Saindo do Armário

Intelligently scripted, well-crafted and exceptionally acted story of a young gay man finding his way through the adolescent wilderness. The situations that arise, when one finds themselves serving too many masters, are portrayed in a moving, heart warming manner. A great balance of relevant humor and teenage emotional tribulation is struck, without so much as a gram of maudlin melodrama, which normally crops up in films of this nature (especially American ones). In the good ol' USA, teenage development in movies tend to be played for laughs or for mawkish sentiment, which could propel whining into an Olympic event.

In a short summation, Steve Carter, the main protagonist, finds the path to love strewn with thorns. His friend and counsel, Linda, walks the same road. Steve in discovering himself, discovers that anguish is also a companion to love.

GET REAL does just that in such an honest, disarming way, that it exudes originality. The performances and characterizations, are far ranging and finely realized. There's not a weak link in the chain, either in performance, script execution or direction. Innovative and fresh from start to finish. A contemporary classic that is highly recommended.

I have just watched this film as part of Film 4's British Connection. I felt this film was an excellent exploration of homosexuality in the heart of Middle Class Britain. I lived close to the film's location Basingstoke when this was made and am the same age (give or take a year) as the main character, Stephen. Whilst never being as confident in my sexuality as Stephen, I really connected with the story told, his relationship with his parents and the scatter-shot but inadvertently appropriate use of homophobic abuse by the bullies.

Also thought the excellent flashes of dialogue uplifted the film such as "Whenever I see that badge (Head Boy) I wish it were an invitation." Priceless. The performances are almost perfect through out (I was a little unconvinced by Jon the Head Boy to begin with but warmed to him hugely as the film and love story progressed.) The cinematography is suitably understated and this is not the most cinematic film ever shot, which I feel helps with the realism. Some of the symbolism is quite fantastic, especially the closing shot, which I wont spoil.

I found it to be a much more recognisable film for me than Brokeback Mountain, Not to that films detriment, it is a masterpiece but I may feel closer to this because I have regularly been to the Odean in Basingstoke, but have never herded sheep on a snowy mountainside with Jake Gyllenhall.

It is a simple effective narrative about a subject close to my heart and I recommend it highly.

Could a more realistic demonstration of what it is like to be young exist than this film? Don't think so.

A lot of talk centers around how hard growing up is for teenagers. Yet seldom is it mentioned that however hard it is for straight kids to grow up, it is a million times harder for gay kids, who have no one to turn to for help - not friends, not teachers, not parents, not the church, not books, not counselors, not ANYONE. This film shows what it is like. And it further shows the horrid situation that a young gay athlete finds himself in, torn between being able to do what he enjoys (sports) and being able to be himself. When you're gay, you can't have both, thanks to the homophobia which still rules athletics with an iron fist.

The two main characters of this film struggle to maintain a relationship, because they are in love - yet ultimately the homophobic attitudes of the world force them to part. Tragic, yet it is a tale that plays itself out in every little town on the globe. In spite of this, it is a tale never before told on film. It's about time. This should be required viewing for all high school students.

If "Get Real" chronicles anything, it is that messed-up jumble of a time that gay men have as teenagers, trying to be true to themselves without giving too much offense to those who abhor them. The mixed-up measures they take to express themselves and give expression to their feelings of desire and adolescent lust, suppressed by community morality and repressed by personal fear and self-hatred, unfolds over the London suburb of Basinbroke where a stick figure of a 16-year-old--Steven Carter--sits in or outside a public bathroom, trying to make contact with someone. He finds it unexpectedly with the big man on the high-school campus who garners immeasurable pleasure from their private meetings, but cannot bear the thought of being outed. The story passes through a grist mill of situations that leave the viewer with the simplistic notion that everything will be fine, if you just have the courage to be yourself with others. If it were that easy, I'm sure Brandon Teena would still be alive today.

Adapted from Patrick Wilde's play "What's wrong with being angry," "Get Real" sends a manifesto to parents and teachers about the supposed pressures they may be putting on their children, gay or otherwise. If you're willing to accept it on this level, the movie functions as an emotional release for all those pent-up gay teenagers who couldn't vent their anger and frustrations at the forces that impose on their burgeoning dreams. But if you try to take it any deeper, then you'd have to consider the internal struggles of John Dixon, the object of Steven's desire, because that is one of the few places in this movie where something is at stake. Johnny (as Steven likes to call him) travels a thornier road, and although Brad Gorton doesn't quite seem up to the challenge, his self-conscious jock does not seem so much a coward in the end as someone saddled with all the trappings of his gentrified upbringing who doesn't want to let go of them. Johnny Boy's smart, but like all teenagers, he's thwarted by desires that defy his good sense.

And that is a shame, because if there ever was reason to give up everything for love, Ben Silverstone would be it. He is the real find in this picture. He's the most elegantly constructed scarecrow to touch the silver screen (Seeing him, Conrad Veidt and "The Cabinet of Dr. Caligari" come to mind.), and it's amazing what calm he brings to the center of this movie. Unlike newcomer Gorton, the camera loves Silverstone, and it takes him in as if he were born to be in front of it. If that weren't enough, this young actor (He is about the same age that Steve should be.) has a voice that rivals Jeremy Irons for expressiveness and majesty. Imagine him as Hamlet or Edward II or in a remake of "Brideshead Revisited" and that sultry sound pouring forth in velvety plenitude. Why, it's enough to make you stand up and salute the Queen Mother.

With Stacy Hart as the iridescent Jessica whose dance with Steve is probably the sexiest scene in the entire movie.

I rented the movie "Double Jeopardy" one evening and was skipping through the previews when I saw the trailer for this movie. I had heard about it before from a few friends who had seen it and had read about it in TIME magazine, not knowing much about the movie. Growing up in a household where being "different" in that sense is not acceptable, it has been hard for me to deal with my issues without support from my parents. I went to the local video store a few nights ago and immediately picked out "Get Real" to watch and enjoy. What I didn't expect was how true to life this movie really is!

"Get Real" is the story about a 16-year old gay teenager named Steven Carter (played by the boyishly adorable Ben Silverstone) who has known about himself since he was 11-years old and is perfectly fine with it. Although he is dying to be accepted for who he is and not for who he pretends to be, he is afraid to tell his peers and his parents about his true nature. Only his best friend Linda (Charlotte Brittain, who delivers a terrific performance) knows and is worried about Steven, due to his sexual adventures at a gay men's restroom in a park. But one day, he unexpectedly has an encounter with the "straight" high school jock John Dixon (Brad Gorton, who plays his role of someone with much sexual confusion with complete realism) and the two boys fall in love. Steven wants to be open about the relationship, while John wants to hide his love for Steve. These differences, along with many others than I will not spoil for those who have not seen this, lead to one of the most tear-jerking endings I have ever seen in a movie.

Bravo to everyone involved for creating such a realistic story! Being gay is not easy these days, especially for teenagers, but we all wish we were as brave as Steven, who matures as the movie goes on and we all hope the best for him as he embarks on his emotional recovery after the end of this movie. Way to go Steven!

If you haven't seen this movie, see it soon! It is worth your every buck!

RATING: 10 out of 10!

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