Trixie

While the movie was flawed in some ways (never quite believed the connection between Trixie & Dex, for example), I found it engaging in many ways. Ms. Watson is certainly a versatile actress, and her Trixie is a marked departure from her other movie portrayals--especially her most recent in "Angela's Ashes". One can't help but admire a performer who takes such risks.

I don't think I've sat with such wrapt attention to the next utterance of a character since Groucho did "Day at the Races"! Not only does Trixie raise malapropism to a new art form ("We'll all go to Hell in a handbag"; and as she grabs the bottle away from Leslie Ann Warren, she admonishes her with, "I'm not going to let you drink yourself into Bolivia!"), Ms. Watson rattles off these lines without a trace of affectation or laugh calculation, which makes them work so beautifully.

The aforementioned Ms. Warren turns in her usual strong performance. Nick Nolte's surly senator was rather over the top, but it did make him a likely suspect which added more interest to the plot. And Nathan Lane, while probably overqualified for his role, is always worth seeing (his NBC sitcom notwithstanding).

I'm not sure Mr. Abramsen and I saw the same movie, although it's clear only one of us saw the WHOLE movie! Sometimes I believe people walk out of plays or films just to brag to their friends that they've done it. This movie, I believe is worth an entire look; even a second one to recall all of Trixie's fractured English!

There seem to be two major demographics that film audiences fall into. The commercially reliable, and the more risky arthouse, or as Trixie would say, "but I see it the other way". "Trixie" falls into the arthouse, with its star, Emily Watson, fitting in perfectly to its offbeat nature. Watson has proven in her career, from "Breaking the Waves" to "Hilary and Jackie" that she is one of the most underrated and capable actresses in modern film. Following a "noir" mystery tale of murder, and political corruption, "Trixie" takes the cliches of a thriller and combines them skillfully with the creative tongue of the English-slaughtering lead character. For people who enjoy daring, open-minded pictures, "Trixie" is a fun way to spend an evening. For people who enjoy loud, explosion-packed films, go see them.

I had heard that the malapropism of Emily Watson's character would begin to wear after a while. Not for me, it was like watching a seriously deadpan Gracie Allen at work.

The key to the film (which covers some of the same territory as "Fargo" and contains a few references to the movie) is the realization that it is not only Watson's character whose utterances are ridiculous, but those of the major characters, but Red's description of his relationship to the dead woman and Senator Avery's comments to the reporters show a similar dislocation with reality and sense. We start by realizing that her comments are off the wall, but they turn out to be nothing compared to the double-speak that we have become accustomed to coming out of the mouths of politicians and developers.

The ending is a bit harum-scarum but overall a very enjoyable movie. The plot twists at the end weakened it, although they were very much in keeping with the noir genre.

One needs a certain warped sense of humor to enjoy this film. Trixie (Emily Watson) is a self proclaimed `Private Defective' whose butchery of English is nothing short of cleavacle. Her command of idioms is not as bad as it is worse. She is Norm Crosby taken to the tenth powder. She mixes semaphores with a high-speed blender. Her malapropriations are so funny they border on historical.

The writing of Trixie's dialogue by Alan Rudolph is extremely clever, but the story that surrounds it is very quirky, meandering off point constantly. I'm not a big fan of Rudolph's wry style of directing, but this film actually has its moments. Some of the things that pop out of Trixie's mouth are priceless. I found myself tolerating the boring story to hear what she would say next.

Emily Watson's performance is excellent. She gives Trixie a naïve charm and gritty determination that is fun to watch. It is hard to fathom how she is able to say her lines with a straight face. Her Chicago accent is horrendous though. Nathan Lane also gives a tragically droll performance and Nick Nolte is absurdly humorous in his caricature of the corrupt state senator.

This film was pounded by almost everyone, but I like this kind of word gymnastics, so I enjoyed it despite itself. I rated it a 6/10. If you can appreciate a punny character without much of a story, it might be worth a try.

Brilliant mixed metaphors, fabulous dialogue. I can see how someone may not like it if they don't get or don't like word play, but if you like a good turn of phrase I highly recommend it! Huzzah for John Binder, whoever he is, not much on his resume, I can't wait for the next script!