Max Q: Pouso de Emergência

This movie was pointless. I can't even call it sci-fi, since that requires more from a movie than merely taking place in space. "Max Q" isn't even set in space for the entire movie. The story/plot is unoriginal, the cast isn't anything to write home about, although it would be strange with a top cast in a mediocre film... Furthermore, it's not particularly exciting or well-told. At least it's evenly balanced in a low quality sort of way, in that nothing or no one stands out. Everything is equally bland. I usually find some quality in "space flicks", even if it's just 90 minutes of semi-lame entertainment bordering on low-budget pathetic, but "Max Q" didn't even give me that satisfaction. All in all , a complete waste of time.

In a running time less than 1 1/2 h this TV-movie (!) packs the whole Apollo 13 concept and generates more suspense than Armageddon. It focuses on good, old MacGyver-style problem-solving and when it comes to an end it serves us a wildly over-the-top but fun emergency landing.

Only problem.... it has nothing to to with reality...but I don`t care. This one really surprised me. Best Bruckheimer for me. His big screen movies are mostly big misunderstandings of what entertainment should be.

I pity the cast of this film.

Apparently Jerry Too-Much-Testosterone Bruckheimer didn't get enough space action with Armageddon so he had to slap this piece of crap together in about two months and throw it into an empty timeslot on ABC for god knows what reason. This abomination is highly inaccurate, badly written, and a complete insult to anyone who knows anything about flying or the space program. NASA deciding the day before launch to send a reporter into space.......HA! Even the Russians wouldn't do that. And using a blowtorch in space? Who was their tech advisor, Baghdad Bob?

But aside from the technical neurosis, the film comes across as a cheap attempt at a modern day Apollo 13 and a tax shelter (probably left-over money from Armageddon, since they didn't hire real writers for that either). All in all, don't bother with this one. If you want a good modern space movie, check out Space Cowboys. At least that one didn't have you groaning every five seconds like this one did.

Though advertised as a 'film' (i.e. theater movie) in the TV guide, IMDb confirmed the obvious signs of a TV movie. Things I thought were cheap: the use of the solo e.guitar to emphasize heroism (this effect is so cheap that refer to it as 'the p*rn guitar') and a man's choir to emphasize determination, or something. The wobbly camera in the a-drift (but stable) spaceship. I don't mean the shots done by the astronaut, those looked believable by its light-weight camera jerkyness. Things that needed a little imagination: The blowtorch, not only to imagine where the oxygen came from, but also how a soldering device can cut through metal (and give off sparks doing so). And why astronauts shift their weight from one leg to the other, moving around in a shuttle in orbit. Things that could have been worse: The animation of the tolling spacecraft, and how the crew experienced and handled it. The dialog - a lot of it sounded quite natural. There's no obligatory heat or animosity in discussions, no improbable loads of wit. Some cheesy stuff like the grinning bum in the end, or the surprise of the motorists on the improvised runway. Good for a chuckle though. Containing a lot of standard ingredients, but also showing skill (camera, lighting... no artwork however). Errors (out of laziness, time pressure?) and fair accuracy.

With knowledge of NASA and the space shuttle, I have to say that this movie was DREADFUL. It was slapped together in under two months with hardly any research and had even less accuracy than Armageddon. I find it shocking that they were actually able to land an astronaut (who I will not name) as technical advisor and still be so far-fetched. The acting was horrific, the special effects looked like something out of an FAA crash animation video, and some of the concepts (assigning a news reporter to the mission a day before launch, using a blow torch in space, and landing the space shuttle on an L.A. highway) are too far-fetched even for a 70's James Bond (Moonraker seemed more real than this). I find it hard to believe that this was made by the same guy who did Top Gun and Crimson Tide. Don't get a popcorn bucket for this one, get an air sickness bag.