AVALIAÇÃO DA IMDb
4,9/10
1,7 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaAn eccentric, unconventional woman whose naive aspirations to rise from her job as a security guard to full-fledged private eye lead her into a tangled PL: mess.An eccentric, unconventional woman whose naive aspirations to rise from her job as a security guard to full-fledged private eye lead her into a tangled PL: mess.An eccentric, unconventional woman whose naive aspirations to rise from her job as a security guard to full-fledged private eye lead her into a tangled PL: mess.
Avaliações em destaque
I had heard that the malapropism of Emily Watson's character would begin to wear after a while. Not for me, it was like watching a seriously deadpan Gracie Allen at work.
The key to the film (which covers some of the same territory as "Fargo" and contains a few references to the movie) is the realization that it is not only Watson's character whose utterances are ridiculous, but those of the major characters, but Red's description of his relationship to the dead woman and Senator Avery's comments to the reporters show a similar dislocation with reality and sense. We start by realizing that her comments are off the wall, but they turn out to be nothing compared to the double-speak that we have become accustomed to coming out of the mouths of politicians and developers.
The ending is a bit harum-scarum but overall a very enjoyable movie. The plot twists at the end weakened it, although they were very much in keeping with the noir genre.
The key to the film (which covers some of the same territory as "Fargo" and contains a few references to the movie) is the realization that it is not only Watson's character whose utterances are ridiculous, but those of the major characters, but Red's description of his relationship to the dead woman and Senator Avery's comments to the reporters show a similar dislocation with reality and sense. We start by realizing that her comments are off the wall, but they turn out to be nothing compared to the double-speak that we have become accustomed to coming out of the mouths of politicians and developers.
The ending is a bit harum-scarum but overall a very enjoyable movie. The plot twists at the end weakened it, although they were very much in keeping with the noir genre.
Good movie. Odd, off balance, imaginative, agitating - everything that an ultra-passive braincell-hybernating spoonfed-explosion stale-cool critics-approved movie pencil-envies. My opinion.
Emily Watson is a charmer: she's completely naive and innocent, but then again she's not so naive, and maybe not so innocent. She seems to understand nothing, but then she's the only one who understands it all.
Watson's tour-de-force is in playing Trixie completely straight, malapropisms and all. Yeah, the twisted idioms get tired after a while, at least until a funnier one shows up.
Definitely for art house movie lovers and not the megaplex.
Watson's tour-de-force is in playing Trixie completely straight, malapropisms and all. Yeah, the twisted idioms get tired after a while, at least until a funnier one shows up.
Definitely for art house movie lovers and not the megaplex.
And, no, he would NOT have liked this movie. Most people obviously didn't. My sides ached. I know most people didn't "get" it. Look at the mess of categories it is in. You cannot pigeonhole this movie. It is an original.
I do understand. I have seen Altman movies that I didn't think were funny, either. But this one hit a home run right up my alley. Not funny? Well, at least it's not a tired, old cliché. I had to get the tissues out because I was laughing so hard I was crying. See? We mix metaphors all the time.
But these clichés have never been mixed so well. How did Nick Nolte, Lesley Ann Warren and Brittany Murphy and the rest of the cast keep straight faces? A whole movie FULL of straight men. The only one who knew he was funny was Nathan Lane ... and he was playing a comedian ... that most people didn't think was funny! How ironic is that?
I just want to say to everyone involved in making this movie: Thank you! I laughed so hard I ruptured my catachresis.
I do understand. I have seen Altman movies that I didn't think were funny, either. But this one hit a home run right up my alley. Not funny? Well, at least it's not a tired, old cliché. I had to get the tissues out because I was laughing so hard I was crying. See? We mix metaphors all the time.
But these clichés have never been mixed so well. How did Nick Nolte, Lesley Ann Warren and Brittany Murphy and the rest of the cast keep straight faces? A whole movie FULL of straight men. The only one who knew he was funny was Nathan Lane ... and he was playing a comedian ... that most people didn't think was funny! How ironic is that?
I just want to say to everyone involved in making this movie: Thank you! I laughed so hard I ruptured my catachresis.
Brilliant mixed metaphors, fabulous dialogue. I can see how someone may not like it if they don't get or don't like word play, but if you like a good turn of phrase I highly recommend it! Huzzah for John Binder, whoever he is, not much on his resume, I can't wait for the next script!
Você sabia?
- CuriosidadesStephen Lang enjoyed working with costar Brittany Murphy so much, he later tried out and was cast as Sheriff Brent Marken in Medo em Cherry Falls (1999). Scheduling conflicts prevented him from playing the role and the part eventually went to veteran actor Michael Biehn. Lang later admitted the only reason he wanted to be in the film was because he would have gotten to work with Murphy again.
- Trilhas sonorasThe Late Late Show
Written by Jule Styne, Betty Comden and Adolph Green
Performed by Nathan Lane
Published by Chappell & Co. (ASCAP)
o/b/o/ Stratford Music Corporation
Principais escolhas
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- How long is Trixie?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- Triksi
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 295.683
- Fim de semana de estreia nos EUA e Canadá
- US$ 41.620
- 2 de jul. de 2000
- Faturamento bruto mundial
- US$ 295.683
- Tempo de duração
- 1 h 56 min(116 min)
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
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