Adicionar um enredo no seu idiomaTwo 17-year-old boys mark the new year by doing twelve dangerous but exciting tasks set for them by their friends.Two 17-year-old boys mark the new year by doing twelve dangerous but exciting tasks set for them by their friends.Two 17-year-old boys mark the new year by doing twelve dangerous but exciting tasks set for them by their friends.
- Direção
- Roteirista
- Artistas
- Prêmios
- 2 vitórias no total
Fotos
Myriam Emilie Francois
- Heather
- (as Emilie Francois)
Nelle Ormrod
- Lynne
- (as Nellie Ormrod)
Avaliações em destaque
I saw this film at a student screening at the Duke Of Yorks in Brighton...i was incredibly impressed. The plot is well thought out if a little cluttered and the screenplay creates two believable teenage characters. Not the stereotypes that often appear in cinema. The makers also avoided the 'gritty realism' angle so often favoured by British independent film makers.
The cinematography is beautiful and no time is wasted trying to justify the two characters actions. Audiences are left to make up their own minds about the moral implications and justifications of the 'tasks'. And crucially..a happy ending is avoided without making the audience leave the cinema depressed.
Some criticisms can be levelled at New Years Day, the plot is cluttered, and budget limitations mean the first 20 minutes are annoyingly difficult follow..and the fake snow is blatantly fake. The characters Jake and Steven spend the film mourning are not sufficiently created to allow for real sympathy for them. The ending is also weird although it is hard find a better way to conclude and after listening to the directors justifications I am inclined to agree that this is the best way to end.
All in all a superb British film that avoids the costume drama and gritty realism cliches in favour of an entertaining plot that makes you think. SOMEONE PUTS THIS FILM ON COMMERCIAL RELEASE...THE PUBLIC NEEDS IT!!!
The cinematography is beautiful and no time is wasted trying to justify the two characters actions. Audiences are left to make up their own minds about the moral implications and justifications of the 'tasks'. And crucially..a happy ending is avoided without making the audience leave the cinema depressed.
Some criticisms can be levelled at New Years Day, the plot is cluttered, and budget limitations mean the first 20 minutes are annoyingly difficult follow..and the fake snow is blatantly fake. The characters Jake and Steven spend the film mourning are not sufficiently created to allow for real sympathy for them. The ending is also weird although it is hard find a better way to conclude and after listening to the directors justifications I am inclined to agree that this is the best way to end.
All in all a superb British film that avoids the costume drama and gritty realism cliches in favour of an entertaining plot that makes you think. SOMEONE PUTS THIS FILM ON COMMERCIAL RELEASE...THE PUBLIC NEEDS IT!!!
I originally found this in the queer section of a shop ( I think the management could use a little guidance, as they placed GET REAL alphabetically in general circulation. Actually, New Year's Day at its core is about two very tight school mates who try to deal with being the only two survivors following a horrible avalanche that claims everyone else on a holiday school trip.
I understand that some viewers might find this film a little plodding, and others will see the principal characters as simple hooligans checking off their list of twisted chores in their 'book of life'. There's room for opinion here,except that which maintains the two boys don't care for each other. Probably the most memorable line spoken is when Jake tells Stephen, and I paraphrase, ' i saved your life before. I'm not prepared to help you die, now'. I hope viewers will take a chance on this film, if only to watch that scene.
I understand that some viewers might find this film a little plodding, and others will see the principal characters as simple hooligans checking off their list of twisted chores in their 'book of life'. There's room for opinion here,except that which maintains the two boys don't care for each other. Probably the most memorable line spoken is when Jake tells Stephen, and I paraphrase, ' i saved your life before. I'm not prepared to help you die, now'. I hope viewers will take a chance on this film, if only to watch that scene.
...this is a film with a great deal of raw quality.
Two adolescent friends - one with all life's supposed headstarts, the other burdened with a shedload of reality - share a common battle to face up to their personal tragedy.
The interactions between the leads are well acted, but strangely in keeping with their social differences, the strongest empathy with each is possible when seen acting without the other.
An extremely strong film visually and probably best seen if you've just had a really s***ty day yourself. Welcome to the real world!
9/10
PS Great soundtrack...
Two adolescent friends - one with all life's supposed headstarts, the other burdened with a shedload of reality - share a common battle to face up to their personal tragedy.
The interactions between the leads are well acted, but strangely in keeping with their social differences, the strongest empathy with each is possible when seen acting without the other.
An extremely strong film visually and probably best seen if you've just had a really s***ty day yourself. Welcome to the real world!
9/10
PS Great soundtrack...
Anyone who has ever wondered what teenagers would get up to if they were freed from any obligations to their future will find New Year's Day quiet an interesting little morsel. A psychologist's dream study, it's also a rather effective film. MP's son Steven and under-privileged Jake are best friends at school. The desperation of each others parents, the 16-year-olds even have their own language. When they go on a school Christmas skiing trip, it's a great adventure. But it turns quickly to tragedy when on the first day the group of 11 friends is hit by an avalanche, and Jake and Steve are the only survivors. Returning to England, the pair are swamped in the emotion of a grieving town and a mass funeral (a particularly hard-hitting scene sees a long line of coffins on their way to the grave). As the townsfolk try to come to terms with the loss, Jake and Steven feel separated from everyone - that they should have died in the avalanche as well. So near the start of the film, on New Year's Day, we find Jake and Steve on a clifftop, ready to jump to their deaths - then deciding to live another year, to do the things they dreamed of doing. To cheat fate for a year. And so the film sets off apace, with the pair on a plan to rob a bank, burning down buildings, perform surgery, and so on. Director Suri Krishnamma sets the pace well, with the lads' exploits starting off in high spirits but slowly, uncomfortably, taking a darker turn. The two leads Andrew Lee Potts (Jake) and Bobby Barry (Steven) are both excellent, giving their characters a real sense of depth and direction. On the other hand, the ancillary characters are never really developed, and the film falters particularly in the uneasy sections with counsellor Geraldine (Marianne Jean-Baptiste), who doesn't quite hit the right note as a social worker. On the whole though, this is a well filmed piece of work - emotional and dramatic.
I enjoyed the movie. These rebellious teenagers remind me of many I know. I appreciated the movie because they at least had an excuse for their quest. I've seen the movie three times and I haven't gotten bored once which is strange because most movies bore me the first time I watch them. I'd say that if you aren't open-minded don't bother watching it if you're anything like my friend you'll find it offensive. If you're looking for an adventure which actually has a point - WATCH IT!
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Detalhes
- Tempo de duração1 hora 41 minutos
- Cor
- Proporção
- 2.35 : 1
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