AVALIAÇÃO DA IMDb
6,3/10
18 mil
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Adicionar um enredo no seu idiomaAn insane independent film director and his renegade group of teenage filmmakers kidnap an A-list Hollywood actress and force her to star in their underground film.An insane independent film director and his renegade group of teenage filmmakers kidnap an A-list Hollywood actress and force her to star in their underground film.An insane independent film director and his renegade group of teenage filmmakers kidnap an A-list Hollywood actress and force her to star in their underground film.
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- 2 indicações no total
Lawrence Gilliard Jr.
- Lewis
- (as Larry Gilliard Jr.)
Michael Shannon
- Petie
- (as Mike Shannon)
Eric Barry
- Fidget
- (as Eric M. Barry)
Erika Auchterlonie
- Pam
- (as Erika Lynn Rupli)
Harry Dodge
- Dinah
- (as Harriet Dodge)
Roseanne Barr
- Rosanne
- (as Rosanne)
Avaliações em destaque
Many of you have probably never heard of this film, which stars Stephen Dorff as a rebel filmmaker who goes to some interesting extremes to get his movie made. The film is directed by noted underground director John Waters, and Waters tosses in scores of Hollywood in-jokes (check out the marquee during the opening credits!). The reason more people didn't see this in the theater is simply that it's so... so... different. It's highly unique, and therefore less likely to appeal to a mass audience.
But you do need to see it, really! Cecil B. Demented (Dorff) is the leader of a motley band of would-be film aficionados who kidnap a Hollywood actress (Melanie Griffith) at the premiere of her latest film. Demented's idea is to make a movie using guerrilla tactics, making the statement that studio films are Bad and independent films are Good. Waters' point is that the studio system is such that any movie coming out of it fits into a formula to make it more palatable to the masses - that is, that the movies you see in the multiplexes are dumbed down for your viewing pleasure.
Demented tries to achieve his vision by staging protests of a sort at movie houses, film screenings, speeches, and even a drive-in. His entourage includes a Satanist, a former porn star, and many other social and sexual deviants. There's hardly a taboo subject Waters doesn't cover here! And to be sure, the character of Demented himself never changes, which is in itself a welcome respite. Had this been a Hollywood film, you might have seen the nefarious filmmaker suddenly see the error of his ways in the final three minutes. I won't give anything away to you, folks, but rest assured that the characters remain true to themselves, except for Griffith's character. She changes, but it's a subtle, honest change.
There are surprises everywhere you turn, but let me warn you: this is absolutely not a film for everyone. There is plenty here to offend even the most open of minds. It is at once a unique, refreshing, and exciting film. It never even rests to catch its breath - it doesn't want the audience to fall back into its Hollywoodized lull.
Major kudos for screenwriting go to Waters and to his amazing cast. If you're into offbeat films, please watch this.
But you do need to see it, really! Cecil B. Demented (Dorff) is the leader of a motley band of would-be film aficionados who kidnap a Hollywood actress (Melanie Griffith) at the premiere of her latest film. Demented's idea is to make a movie using guerrilla tactics, making the statement that studio films are Bad and independent films are Good. Waters' point is that the studio system is such that any movie coming out of it fits into a formula to make it more palatable to the masses - that is, that the movies you see in the multiplexes are dumbed down for your viewing pleasure.
Demented tries to achieve his vision by staging protests of a sort at movie houses, film screenings, speeches, and even a drive-in. His entourage includes a Satanist, a former porn star, and many other social and sexual deviants. There's hardly a taboo subject Waters doesn't cover here! And to be sure, the character of Demented himself never changes, which is in itself a welcome respite. Had this been a Hollywood film, you might have seen the nefarious filmmaker suddenly see the error of his ways in the final three minutes. I won't give anything away to you, folks, but rest assured that the characters remain true to themselves, except for Griffith's character. She changes, but it's a subtle, honest change.
There are surprises everywhere you turn, but let me warn you: this is absolutely not a film for everyone. There is plenty here to offend even the most open of minds. It is at once a unique, refreshing, and exciting film. It never even rests to catch its breath - it doesn't want the audience to fall back into its Hollywoodized lull.
Major kudos for screenwriting go to Waters and to his amazing cast. If you're into offbeat films, please watch this.
