Cleopatra

I give it a 7 ONLY for the first part where Timothy Dalton performs as Julius Caesar. He was FABULOUS!!! Great performance as usual from this man. Having been a longtime fan of Mr. Dalton's, I can't believe I'm just now seeing it. I actually bought the DVD so I can watch his performance over and over. Even though Leonor Varela was okay, she DID have HOT chemistry with Dalton, more so than she had with Billy Zane. But then what woman doesn't have on screen chemistry with Dalton (well, maybe Mae West!). I read that Varela and Zane were engaged but never married. I can see why when watching them on screen......LOL!!!! BORING!!! Oh and Caesar's death scene is AMAZING, even though I winced throughout. Anyone who is a Timothy Dalton fan should rent (or buy) and watch the first 90 minutes. You won't be sorry.

The sets, costumes and backdrops are kaleidoscopic with meticulous attention to detail. Timothy Dalton brought his years of stage work to the part and Caesar seemed bigger than life. He has seasoned well in the years since playing 007 and his strong masculine presence, rich baritone and passion carried part 1. He is convincing in his love for Cleopatra and their son. Leonor did her best to educate us to Cleopatra's fierce Patriotism. Her curvy figure in the filmy costumes came to life with a feline fluidity. Billy Zane makes a good choice for the young brash Antony, a loyal soldier/playful child. His huge smile and coltish antics would be difficult not to like. His intense shame at comrades and battles lost, is moving and heartfelt. So what is not to like in this film? Leonor's lack of acting experience drained life from this story. She managed playing the spoiled rich girl well enough. But her many temper tantrums and pouting ways lacked depth. Dalton carried their love scenes. But alas, the sophomoric grappling of Leonor and Zane in part 2 was anything but passionate. It is hard to believe that scene wasn't reshot. They looked like they were playing Twister in drag. Zane did well playing the good soldier, but a man not suited for leadership. For all this, renting this video is well worth the time. Its adherence to history far outdoes the Taylor/Burton film.

And watching the 'love scene' between Leonor and Zane in fast forward mode will always good for a laugh.

Dalton was surprisingly good as Caesar, as was Zane as Marc Antony. Ms. Varela, however, gave a most unfocused reading of Cleopatra--varying from passion to cruelty to vapidity but with no established core. In an effort such as this, that proved a cruel disappointment.

Sets were gorgeous, as were costumes. One COULD wish that Hollywood might approximate historically accurate women's clothing more closely, though.

This was a visually rich spectacle. The story was fine. But some really effective bits (Cleopatra with attendants in final tableau) really rang enormous bells for those familiar with the Taylor/Burton version.

Not my top cleopatra, nor my 2nd to the top (Colbert is very very good), but definitely on the list. And, indeed, the DVD transfer is gorgeous.

Cleopatra is one of the most fascinating figures from history. This 1999 TV movie does a good job of telling her story from her point of view. Granted Leonor Varela is a bit off, but she's not bad and the movie moves very well, its hard to believe its almost 3 hours, its time that never feels wasted. The story of Egypt's last great queen and her Roman lovers Julius Caesar and Marc Antony have been told before, most notably in '63 with Elizabeth Taylor and Richard Burton, this film is close to that and in some ways better.

Billy Zane is terrific here, he plays Antony better than Burton! Zane remembers Antony was a solider who was prodded into lofty ambition by Cleopatra, even pitting Roman against Roman and splitting an empire, in his heart he must have known he couldn't succeed, Zane never lets your forget that and his performance should have been honored. Timothy Dalton is a good Caesar too. He plays the conqueror full on, ambitious and powerful, but not a monster or a hero, just a man who wanted glory for Rome. His assassination is well handled here. Rupert Graves is a slimy Octavian (Augustus) and does well as the villain.

The look of the film is pretty good, though at times it feels like a filmed play. The music is unmoving, but the fx shots tolerable. The battle of Actium is brief but accurate, Antony always rushed in like a bull. For a TV move they manage to be sexy and violent, two things necessary to tell Cleo's story. The birth of Cesarion is realistic.

The only real downer here is I think this movie was made, or at least planned before the discovery of records found in the sea that told of Antony and Cleo's great love and of the fact they did have children! At least 4, including a set of twins. It is also possible that a girl was saved from Octavian's butchery. The rest did not make, including, probably Cesarion. Unfortunately we don't see that here and the end, though well played, is just like earlier versions. Still this is historical fiction at its best. Well done!

This Halmi extravaganza actually has a very promising start with a terrific entrance by Timothy Dalton as Caesar, followed up by a memorable first meeting between him and lovely Leonor Varela as Cleo. Unfortunately it soon goes downhill from there and by the time Cleopatra has consolidated her hold on Egypt we're getting dialogue like

Caesar: "I'm sorry about your library."

Cleo, (sighing like she's just scratched off a losing $1 lottery ticket): "Half of it is gone... half the world's knowledge."

However if you enjoy cheesy movies with beautiful people declaiming and narrowing their eyes at each other, you could do a lot worse than Billy Zane and Timothy Dalton, who are very much "into it" and who both look breathtakingly manly draped in togas and other bedsheets. (Dalton in particular looks amazingly fit and sexy for a 53-year-old, and it's hard to imagine another actor working today who could be a more commanding Caesar.) Unfortunately Varela's acting is just terrible and, well, the script is just hopeless. It gets slightly better when the plot goes from Egypt to Rome, where everyone speaks in English accents. But none of the acting in this is exactly Oscar caliber, shall we say. Take it for what it is and dig for the guilty pleasures.