AVALIAÇÃO DA IMDb
5,6/10
62 mil
SUA AVALIAÇÃO
Um magnata do parque de diversões oferece a um grupo de pessoas um milhão de dólares para passar a noite em uma casa mal assombrada com um passado horrível.Um magnata do parque de diversões oferece a um grupo de pessoas um milhão de dólares para passar a noite em uma casa mal assombrada com um passado horrível.Um magnata do parque de diversões oferece a um grupo de pessoas um milhão de dólares para passar a noite em uma casa mal assombrada com um passado horrível.
- Prêmios
- 1 vitória e 4 indicações no total
Bridgette Wilson-Sampras
- Melissa Marr
- (as Bridgette Wilson)
Bruno Angelico
- Patient
- (não creditado)
Carrie Lauren
- Theme Park Guest
- (não creditado)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
Asylums. Crazy people. Insanity. Mental therapy, mental hospitals, mental patients have been used time and time again in horror fiction and horror films. Why? I'm not sure; maybe, it is the normality of being like those that are insane which brings a more genuine horror to us. Whatever it is, House on Haunted Hill certainly uses all the mental derangement cliches to full effect. I could easily pan this film by saying(and rightly so) that its predecessor, the original House on Haunted Hill directed by William Castle, is a far superior film. That Castle's film was filled with better acting, better timing, and easily a better script. But I liked this film, which is not really a remake entirely. It has many elements that are not in the first film; most of them centering around the mental aspect aforementioned. The house in this film was once an asylum where people...thousands perhaps..were brutally butchered in the name of mental good health. The house is scary. Empty corridors, large, vast rooms, incredible special effects all add to the frightening aspects of the film. The biggest problem with the film is that much of it just doesn't add up in terms of making sense of the plot. The film fortunately is more special effects driven than plot driven, and at least is able to deliver the goods in that arena. The acting is pretty good with all the leads really doing quite a good job. Geoffrey Rush gives his best Vincent Price impression(pencil-thin mustache and all) delivering lines with bravura gusto. The other exceptional standout is Chris Kattan as Watson Pritchard. Kattan is just wonderful in the role showcasing his obvious talent. As far as great horror films go...this film is adequate, yet very thrilling, exciting, and entertaining. If you are like me and love the old one...just look at this film as a totally different entity. It is. One thing is for sure...it is one heck of a rollercoaster ride!
For once, a movie even scarier and more horrifying than the trailers for it. BUT......
The whole was not equal to the sum of its parts. Geoffrey Rush (what's HE doing in this movie?!) as Steven Price is actually a very interesting character, which can be attributed to either the effort the script takes to set him up, and/or the brilliance of the Oscar-winning actor in the role. Price's wife, Evelyn, gets similar treatment, but it is here the screenwriter(s?) get lazy.
The strangers in the house DO get a minimal amount of character set-up, i.e. who they are, what they do... but this information is never touched on again. One would HOPE that all ths information is being displayed for some higher purpose-- the background of these five strangers, the cat-and-mouse game played by Mr. & Mrs. Price, and Mr. Price's fascination with fear that is set up so intensely in the movie's opening minutes.
But alas, none of this GOES anywhere. It is all completely independent from the agenda of the House when I felt like it should all tie together, somehow. There are three forces at work here-- the ghosts who haunt the house, the humans who are trapped in it, and the Darkness that lives beneath it. These are all separate entities, we find, but for what purpose? This movie could have gone on another ten minutes, some loose ends could have been tied up, and I could have given it a much higher score.
Instead, what was truly an INTENSE build-up, sputters out at the very end of the movie. It didn't even feel like an end, it just felt like the movie stopped, and we're left without an explanation to what happens to the survivors-- including the most interesting character in the movie, the House itself.
7 out of 10. Fun to watch, truly terrifying, but incomplete.
The whole was not equal to the sum of its parts. Geoffrey Rush (what's HE doing in this movie?!) as Steven Price is actually a very interesting character, which can be attributed to either the effort the script takes to set him up, and/or the brilliance of the Oscar-winning actor in the role. Price's wife, Evelyn, gets similar treatment, but it is here the screenwriter(s?) get lazy.
