The Proposal

This movie is about Terry Martin (Nick Moran), a neurotic undercover cop who

finds himself in a sticky predicament. Martin is investigating Simon Bascig

(Steven Lange), a very charming, intelligent, and mildly psychotic underworld figure. To prevent himself from blowing his cover, Martin claims to have a high maintenance wife that keeps him from socializing after work. This ruse works for a while, but Bascig presses Terry to bring his wife to a social gathering. The problem: Martin has no wife, real or undercover. Enter Susan Reese (Jennifer Esposito), a cop with no undercover experience, but a lot of ambition, smarts, and beauty. Reese accompanies Terry to Bascig's party and Bascig falls for

her. Much to Martin's chagrin, Reese becomes a part of the investigation. From here, the movie unfolds into a first-rate thriller wrought with intrigue as we see...

This moving is great! The story is fresh and original, striking a nice balance between character development and action. Great acting by Esposito, Lange

and Moran. I especially love Lange's performance: the right amount of bravado and psychotic. The cinematography is crisp and does a nice job fueling the

mood of the story. The director, Richard Gale, does an excellent job bringing the story to life, which is especially impressive given that the movie was made under the smallest of budgets and shot over just a few weeks. By the way, all this information, and a whole lot more, is found in the director's well-done

commentary. Gale gives us insight into all the behind the scenes tricks as well as his reasoning for scenes. This part of the DVD is a must watch, especially for directors working under similar circumstances.

The Proposal both contains surprises and is a surprise. The story is suspenseful and tight, acting solid, and direction skilled, all better than I had been expecting. Undercover cop Terry Martin (Nick Moran) and his new partner Susan Reese (Jennifer Esposito) infiltrate a crime lord's underground operation. But Reese, anxious to leave her desk job behind, pushes too quickly to get close to Big Boss Simon Bacig (Stephen Lang), and soon Martin doesn't know who he can trust. Figuring out exactly who is on whose side rapidly becomes an intriguing puzzle for the viewer.

The believable acting and storyline plus lack of any significant plot holes are a refreshing change from what Hollywood often churns out. This film won't insult your intelligence with gratuitous violence, unbelievable gun fights or unwarranted car chases; the R rating probably should have been PG-13. Esposito seems genuine and comfortable in front of the camera. Unfortunately Moran's performance is marred by what I assume to be a speech impediment of the actor ("wobbewy in pwogwess"), which distracts at times. Lang is convincing as the crime boss with an inflated ego who is used to getting whatever he wants. You'll recognize character actor William Davis who plays FBI Agent Gruning with an understated appeal. An interesting mix of flashbacks and flashforwards from director Richard Gale will taunt you with clues about the mystery.

No, this movie is not without weaknesses. Until Esposito can smooth out her New York accent, she'll be relegated to playing either ethnic or tough girl roles, otherwise she has the looks and talent for more significant acting jobs. Setting and filming the movie in New York or Chicago, rather than some unnamed generic city, would have added authenticity. The background music could have been better. Still, definitely worth a view, especially if you are fond of the genre.

"The Proposal" turned out to be a very pleasant surprise not simply for what it was, but what it wasn't. Amazingly, there are no cliches in this relatively low budget suspence/drama work. Most notable is the camerawork, with not a single pedestrian sequence of shots. Subtly original, these camera angles serve to nicely parallel the storyline which is unpredictable in both its direction and its mood. The audience, as a result, must give its full attention throughout this film or risk losing its bearings. Those who watch this film closely will be rewarded not only with a stimulating storyline, but the opportunity to experience some superbly interesting and well developed charactors as well. For those who appreciate the nuances of filmmaking, this is a must see.

This film takes a familiar storyline and gives it a few interesting twists. I think that it is the characters and the script that make this movie as good as it is.

The story is about an undercover detective (Moran) who leads a paranoid existence, constantly vigilant against being found out for who he really is. In order to keep his cover intact, he reluctantly accepts a new partner (Esposito) who has no undercover training and who may eventually put him in jeopardy.

The Proposition takes you into the personal life of a detective who has been under for several months and the lengths he goes through to establish his identity as well as watch his own back.

The film's antagonist, Simon Bacig (Lang) is great. He is a villain's villiain who plays dangerous, vain, and eccentric, all without going over the top.

Great direction and script give this movie dimension and depth that allow you to get in touch with the characters and keep you hooked as you await the final outcome (which I guarantee, you won't be able to guess).

Nick Moran does well in this role, a consistent and believable element in a movie with a few twists and turns. You can relax with this movie for an evening, but if you're paying for this as a rental then you might do better to see Nick Moran in "Silent Partner." An episode of Miami Vice probably has a better way of mixing the good guys, bad guys, local police, and feds or FBI. The characters in this film make good sense and you could expect to find people like them, but character development is not very strong except for that of Nick Moran's character, Terry Martin. Jennifer Esposito as Susan Reece enters the stage with a dash of freshness, shows signs of that character trait at times, but doesn't really have a believable role. Don't blame the actress - the writers and director could have done better with her skill and the role. Not a bad movie, but not gripping, either.