O Terceiro Milagre

This film is amazingly crafted, well-acted and thought provoking. Ed Harris gives one of his best performances (in fact, I strongly believe he deserved an Oscar nomination for THIS and not the overrated Pollock). Anne Heche delivers a strong, three-dimensional performance on a character that is hard to play. The flashbacks are beautifully shot and this film really brings up issues about faith, love and forgiveness. If you are a fan of Ed Harris, seek out this film.

Agnieszka Holland's `The Third Miracle' is similar in many ways to one of its film contemporaries, `Stigmata." Both focus on Catholic priests who check out reports of the supernatural. Both are plagued with doubts about the faith, and as a result drink too much. Their superiors are either corrupt or evil-or both. During the course of their investigations, the priests team up with women who are not believers. They fall in love. At the end the priests and women are somewhat redeemed.

The difference in the films is what the two priests are after. In `Stigmata' it is a force that is killing the woman. In `Third' the priest (played by Ed Harris) investigates the credentials of candidates for sainthood. If he can confirm that the candidate is responsible for three miracles, he can recommend that the person be made a saint.

Harris feels guilty because a recent investigation has led to an entire community losing its faith. As a result, he has become known as `the miracle killer.' But in the course of `The Third Miracle's' plot, which focuses on Harris' investigation of a simple woman in 1979 Chicago, he regains his faith.

Convinced that there have indeed been three miracles, Harris must then argue his case before a church tribunal. A skeptical archbishop who is convinced that such a common American woman should not be granted sainthood opposes him.

The climax of the film is predictable-the average moviegoer should be able to see it soon after the archbishop is introduced. Unfortunately, the movie tacks on an ambiguous ending that leaves us wondering if the priest and woman's redemption aren't the true miracles.

The film raises a final question: Has Ed Harris ever given a bad performance, or even had a bad scene? He is assisted here by two fine other actors, Anne Heche and Armin Mueller-Stahl.

It was a treat watching this movie, being that I haven't checked out any low-budget or indie films in a long time. This is one of the lesser-known movies that is definitely worth watching. I was curious about it, mostly to see Ed Harris' performance. I've always loved Harris in everything he does, so I knew I could at least look forward to seeing a great actor at work. I have to say, this is one of his best performances. It's subtle and powerful, and he doesn't play his typecasted villainous role. This is a very different role for him, and one to remember. The premise and overall plot is intriguing, and Holland (I'm not gonna even bother spelling out the first name) does a fine job at keeping the suspense. It brings out great morals about Catholic faith, and faith in God just in general. And it proves that even people of priesthood can screw up, falter to temptation, but can still be summoned by God. Harris' character is a washed-up alcoholic, but God still sent him to investigate this alleged saint. Harris was even questioning his own faith, which made it even more interesting.

"The Third Miracle" is one of the overlooked films of 1999, and I definitely suggest you give it a viewing. You won't be disappointed.

My score: 7 (out of 10)

"Dogma" showed that throwing darts at the Roman Catholic Church isn't hard to do. Similarly, "Stigmata" created villains within the Church hierarchy with relative ease. The hard part is making some sense of what motivates priests and nuns to carry on in spite of this undeserved negativism. That's what makes "The Third Miracle" a joy to watch - a film that goes beyond stereotypes and biases to try to find answers. There is something in this film that believers and non-believers can take away from even though "The Third Miracle" has decidedly taken a strong stand about matters of faith. The linking of a wayward postulator, Father Frank, searching to legitimize a common woman for sainthood, with his own personal search for God is very effective. Equally so is how the film shows the powerful role of secularism in the lives of men we call 'holy' (can it be any more obvious than the Bishop's mud bath?). A stroke of trickery at the end doesn't spoil the way this film invites us to consider faith as truly an all-or-nothing proposition. Certainly for Father Frank, the invitation to faith and to his own priesthood was based on a shaky bargain with God to spare the life of his father. For Roxane, the daughter of Helen O'Reagan, the decision to exclude God was equally as capricious - that God would take her mother away from her just because she had to do God's work. For Archbishop Werner, the God he defends and the God he internalizes are two different beings - one who is all knowing and all powerful, the other who cannot see beyond things black and white. "The Third Miracle", then, is not just about canonizing a dead woman, a holy housewife, but about how these three living players interact and struggle with each other to arrive at their own faith. This interaction is played out so well due to brilliant performances by Anne Heche, Ed Harris, and Armin Mueller-Stahl. Miracles strengthen one's faith but the visible miracles are more likely to move those who need a sign to believe. The irony of Father Frank is that he was instructed to disprove the very extraordinary acts of faith which he desperately needed to save his own spiritual life. It took him two hours, the length of this film, to find his miracle. "The Third Miracle" leaves us with a similar challenge, how long will it take for us to find that same miracle, that same faith.

The third miracle is a well written tale with a great touch of sentiment.

A priest saying G*DD*MN*D is like lung doctor lighting a cigarette, provoking, like a movie of this kind should be. It's meant to leave something to think about, for me it was commitment of an individual priest finding his way in mass traffic between his left and right ear. I enjoy these true emotions or behavior because i believe everyone on earth has a set of weaknesses. I like these true emotions and choices when it comes to mind digging.

Surely it's understandable that heavy religious people might be offended -the Archbishop was in the Nazi's army, drove around in a limo like a king and thought he was God himself-, but it's not the bible, I see it as a tale in a Catholic setting.

This movie is based on personal choices, activated by a game of chess between animal nature and common sense. Throw in some faith and a time structured plot, have it sequenced very well, put in some great dialogue and moody setting, you will get a well deserved great movie! I recommend this film, it's in a way uplifting.

8/10