AVALIAÇÃO DA IMDb
7,5/10
15 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaA tenderly romantic coming-of-age story as two boys in a British school fall in love.A tenderly romantic coming-of-age story as two boys in a British school fall in love.A tenderly romantic coming-of-age story as two boys in a British school fall in love.
- Prêmios
- 6 vitórias e 3 indicações no total
Stacy Hart
- Jessica
- (as Stacy A. Hart)
Avaliações em destaque
The lives of gay people are full of the stuff that makes for drama; inner conflicts, self acceptance, conformity, family tensions and many other issues gay people are forced to confront. Whether it's the late start or lack of a tradition, the genre of the gay movie has very little quality on offer. American cinema has been particularly weak in this area. The AIDS epidemic has been handled with more assurance than the inherent ordeals gay people face. There have been many stereotypical, predictable and basically forgettable gay movies over the years. "The Boys in the Band" made over 30 years ago still stands out as a major gay film; indeed a sorry state of affairs.
European cinema has fared far more successfully with matters gay, with such fine works as "Wild Reeds" and the outstanding "Come Undone". It comes as much of a surprise that the stodgy British cinema should have produced some of the landmark gay movies, amongst them the brave "Victim" (1961) made when homosexuality was still against the law and John Schlesinger's fiercely intelligent "Sunday Bloody Sunday" (1970). While "Get Real" is no masterpiece, it certainly is one of the most important gay themed films of the past few years.
Its importance lies in the lesson it so succinctly delivers. It's not a film directed especially at gay audiences and should be seen by all, especially high school audiences for whom it should be compulsory viewing.
The casting of Ben Silverstone was inspired. He manages to be totally convincing throughout, even pulling off the perhaps unlikely speech he delivers in the finale. Brad Gorton as his conflicted love interest has some truly moving moments. Director Simon Shore also elicits fine performances from the secondary characters, in particular Charlotte Brittain in the fag hag, fat friend role. It could have gone very wrong in lesser hands, but Brittain is a joy to watch and brings a lovely sense of humor to the proceedings.
Ultimately it's a truly unpretentious and very moving movie, far more effective than "Beautiful Thing". Don't miss it.
European cinema has fared far more successfully with matters gay, with such fine works as "Wild Reeds" and the outstanding "Come Undone". It comes as much of a surprise that the stodgy British cinema should have produced some of the landmark gay movies, amongst them the brave "Victim" (1961) made when homosexuality was still against the law and John Schlesinger's fiercely intelligent "Sunday Bloody Sunday" (1970). While "Get Real" is no masterpiece, it certainly is one of the most important gay themed films of the past few years.
Its importance lies in the lesson it so succinctly delivers. It's not a film directed especially at gay audiences and should be seen by all, especially high school audiences for whom it should be compulsory viewing.
The casting of Ben Silverstone was inspired. He manages to be totally convincing throughout, even pulling off the perhaps unlikely speech he delivers in the finale. Brad Gorton as his conflicted love interest has some truly moving moments. Director Simon Shore also elicits fine performances from the secondary characters, in particular Charlotte Brittain in the fag hag, fat friend role. It could have gone very wrong in lesser hands, but Brittain is a joy to watch and brings a lovely sense of humor to the proceedings.
Ultimately it's a truly unpretentious and very moving movie, far more effective than "Beautiful Thing". Don't miss it.
WOW!! Id never even heard of this movie until I just happened to turn it on this morning at 6am. The memories it brought back, the pain it evoked, the ultimate triumph at the end. Not a dry eye in the house, and I'm the only one here!!! I was shocked to read it's not won any big awards (but then again, that's probably why I haven't heard about it) It certainly deserves them!!! I'm so torn up inside remembering my father finding out I was gay. It was the only time I ever saw him cry. 2 days later he had me admitted to a mental hospital. I idolized my dad, and I still do. He just couldn't understand. I don't blame him, but it was so painful. I was only 14. This movie is a must see for a number of reasons. Those reasons will become known only to you when you let them in.Whoever you are. A son, a dad, a friend. A boy who's confused and scared. Don't miss it.
I have just watched this film as part of Film 4's British Connection. I felt this film was an excellent exploration of homosexuality in the heart of Middle Class Britain. I lived close to the film's location Basingstoke when this was made and am the same age (give or take a year) as the main character, Stephen. Whilst never being as confident in my sexuality as Stephen, I really connected with the story told, his relationship with his parents and the scatter-shot but inadvertently appropriate use of homophobic abuse by the bullies.
Also thought the excellent flashes of dialogue uplifted the film such as "Whenever I see that badge (Head Boy) I wish it were an invitation." Priceless. The performances are almost perfect through out (I was a little unconvinced by Jon the Head Boy to begin with but warmed to him hugely as the film and love story progressed.) The cinematography is suitably understated and this is not the most cinematic film ever shot, which I feel helps with the realism. Some of the symbolism is quite fantastic, especially the closing shot, which I wont spoil.