The strangers in the house DO get a minimal amount of character set-up, i.e. who they are, what they do... but this information is never touched on again. One would HOPE that all ths information is being displayed for some higher purpose-- the background of these five strangers, the cat-and-mouse game played by Mr. & Mrs. Price, and Mr. Price's fascination with fear that is set up so intensely in the movie's opening minutes.
But alas, none of this GOES anywhere. It is all completely independent from the agenda of the House when I felt like it should all tie together, somehow. There are three forces at work here-- the ghosts who haunt the house, the humans who are trapped in it, and the Darkness that lives beneath it. These are all separate entities, we find, but for what purpose? This movie could have gone on another ten minutes, some loose ends could have been tied up, and I could have given it a much higher score.
Instead, what was truly an INTENSE build-up, sputters out at the very end of the movie. It didn't even feel like an end, it just felt like the movie stopped, and we're left without an explanation to what happens to the survivors-- including the most interesting character in the movie, the House itself.
7 out of 10. Fun to watch, truly terrifying, but incomplete.
The similarities between William Castle's campy 1959 original and this typical Hollywood remake are kept to a minimum. We have the premise of 5 people who're offered a million $ if they survive spending a night in 'the house' and Rush who brings tribute to Vincent Price (who played the lead role in the original). Other than this, Malone just follows the routine remake-standards meaning bigger, louder and more spectacular. If you're not too harsh, this actually is a pretty enjoyable movie and at times a successful mixture between an old-fashioned 'haunted house' chiller and a modern special effects playground. Thanks to some sort of miracle, Malone managed to cast class actor Geoffrey Rush and a more than decent supportive cast. Rush is talented enough to make his performance of eccentric impresario Steven Price look like a homage to Vincent Price instead of doing a lame impersonation. To me, however, the absolute star of this film is Jeffrey Combs (Re-Animator) who plays the small role of the demented Dr. Vannacutt. As usual, Combs' character is the cause of all horror and his grimaces are more diabolical then ever. He's an amazing horror icon and I simply can't get why he isn't enjoying an immortal success-status. Until about 5 minutes before the ending, the use of CGI is imaginative and not irritating at all. The finale is overly fake and kinda ruins the film. If you're not too demanding, The House on Haunted Hill guarantees a lot of fun and a few scares. Definitely a better remake than Jan De Bont's The Haunting and Steve Beck's 13 Ghosts.
i really dig castle, and of corse, vincent price. you just can't go wrong with vincent price for sheer menace... and camp!
the remake has changed a few things. it's set in an insaine assylum instead of a house. (i am sure this is to utilize f/x and freak-scares as much as possible.) the opening credits had this we-really-want-to-be-a-Seven-kind-of-movie feel to it, but when you get in to the actual film about 5 minutes the freaky feeling is gone and it's just another new-hollywood horror film.
there is an association between the guests and the house to tighten the story up more, and the f/x are really groovey.
don't get me wrong, i LIKED the film. it just didn't keep up on the creepyness it promised to have in the opening credits and only hinted at throughout the film. if you want to see a good scary film-see this,if you want to get the creeps-see the original in w/s in a dark room...
the remake has changed a few things. it's set in an insaine assylum instead of a house. (i am sure this is to utilize f/x and freak-scares as much as possible.) the opening credits had this we-really-want-to-be-a-Seven-kind-of-movie feel to it, but when you get in to the actual film about 5 minutes the freaky feeling is gone and it's just another new-hollywood horror film.
there is an association between the guests and the house to tighten the story up more, and the f/x are really groovey.
don't get me wrong, i LIKED the film. it just didn't keep up on the creepyness it promised to have in the opening credits and only hinted at throughout the film. if you want to see a good scary film-see this,if you want to get the creeps-see the original in w/s in a dark room...
Okay sure this movie is a remake and obviously not as good as the original. but its actually a really well done movie, definately deserves a better rating than 5.6. i really enjoyed it!
Você sabia?
