Instinto Sombrio

Fever is a difficult film, and I mean that in a good way. I think the director is creating a story about the raw emotions and desires in a young man caught in the modern world. We follow a painter in New York City who is not able to achieve his goals and dreams, and as a result, escapes into an alternate reality. However, this reality is as much of nightmare as his waking life. If not worse. Like Lynch and Cocteau, Winter forces us into this man's subconcious, and asks us to feel the terror and despair that affects this confused mind. I really enjoyed the trip.

Fever is an unusual movie for today's moviegoers, slow, disguieting and legitimately frightening. Henry Thomas plays a neurotic urban artist, barely eking out a living and refusing the help of friends and family. A murder in his squalid apartment building knocks the artist off kilter and begins an increasingly paranoid and hallucinatory chain of events. Thomas's performance is an amazing balance of subtlety and intensity. He has the difficult task of appearing in almost every frame and we never grow tired of his presence. Instead the audience is pulled into the mind of this suffering character and forced to confront his demons and dilemmas. The film does not set out to ask "whodunnit", rather to make us experience the singular nightmare of a struggling and sensitive young man alone in the modern world.

Extremely atmospheric thriller starts out great, as young artist (Thomas) living in hellish urban apartment grows more and more paranoid as other tenants end up dead. The high production value and Thomas' performance maintain the interest, but the script -- reminiscent of other, better pictures -- goes nowhere fast, with a been there, done that "surprize" ending you can predict 20 minutes into the film. Seriously ruined by a slapped on, cop-out finale that leaves you furious and unsatisfied.

Winter doesn't seem to have his head around the screenplay for "Fever", a dark and morose drama about a young, disturbed NYC slum dwelling artist (Thomas) who is caught up in a trio of murders . The film paints a portrait so nebulous as to leave many questions unanswered as it plods toward an unsatisfying conclusion with a sort of Hitchcockesque style. Unfortunately we're not given reason to care about the principle and are left to wait for the other shoe to drop all the way to rolling credits. "Fever" is an okay watch technically and artistically which offers solid performances. However, the screenplay misses opportunities to put more meat on the bones of a story with unrealized potential. Okay fodder for couch potatoes into quirky film noir psychodramas.

To sum-up: Fever is a very dark, shadow-filled look into the formation of emotional disease and discomfort. The acting is very good on Henry Thomas' part as well as the direction by Alex Winter (Bill from the infamous Bill & Ted films) but the storyline has a few out-of-place moments and enough awkwardness to make even the sleepiest of viewers cringe.

Pro's & con's:

+ Henry Thomas' performance (you'll have trouble believing that it's the kid from E.T.)

+ Alex Winter's high quality and sometimes colorful directing style (including some nice, steady camera work which was more fitting for a film like this)

• Very cheap visual effects

• By the time it ends you'll feel like you've wasted your time