I haven't seen enough John Waters movies to make a comparison to this one, so I can't tell if this was his most impressive work or not. But impressive, it is. I can see that Waters has a keen eye for satire. He does a fine job at mocking both underground and mainstream cinema, without being too exaggerated. He never goes over the top. Some of the scenes may be a little less than satisfying, the comedy may sag at times and there are very few actual "laugh out loud" gags--but at least Waters doesn't overdo the comedy to the point where it's sickening. Sure, he has a quirky sense of style that doesn't have a worldwide appeal. There is a scene in the movie involving a porn star and a gerbil (use your imagination). However, what Waters has is edge with taste. None of this mindless, gross-out crap we often spot in recent years; his stuff has intelligence.
What's great about this movie is its sense of irony. Stephen Dorff is perfectly cast as the emotionless, soul-less cult director Cecil B. Demented. The great thing about his performance--and Waters mentions this too--is he blurts out the most blatant, silly ideas and he totally plays it straight. He's serious about his cinematic deeds, no matter how far-fetched and stupid they sound. The movie is full of quirky characters. One quote that I will always remember is by Adrian Greenier, who plays the bong-toking crew member, when he's talking to Melanie Griffith's character. He offers her a hit from his crackpipe. She refuses, and he tells her, "I used to have all sorts of problems. Now it's just drugs. It's given my life a real focus!"
The climax is pretty...well...snappy. Unique but snappy. And I think Waters could've come up with something better. I don't know what, I just felt it was missing something.
"Cecil B. Demented" is wild, original and often funny. And after seeing this movie, I'm anxious to check out Waters' earlier work. On the DVD, there is a pretty good commentary by the director. He rambles on at times, but it's often pretty insightful. It's also interesting to find out "There is no extra in a John Waters movie." He incorporates the same cast members into every one of his movies.
My score: 7 (out of 10)
What's great about this movie is its sense of irony. Stephen Dorff is perfectly cast as the emotionless, soul-less cult director Cecil B. Demented. The great thing about his performance--and Waters mentions this too--is he blurts out the most blatant, silly ideas and he totally plays it straight. He's serious about his cinematic deeds, no matter how far-fetched and stupid they sound. The movie is full of quirky characters. One quote that I will always remember is by Adrian Greenier, who plays the bong-toking crew member, when he's talking to Melanie Griffith's character. He offers her a hit from his crackpipe. She refuses, and he tells her, "I used to have all sorts of problems. Now it's just drugs. It's given my life a real focus!"
The climax is pretty...well...snappy. Unique but snappy. And I think Waters could've come up with something better. I don't know what, I just felt it was missing something.
"Cecil B. Demented" is wild, original and often funny. And after seeing this movie, I'm anxious to check out Waters' earlier work. On the DVD, there is a pretty good commentary by the director. He rambles on at times, but it's often pretty insightful. It's also interesting to find out "There is no extra in a John Waters movie." He incorporates the same cast members into every one of his movies.
My score: 7 (out of 10)
After the bloody awful "Pecker", John Waters made this hilarious satire about a radical independent director, Cecil B. DeMented (Stephen Dorff) and his wild crew (Maggie Gyllenhaal, Adrian Grenier and Alicia Witt, among others) who kidnap a spoiled Hollywood starlet (Melanie Griffith, self-parodying her career of once successful turned B-list name) and force her to star in an underground film. In a world where the spoofs are made for the teenage audience and with the only purpose of recreating blockbusters' popular scenes (the "Scary Movie" series and its lame imitators - even the work of "cult" names like Kevin Smith - "Jay and Silent Bob Strike Back" - jumped on the same bandwagon), it's refreshing to watch a satire that's really funny and kitsch, but also very witty. DeMented's crew worships directors like Sam Peckinpah, Kenneth Anger, Pedro Almodóvar, Samuel Fuller, David Lynch and Rainer Werner Fassbinder, and not everybody will realize the irony in the end, but for film buffs who like these tidbits, "Cecil B. DeMented" is an absolute riot. 9/10.
Any film with Alicia Witt and Maggie Gyllenhaal has very good things going for it visually. And although a little weird for mainstream audiences, "Cecil B. DeMented is a very entertaining film. Imagine a spoof about the American film industry and American movie audiences, packaged as a cross between "Dr. Strangelove" and "State and Main".
It is after all a John Waters film, and a film set in his hometown of Baltimore. Which means the jokes will be hit-and-miss, with many best appreciated by film industry insiders and Baltimore natives. But the obvious fun the cast has playing their out-there characters is infectious. Melanie Griffith (Tippi Hedren's daughter) has a ball tweaking her diva image as she plays an aging star gradually won over to the cause of her kidnappers (insert Patti Hearst here who actually has a small part in the picture). Alicia Witt gives her best ever performance as the delectable porn star turned revolutionary. The best scene is when she and her fellow film revolutionaries hide out at a porn theater showing "Rear Entry", an anal epic co-starring Witt and a randy gerbil.
