius grows. Especially for English language buffs, this film's edgy and blatant use of word order and delivery are what make it so hilarious. No line is extraneous or meaningless--they all add up to one hell of a funny film. I'd recommend this to serious movie goers who enjoy an intellectual thrill, a script that puts faith in the audience's ability to understand and not be told outright. If you crave a change from the typical Hollywood Blockbuster formula of drugs, sex, violence, and sentimental life lessons, watch this film. It still manages to deliver action and comedy--but are you smart enough to watch it?

Maybe Danny DeVito and Bette Midler should collaborate more often. The two times they did it was comedy gold. While this movie is not as flat out hilarious as "Ruthless People," it should still be enjoyed by the same people who love that movie. It starts with a prologue stating how Verplanck, New York was the location where they decided to launch the Yugo line of cars in America. As a result, everyone in town, including the police, drives a Yugo car, and they all have catchy license plates like UGOMONA, ELLEEE, and OH RONE.

As the title suggests, this black little whodunit concerns who opted to rid the small town of Verplanck of its nastiest inhabitant, the matriarchal hag Mona Dearly (Midler, who chews up every inch of the screen in her "Rashomon"-esque flashback scenes). Police Chief Wyatt Rash (Danny DeVito, playing against type as the straight man), is determined to find out, even if nobody else cares to help. It's come at a bad time, because he's trying to help his daughter Ellie (Neve Campbell) plan her big wedding to mild-mannered land-scaper Bobby Calzone (Casey Affleck), who has just ended up short-handed after his beer-guzzling partner Jeff Dearly (Marcus Thomas, the epitome of slackerdom) takes a leave of absence. Bobby also seems unnaturally concerned with the the death of a woman who meant only bad things for him.

The characters, while bordering on cartoons, are played tongue-in-cheek, and you know the actors had fun doing it. There's the chain-smoking waitress Rhona Mace (Jamie Lee Curtis), who's having an affair with the deceased's husband Phil (William Fichtner, who walks away with the movie as a complete scumbag), and Bobby's overbearing brother Murph (Mark Pellegrino). The cops are just as zany, with Peter Coyote as the do-gooder lieutenant, and Paul Ben-Victor and Paul Schulze (Ryan Chapelle from "24") as a couple of bumbling idiots who seem to be good for one thing, looking out for Numbers One. There's Katherine Wilhoite as Lucinda, the lesbian folk-singer mechanic, and the great Tracey Walter is on board as the local fisherman who nobody really knows much about. Add in a foul-mouthed, alcoholic priest, and a funeral director who's also an amateur pornographer (Will Ferrell before he became huge), and it's a feast for those with a twisted sense of humor.

... even the police.

Bette Midler, even though she is the title character, gets second billing to Danny DeVito.

In the recently released "Isn't She Great" she gets to play both sides of the ugly/beautiful coin and she does it here again brilliantly.

Sherriff Wyatt Rash (DeVito) has too many suspects in the death of Mona. Everyone would like to see her dead.

Neve Campbell as his daughter (Ellen) turns in a fine performance. Her breakdown and ultimate (short-lived) lesbian experience with the town's mechanic is either over-the-top -- or just short of being brilliant; hard to tell.

Casey Affleck (Ben's little brother) is very one-note -- I want to believe that it was written that way and that Bobby is not as shallow as the script would have us believe.

This is not a film that will appeal to everyone -- but hang in -- it only gets better as it goes along.

I enjoyed it -- and as I reflect on it -- it only gets better.