Droh Kaal

"Droh Kaal" is by far another finest film ever made in Indian Parallel cinema. Its another Hard-Hitting Drama from Master Director Govind Nihalani.

To bring out a Script with thorough Practicality & Real-Life Approach of Rift between Police & Terrorits becomes very difficult task and possibly one may land up being conventional main stream cinema. This is not the case with this Film. May be Ardh Satya (earlier Nihalani's work) & Droh Kaal are the only Realistic Hardcore Police Stories ever told.

The Film is utmost Gripping & bears Hair Raising Moments. The Deputy Commissioner of Police Abhay Singh, played by Om Puri sends in "under-cover" squad amongst a terrorist group to reveal their complete conglomerate activities. The Top Secret operation is only known to him & his Colleague DCP Abbas Lodhi. Amongst the five terrorist groups, one of the group's commander, Bhadra played by Ashish Vidyarthi, gets caught and is in Police Custody. Even staying within the Custody the terrorist commander controls his terrorist force to threaten the DCP and plan an escapade. He is also aggravated by these Police officers' constant attempt to hamper their various activities. On his aggression, Commander Bhadra threatens DCP Abhay Singh by keeping his family on his target. The DCP had no option than just to work hand-in-hand with the Terrorist Group. He is forced to Shelter two terrorist in his home staying along his family. He is asked to provide all vital informations of Police operations. His Colleague, DCP Abbas Lodhi gets killed. Finally the film turns sharp in the end where there's an Opportunity, the DCP can get to destroy the enemies.

The Best thing in a Govind Nihalani Film, is conversations. He is the master of creating Hardcore Drama by vibrant human ideologies exhibited in true sense through perfectly-written Dialogues. The conversation between DCP Abhay Singh & Commander Bhadra in Interrogation Room & in Jungle are brilliant.

The End Part of the Film is as Gripping & Hair Raising like the end scene in "The Silence of the Lambs".

Naseeruddin Shah as DCP Lodhi is also fantastic. Finally the Film again belongs to Om Puri, who delivers a controlled & powerful performance.

This is one of the best Indian Cop movies fighting against terrorism. The film is real, Hard-Hitting and very edgy. This film featured some of the Great actors and every character was fleshed out beautifully. Ashish Vidyarthi as the antagonist was terrific.

BGM, dialogue, cinematography, everything was superb in this film. You'll feel goosebumps & little tears will be there during ending of the film. Respect for the honest police officers will increase after finishing the movie. This was remade in Tamil as Kuruthipunal and that remake was the India's official entry for Oscars.

When I first saw this movie I thought it was one of the best movies I'd ever seen. When I saw it again a couple of years ago, as a more experienced viewer, my opinion diminished significantly. Having said that, the movie has some good performances.

In spite of the presence of stalwarts like Naseeruddin Shah and Om Puri, it is Ashish Vidyarthi who has the film's best performance.

In my opinion, Droh Kaal is one of Govind Nihalani's lesser films. I recommend Aakrosh as an example of one of his better ones. Ardh Satya isn't too bad either.

Govind Nihalani is a fine film-maker from India, and I recommend his films (especially his earlier films). At the same time, and without a great deal of effort, I can think of at least three other Indian film-makers who have consistently made significantly better films: Satyajit Ray, Shyam Benegal, and Girish Karnad.

Drohkaal is intense, passionate and disturbing at the same time. Highly realistic and well directed. Script is first rate. Performances are convincing. All veteran actors team up together and deliver power packed performances. Director govind nihalini handles the subject of terrorism well and executes it with perfection and realism. The psychological journey of each character is clearly visible. The turmoil, confrontation, confusion, disturbance, contradiction, deliberate attempts, love, concern, loyality etc is visible in each character. And that's the usp of drohkaal. The story travels from a to z in a flow with each character growing in a perfect way.

Droh Kal was undoubtedly ahead of its time. Released in 1994, it emerged during an era when terrorism was beginning to show its brutal face, peaking in 1996. The Tamil remake, 'Kuruthipunal,' featuring Kamal Hassan, is equally compelling. While the climax may not appeal to everyone, this is one film that truly deserves a sequel. Though some scenes might seem exaggerated, however the storyline is captivating and keeps you engrossed throughout. Most of the movie being churned out these days tend show a one sided affair with the hero having an upper hand through out the movie. Interestingly, A R Rehman was supposed to compose for the film but his computer crashed losing his work.