Stephen Dorff, before he went insane and got involved with Pamela (slug) Anderson, does a good job as the title character. But watch closely for an absolutely glowing performance by Gyllenhaal. She is something special with lines like: "I haven't had this much fun since my last livestock mutilation!"
Worth watching if you have a sense of humor, even better if you are demented.
It is after all a John Waters film, and a film set in his hometown of Baltimore. Which means the jokes will be hit-and-miss, with many best appreciated by film industry insiders and Baltimore natives. But the obvious fun the cast has playing their out-there characters is infectious. Melanie Griffith (Tippi Hedren's daughter) has a ball tweaking her diva image as she plays an aging star gradually won over to the cause of her kidnappers (insert Patti Hearst here who actually has a small part in the picture). Alicia Witt gives her best ever performance as the delectable porn star turned revolutionary. The best scene is when she and her fellow film revolutionaries hide out at a porn theater showing "Rear Entry", an anal epic co-starring Witt and a randy gerbil.
Stephen Dorff, before he went insane and got involved with Pamela (slug) Anderson, does a good job as the title character. But watch closely for an absolutely glowing performance by Gyllenhaal. She is something special with lines like: "I haven't had this much fun since my last livestock mutilation!"
Worth watching if you have a sense of humor, even better if you are demented.
It's not for the average movie fan. Cecil B. Demented is full of hidden clichés and retro-references that appeals to the warped viewer. The viewer who only sees movies with their 'significant other' will not appreciate this artistic production. The characters are almost toonish, but yet they are real. They are people you may have known, or at least viewed on the internet..eh. The colors are vivid as is the imagination. Waters leaves you wondering what he can think of next! Honey Whitlock is seductive, mature and yet willing and submissive to the abductor's plot. This does bring up memories of the Patricia Hearst kidnapping which appropriately she is in the movie. Hearst plays the role of Fidget's mother. And most of us guys can relate to Fidget. If you are a fan of underground movies, you will love this one!! Be careful who you refer this movie to, or they may put you in their prayers! It could polarize your next family get-together!
Você sabia?
- CuriosidadesThe tattoos on the cast and crew are as follows:
- Cecil - Otto Preminger - left forearm
- Cherish - Andy Warhol - thigh
- Lyle - Herschell Gordon Lewis - left breast
- Pam - Sam Peckinpah - left arm
- Chardonnay - Spike Lee - stomach
- Lewis - David Lynch - knuckles
- Fidget - William Castle - chest
- Raven - Kenneth Anger - chest
- Rodney - Almodovar (presumably Pedro Almodóvar) - right arm
- Petie - Fassbinder (presumably Rainer Werner Fassbinder) - left forearm
- Dyna - Sam Fuller (aka Samuel Fuller) - right forearm
- Erros de gravaçãoIn the chase scene with the Baltimore PD, the left front tire of the police cruiser is shot causing it to go flat and the cruiser to crash into a movie theater box office. As the cruiser slams into the box office, the tire has miraculously been re-inflated.
- Cenas durante ou pós-créditosThe credits thank "Fred and Ginger" both insinuating Fred Astaire and Ginger Rogers, the dance duo, and "Fred e Ginger" a movie by Federico Fellini, paying homage to the duo.
- Versões alternativasThere was a quick shot in earlier prints of the movie theater showing the director's cut of "Patch Adams", where we see the sign advertising the director's cut. This shot can still be seen on the intro to the DVD menu, and in one of the trailers.
- ConexõesFeatured in SexTV: Pink or Blue?: The Science of Sex Selection/John Waters (2004)
- Trilhas sonorasOpening Credit Theme
Written, Produced and Performed by Moby
Featuring samples from "Music for the Movies 1"
Written by Larry Hochman
Courtesy of V2 Records/ Mute Records/ Destiny Music Ltd.
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- How long is Cecil B. Demented?Fornecido pela Alexa
Detalhes
Bilheteria
- Orçamento
- US$ 10.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 1.284.646
- Fim de semana de estreia nos EUA e Canadá
- US$ 127.141
- 13 de ago. de 2000
- Faturamento bruto mundial
- US$ 1.961.544
- Tempo de duração
- 1 h 27 min(87 min)
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
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