Entre as Pernas

The point that sex can become a dangerous addiction is not made in a very convincing manner in this film. After starting with a session of a class for curing sexual addiction, the movie focuses on a variety of problems faced by most of the characters, none of whom are very interesting people. At two hours or more the film drags along. Attempts at injecting suspense are pitifully weak. The viewer does think of what Hitchcock would have done with this material, beginning with a clean straight story line, but in the end all one can think is "I saw Hitchcock suspense films and this has no Hitchcock suspense, only clumsy attempts at imitation." A final question: when the leading lady boards the plane holding her little dog is that a suggestion that she will continue taking the dog out when she seeks another man? That everything will continue in much the same way?

The story of this movie, which tries hard to avoid following concepts of other movies related to infidelity in today's modern society, really falls in providing a clear and definitive message to the audience.

The story seems interesting just from the beginning when a group of people -who take assistance in a rehabilitation center for addicted to sex- express their personal feelings about their lives and their situations, just as a psychological and deep profile of every individual. This is interesting since Manuel Pereira (Director) starts to have control of all these situations.

But this is not going so far just when alternative plots "with some psychological twists" began to surface the main story and overcome it. So the story that began from exploring the world of this addicted people turns out to become a confused film with unnecessary plots that makes the movie with no clear interpretations at the end of it.

This film is very interesting for those who likes sexi-thrillers, Miss Abril reinforces herself as a super spanish star, and as usual, she fills the screen with a strong personality that communicates with the audience not only with a superb performance but with her eyes, voice, and as the film title calls, with her legs.

It could be the best use for 4 bucks! (Standard ticket price in México)

If this was intended as a tribute to the great Alfred Hitchcock, this is simply disgusting: in fact, there are many obvious quotations (the opening credits, the first scene with the little girl screaming like in Marnie, the other one who believes to be already dead, remembering us Madeleine in "Vertigo", the music, etc, etc). Nonetheless, where Hitch's films are deep and fascinating, this one is just a sample of the lowest-grade cinema. It is outrageous towards Hitchcock, to say the least, showing that the director of the film either is not capable of understanding anything about the greatness of A. Hitchcock, either is simply a bad director. 0 / 10

"Between Your Legs" is a provocative title for a less than provocative film which may wear you out with its busy, convoluted tale and anticlimactic conclusion. The film tells of a man and a woman who meet in a "sexaholics anonymous" meeting and become involved in deceit, betrayal, sex, murder, suicide, and a whole bunch of yadayadayada. Although this film features some fine Spanish actors and is a well composed and stylish shoot, the story is just too much ado about too little with insufficient payoff. Forget the title as it has nothing to do with anything is this drama which could have been about the undoing of a man because of sexual addiction or a murder mystery or even cheap sexual sensationalism but instead plays out like so much busy work with little to praise, little to fault, and very little to care about. Not recommended for nonSpanish speakers. (C+)