I found it to be a much more recognisable film for me than Brokeback Mountain, Not to that films detriment, it is a masterpiece but I may feel closer to this because I have regularly been to the Odean in Basingstoke, but have never herded sheep on a snowy mountainside with Jake Gyllenhall.
It is a simple effective narrative about a subject close to my heart and I recommend it highly.
Also thought the excellent flashes of dialogue uplifted the film such as "Whenever I see that badge (Head Boy) I wish it were an invitation." Priceless. The performances are almost perfect through out (I was a little unconvinced by Jon the Head Boy to begin with but warmed to him hugely as the film and love story progressed.) The cinematography is suitably understated and this is not the most cinematic film ever shot, which I feel helps with the realism. Some of the symbolism is quite fantastic, especially the closing shot, which I wont spoil.
I found it to be a much more recognisable film for me than Brokeback Mountain, Not to that films detriment, it is a masterpiece but I may feel closer to this because I have regularly been to the Odean in Basingstoke, but have never herded sheep on a snowy mountainside with Jake Gyllenhall.
It is a simple effective narrative about a subject close to my heart and I recommend it highly.
10pyotr-3
Could a more realistic demonstration of what it is like to be young exist than this film? Don't think so.
A lot of talk centers around how hard growing up is for teenagers. Yet seldom is it mentioned that however hard it is for straight kids to grow up, it is a million times harder for gay kids, who have no one to turn to for help - not friends, not teachers, not parents, not the church, not books, not counselors, not ANYONE. This film shows what it is like. And it further shows the horrid situation that a young gay athlete finds himself in, torn between being able to do what he enjoys (sports) and being able to be himself. When you're gay, you can't have both, thanks to the homophobia which still rules athletics with an iron fist.
The two main characters of this film struggle to maintain a relationship, because they are in love - yet ultimately the homophobic attitudes of the world force them to part. Tragic, yet it is a tale that plays itself out in every little town on the globe. In spite of this, it is a tale never before told on film. It's about time. This should be required viewing for all high school students.
A lot of talk centers around how hard growing up is for teenagers. Yet seldom is it mentioned that however hard it is for straight kids to grow up, it is a million times harder for gay kids, who have no one to turn to for help - not friends, not teachers, not parents, not the church, not books, not counselors, not ANYONE. This film shows what it is like. And it further shows the horrid situation that a young gay athlete finds himself in, torn between being able to do what he enjoys (sports) and being able to be himself. When you're gay, you can't have both, thanks to the homophobia which still rules athletics with an iron fist.
The two main characters of this film struggle to maintain a relationship, because they are in love - yet ultimately the homophobic attitudes of the world force them to part. Tragic, yet it is a tale that plays itself out in every little town on the globe. In spite of this, it is a tale never before told on film. It's about time. This should be required viewing for all high school students.
I went to see the film with a friend and we both enjoyed it very much, especially Charlotte Britain but when we discussed the film later neither of us could figure out one thing: When the guys are frolicking in the pool together and are caught by Kevin, the athlete acts as if he's not the least bit concerned that he's been "found out". He laughs about it and it seems that he's come to terms with his relationship with Steven being known. Back at school, however, he goes back to acting like he doesn't even know Steven and they musn't be seen even talking. But Kevin has already seen them together in the pool! We thought that was kind of lame. Here's this guy that they all call "puff" and "queer" and yet when the best friend of the athlete catches them in the pool it's as if nothing happened. In spite of this flaw, we enjoyed the movie. Any comments?
Você sabia?
- CuriosidadesFilm location of Basingstoke, Hampshire. Using the summer house in The War Memorial Park - depicted as a public toilet
- Erros de gravaçãoIn the scene in the school newspaper office, when Mark discovers the anonymous article "Get Real", he reads aloud from the article: "The assumption that your children are heterosexual may be causing them pain." The close-up on the computer screen shows that sentence as: "The assumption that your children are heterosexual may be destroying their lives."
- Citações
John Dixon: Fag?
Steven Carter: W-what?
John Dixon: I mean, uh...
[holds out cigarette]
Steven Carter: Oh. Um. Sure.
- Trilhas sonorasStaying Out For The Summer
Written by Nigel Clark, Andy Miller (as Andrew Miller) and Mathew Priest (as Matthew Priest)
Performed by Dodgy
A&M Records Ltd., London
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- How long is Get Real?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- Ubícate
- Locações de filme
- Basingstoke, Hampshire, Inglaterra, Reino Unido(War Memorial Park. The Vyne School. Festival Place. Top of Town. Down Grange. Odeon Cinema)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 1.152.979
- Fim de semana de estreia nos EUA e Canadá
- US$ 54.254
- 2 de mai. de 1999
- Faturamento bruto mundial
- US$ 1.176.597
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