- CuriosidadesGeoffrey Rush was never meant to look like Vincent Price (star of the original film A Casa dos Maus Espíritos (1959)). The original screenplay described Stephen Price as a regular looking businessman. Rush didn't care for this, so he suggested that his character look like the film director John Waters. The director agreed to test this look out. After his transformation, he ended up looking so much like Vincent Price the director decided to keep the look.
- Erros de gravaçãoSome of the warnings in the basement are in very bad German - it seems somebody just used a dictionary and translated the English lines word-for-word. For example, one sign has the phrase "Steh zurück!" which means something like "Stay back!". A correct translation would be "Zurückbleiben" or in this context "Eintritt verboten" ("No admittance").
- Cenas durante ou pós-créditosAfter the final credits, there is an additional scene that features Steven and Evelyn strapped down on Vannacut's vivisection table. The scene ends with Vannacut watching as one hears Steven and Evelyn's screams.
- Versões alternativasDue to numerous circumstances (i.e. running time constraints and what not) a great deal of footage was excised from this motion picture. Three of the most important scenes were returned for the DVD release. They are:
- two different versions of the same scene involving the real Jennifer Jenzen (Debi Mazar), a haughty, foul mouthed, arrogant movie producer and her assistant Sara (Ali Larter), who are on the set of a cheap drama Jennifer is producing. In one version, the set is in the courtyard of a regular house where a woman is telling a man, who is suffering from a seemingly terminal illness, to embrace life in spite of his condition. In the other version, a young couple, who seem to be medieval peasants, are frolicking on a meadow, falling to the ground and making out. In both versions, unhappy with the lack of sex and nudity in the film that could bring in the teen male audience, Jennifer curses the director out. Sara then arrives with a strange Art Deco music puzzle box that came in the mail for Jennifer. Despite Sara's advice and a warning label on the box, Jennifer arrogantly opens it the wrong way just because she was told not to, and cuts her finger on it. Sara laughs at this so vengeful Jennifer fires her on the spot and gives her the box to get rid of it. Sara however, finds the invite for the party on Haunted Hill in the box, and, although shocked by Jennifer's impromptu decision to fire her, she still tries to tell Jennifer about it, but when Jennifer refuses to hear her out, Sara just takes the invitation for herself and leaves, smiling.
- a scene towards the climax when Eddie Baker (Taye Diggs) and Sara are running from the shadow demon exploding the floorboards, they are led into a dead end. Eddie jumps onto a hanging light fixture, holding onto Sara as the floor beneath them explodes. He loses his grip on Sara and she falls through the hole into a subterranean cavern beneath the house where the remains of Doctor Vannicut's victims lie. The shadow creeps into the cavern and reanimates the dead bodies causing this huge zombie attack. Eddie drops down and saves Sara and the chase continues from where it left off in the finished cut of the film (however, if you notice, in the finished cut of the film during the chase scene there is a continuity error when Sara's running. In one shot she's wearing her jacket and in the other it's mysteriously vanished, it's vanished because during the cut portion of this climactic chase, Sara loses her jacket when she falls into the cavern. Her jacket is then used by Eddie to pull her up and out to safety).
- an epilogue was also cut from the film involving the real Jennifer Jenzen (Debbie Mazar) inheriting the house on haunted hill. When she goes to check it out with real estate agent Dick (played by Jeffrey Combs (who is also Dr. Vannicut!) we see her enter the house and then a horrifying scream follows. The scene was cut because director William Malone felt the scene was a bit too humorous for the film and that it did not fit what was filmed at all).
- Trilhas sonorasSweet Dreams (Are Made of This)
Written by Annie Lennox and David A. Stewart
Performed by Marilyn Manson
Courtesy of Nothing/Interscope Records
Under License from Universal Music Special Markets
Principais escolhas
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Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- La residencia del mal
- Locações de filme
- Griffith Observatory - 2800 E Observatory Rd, Los Angeles, Califórnia, EUA(House on Haunted Hill entrance)
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 37.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 40.846.082
- Fim de semana de estreia nos EUA e Canadá
- US$ 15.946.032
- 31 de out. de 1999
- Faturamento bruto mundial
- US$ 42.593.455
- Tempo de duração1 hora 33 minutos
- Mixagem de som
- Proporção
- 1.33 : 1(original ratio, open matte)
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