Palácio das Ilusões

This is the absolute worst adaptaion of a classic novel in existence. I am very sorry that Miss Austen is not alive to defend her work for such disgusting adaptaions as this. The added sub plot about slavery was totally inappropriate. I'm not saying that it wasn't an issue at the time I'm only saying that Miss Austen chose to leave it out of her novel so who are we to put it in there. PLease I beg all fans of Jane Austen's writing to speal out against this horrid movie based ever so loosly around her classic and wonderful novel.

What has this movie done to a book as charming as 'Mansfield Park'?! The storyline has been altered until it is virtually unrecognisable! Fanny Price is nothing like she is in the book, the other characters have been equally changed for the worst and as far as I could tell hardly any of Austen's witty prose has been retained!! It seems this adaptation is 'Mansfield Park' in name only.

This is probably the most difficult of Austen's novels to bring to the big screen because the characters are so much a product of their time. Fanny is supposed to be shy, submissive, compassionate and pious. She was never outspoken, headstrong or feisty. In short, she is not Elizabeth Bennet and she never will be. To attempt to portray Fanny in this light is missing the point of her whole character. She is dull and boring by today's standards, but her disposition was admirable during the time that she lived.

I really don't know what the filmmakers were thinking with this adaptation - they probably weren't!! At any rate, it is only because Jane Austen is long dead that they would dare to produce this version. If you haven't read the book you'll probably enjoy it. If you have read the book, don't bother with this. It will ruin your whole experience of the novel.

Jane Austen wrote gold. Its It's a shame that the people making this movie didn't have any faith in the author. The changes were enough that this is almost a different story.

If the story wasn't what they wanted to produce, maybe they could have called it "Fanny Price - Based On Jane Austen's Mansfield Park". Then maybe I wouldn't have felt deceived.

Jane Austen was a spectacular author. In this book she was able to take the loan of a gold chain and turn it into the biggest dilemma of the century. It's a storyline that really shows Fanny's character and it really stood out to me in the book, but it was left out of this movie.

The character of the uncle was extremely changed. It was quite annoying.

The actors and actresses all did a tremendous job in this movie. That's why I gave it a 7. I wish I could have seen them all in Mansfield Park.

This isn't an awful movie. It's quite watchable. Some of the acting, especially from Pinter is excellent.

But the rest resembles those films made from classic novels in the 30s where no one concerned in making it had time to read the book. A quick treatment by a college student, a quick script conference, then off we go. Rozema has almost no idea of what the book is about but is entirely unembarrassed by her ignorance in her interview on the DVD.

Austen fans don't have to wait long to discover just how far off the wavelength she is. The first contact between Sir Thomas and Fanny is a reproof for running through MP's corridors shrieking like a banshee. Lines are taken from Mary Crawford in the book and given to Fanny in the film. How's that for missing the point? One by one characters appear looking no more recognisable than if they were appearing in a literary celebrity edition of Scooby Doo.

I agree with other reviewers that if the film was called something else and the characters had different names, it would be impossible to trace it's origins to Austen's book which is definitely not a conventional love story about bright young things getting together having overcome a few obstacles.

There's very little to choose between the morals of Rozema's characters, so nothing of the catastrophic descent into the abyss is associated with the production of Lover's Vows, nor do we have any glimpse of Rushworth and Crawford vandalising Sotherton. Mrs Norris is one of the most deliciously evil creations in literature - Rozema reduces her part to a few lines. Thomas Betram is a "modern" artist - yikes! William Price, Fanny's brother and one of the key relationships in the book, is missing altogether. Susan, her sister, has been reading too many Style magazines.

Mansfield Park might have been a bit like this had it been written by Georgette Heyer or even Jackie Collins. As an Austen adaptation it is execrable. But it's so far off the mark, that as something else entirely, it's not all that bad. Maybe they should just change the title.

They say the great thing about Shakespeare's work is that it is so open to interpretation. Every director can bring his or her fresh eyes to a play and make it new. Even so, I think we are obliged to stay true to the basic tennents of the text. Are the works of Jane Austen as open to interpretation? Maybe, but I doubt it; Certainly not if MANSFIELD PARK is anything to go by.

MANSFIELD was always my favourite of Austen's six novels. Many modern critics, while not denying its basic greatness, have problems with the book. Many find FANNY PRICE unlikeable, many find her judgemental, and feel that her Stoic, Augustan approach is hard to relate to. Stand-by, do nothing, and eventually he'll see the error of his ways and come to love you. Not very modern, is it?

OK, so if you don't like the main character, if you don't like what she has to say, then what do you do? Look for other aspects of the story you can relate to. In recent years some critics have chosen to see MANSFIELD PARK in Post-Imperial terms, as a critique of Slavery. After all, the family's wealth is based on plantations in Antiga, which were run by slaves. Is that what the book's about? Is it? I don't know. I think the evidence is a little slim, but who am I to deny the possibility? Maybe it plays a part in the subtext of the novel.

So, I'm a modern script-writer who doesn't like the novel, it's pre-occupations or even Fanny Price. What do I do? I completely re-write the story to take a possible minor sub-text (slavery) and turn it in to the driving narrative force. I then take smart as a whippet, stubborn yet passive Fanny and turn her into a ballsy version of Bridget Jones. With an attitude. I then string together a couple of scenes from the book with a few invented bridging scenes to advance the romance. Et Voila! I have a completely different story!

I don't know what this film is, but it isn't Mansfield Park. Enjoy it on its own terms, but don't ever get the idea that your watching Austen on the screen. But, jeeze. I think that if you're going to adapt a novel for the screen, you ought to at least like the source material; Otherwise, what's the point? If you don't like the main character, you shouldn't be able to completely re-invent her. Or if you do, you should have the decency to be a little ashamed.