Assassinas em Fuga

It's difficult to know how to react to oddball films like this.They're not funny enough to be called black comedies and not clever enough to be termed satires. Obviously the director wants us to be shocked and disgusted and just as obviously wants us to keep on watching, in this I think he succeeds in all directions. No matter what the reactions I think very few people will not see it through to the end for the pacing is just right with action scenes coming at just the right moments.

There's a somewhat cheap look to the production, photography is sometimes poor but there are a few nicely composed scenes. The acting is excellent with Vincent Gallo a standout as Sister Gomez.

See it by all means but you have been warned.

Anyone who has seen the first film in this series will notice numerous major differences between the two films. While the story line and plot structure are very creative and innovative, the way the story was portrayed was less than commendable. Many parts of the film seem overtly sexual and as if they were created for fetish more than to add to the film. There were multiple parts of the film like this, which made it seem more like pornography than a legitimate film starring females. I think this film would've been much better without the extreme efforts to seem "weird", and also without the overuse of pointless and explicit sexuality.

This film doesn't deserve the hammering it seems to be getting at the hands of the IMDB voters. Maybe Freeway II does try a bit too hard to be trendy, and Vincent Gallo is a bit irritating. On the positive side, there is some great photography, especially when the girls hit Mexico, the soundtrack is fantastic and Natasha Lyonne is awesome.

If you want to rent something a bit colorful, then you could do a lot worse.

I remember owning this movie on VHS back in the day, but oddly enough I couldn't recall the contents of the storyline. So as I stumbled upon an opportunity to watch "Freeway II: Confessions of a Trickbaby" here in 2022, of course I opted to sit down and revisit the movie.

Writer and director Matthew Bright actually managed to piece together a rather unique and somewhat far out there type of movie here. But it worked well in favor of the movie, because all the absurdity, the strange characters, the weird events, and everything just seemed to click together all nicely and compiled an oddly enjoyable movie.

The storyline in "Freeway II: Confessions of a Trickbaby" is strange, no doubt about it, especially because the characters are odd individuals carrying heavy baggage of damaged pasts with them, and while it does come off as being a bit too far out there at first, stick with it, because the storyline picks up and starts to make more and more sense as the movie progress.

I found "Freeway II: Confessions of a Trickbaby" to be an interesting movie as it wasn't your typical mainstream movie.

The acting performances in the movie were good, and while I think I was only familiar with David Alan Grier here, then I will say that they had put together a good cast ensemble. I liked the performance of Natasha Lyonne (playing White Girl) and Maria Celedonia (playing Cyclona) in particular.

If you enjoy movies that are somewhat offbeat, then you definitely should give "Freeway II: Confessions of a Trickbaby" a chance. I was genuinely entertained by revisiting this movie from writer and director Matthew Bright.

My rating of "Freeway II: Confessions of a Trickbaby" lands on a six out of ten stars.

Freeway and Freeway 2 are my all-time favorite movies!! I'll admit Freeway was more mainstream with very little sex and violence, and Reese Witherspoon is stunning and superb as Vanessa, but Freeway 2 breaks ALL the rules!! I've watched it several times and have it on VHS. This movie's got it all: girls in prison, bad girls gone badder,lesbianism, miscegeny, menstruation, childhood sexual abuse, bulimia, female serial killers, necrophilia, incest, hypocrisy in religion, radical feminism, chicks who pose as hookers to beat up and rob male tricks, manifestations of sexism and racism (in a very satirical way). The best part is that these things are all represented in an in-your-face matter-of-fact way. Its no sappy, emo-drama, Lifetime "channel for women" type of deal. This movie ROCKS! O, and there is some male frontal nudity at the end. I wonder, is that REALLY Vincent Gallo in that scene or just a prop??