Rukajärven tie

This is my first Finnish film and I will acknowledge at the outset that my review may be influenced by subjective cultural factors. However, there are certain universal elements to good filmmaking, and that is where I will try to direct my criticism. I haven't read any of the other reviews before writing this.

Ambush follows a Finnish reconnaissance unit at the beginning of the Continuation War in 1941. For me, the pace of the film was painfully slow, with very little suspense, even during the battle scenes, which I found to be unrealistic. It takes more than explosions to film a compelling battle scene and the director just didn't do his homework in filming the combat scenes in this film. You are informed at the beginning of the film that most of the platoon members were veterans of the Winter War, yet they never behaved like experienced soldiers would under real combat conditions.

The cinematography was mediocre throughout the film. The director and cinematographer failed to take advantage of the beauty of the natural scenery available to them, which would have been one of the stars of the film if someone like Lars Von Trier had been directing. The recon platoon is searching for Russian soldiers in a vast isolated wilderness and you never get the sense of how small they are and how big the wilderness along the border is. This was my biggest disappointment with the film since I had eagerly anticipated seeing the natural beauty of Finland's wilderness.

This is the first time I've seen bicycles used by a recon unit in combat, which was interesting, although I don't know why they wouldn't have been using horses instead of bicycles when it seemed as if they were covering quite a bit of terrain. I can see why the practice didn't catch on with most armies, as reflected in the scene where one of the soldier's bicycles is disabled and he is unable to continue with his unit. In another scene the recon unit is being shelled from the opposite river bank and they have to drag their heavy bicycles with them as they retreat. Finally, they must abandon their bicycles as they are being blown to pieces by what appears to be mortar fire. How a recon unit winds up drawing such intense shelling in a forest is a mystery to me.

Overall, the film reminded me of a big stale limppu that you have to soak in water before you can choke it down. The FInns are rightfully proud of their country's fierce resistance to both the Soviets and the Germans in WWII, but this film didn't do the subject matter justice.

This movie has gathered huge crowds in Finland, but as an outsider with only a superficial grasp of Finnish history you loose a lot of the points.

Focusing on a small Finnish bicycle unit as they penetrate into Russian held territory in 1941 the film has a lot of poetic moments and a high degree of tension in some scenes. Just seeing combat from a Finnish perspective is interesting for anyone brought up on mainstream American war tales, but there are problems...

As said in another comment, there is a lack of realism in the unit tactics displayed and some fighting scenes are ridiculous (especially the last unnecessary heroic showdown). Given that the soldiers portrayed are veterans of the Winter War they do *not* act sensible.

Well, that might be a minor point had it attempted a more thorough investigation of the motives of the soldiers and the inherent conflicts that must arise given the situation. Instead it centers on a banal lovestory as seen many times before in Northern European films. Mandatory nakedness, melancholia and a touch og golden light is the name of the game. Argh!

For those of you that don't know, Finland was an ally of Germany at this point, though they probably had no other choice, and the fighting in this film is not heroically defensive, but offensive. Nationalist sentiment was high at this point and just a tiny bit racist, ala the German kind. Had it more explicitly discussed these topics and the views of the soldiers in the unit, it might be more interesting for a foreign audience and in the end more balanced.

Instead it avoids discussing if there was a real need for the Continuation War and the huge drains it made on Finland. There are attempts at portraying conflicts among soldiers of different background, but no more.

As it goes it's mainly a crowd pleaser for the Finnish audience, showing that war is hell, love triumphs and the Finns were heroic, after all (which they were, but was it worth the losses?).

I saw this film at a Finnish cinema, with only swedish subtitles. As I can only speak a small amount of Finnish and no Swedish, I expected it to be an uncomfortable film to watch, but I found it uniquely interesting to watch a war film in which everyone spoke their own language, instead of an American with an accent. I would recommend this film to anyone.

It's a shame they made a "Hollywood" movie out of it. Even though it does tell something about the situation Finland was in during that time, the movie looks like one made in Hollywood.

The battle scenes were unrealistic with the characters heroically running in the forest even though the air is full of bullets and kill many of the Russians while at it (pretty much like a Rambo or Commando but not that far out). Also, the love story plays too big a role in the movie.

I don't mean it's a bad movie but if you want to really get an idea of the Winter War or the Continuation War, try to see The Unknown Soldier (Tuntematon sotilas, 1955) or The Winter War (Talvisota) or read the books.

Of the American depictions of war (in films), only Band of Brothers comes close to what The Unknown Soldier and The Winter War deliver.

"Rukajärven Tie" is set in the opening stages of the "Continuation War." In 1941, the Finns sought to take advantage of the German invasion of the Soviet Union to seize back--with interest--the territory the Soviets had captured from Finland in the Winter War of 1939-40. The main protagonist is Eero Perkola, a subaltern commanding a platoon of Finnish bicycle infantry which is participating in the invasion. Once in Russia, Perkola is surprised to run into his fiancée, Kaarina, whom he thought to be safe in Helsinki, but who has joined the women's auxiliaries. Perkola requests his battalion commander to transfer the auxiliaries away from the front. The battalion commander agrees, but asks Perkola to take on a special mission in return; Perkola's platoon is to reconnoitre forward of a gap in the Finnish lines to ensure the Soviets are not preparing to counter-attack in that sector.

This puts "Rukajärven Tie" into the "Lost Patrol" (as in the 1934 John ford film) category of war movies: a small unit making its way through hostile territory, harassed by groups of hostile fighters. Of course, this film is about Finns. It helps to have some knowledge of the historical situation to comprehend this film, but it's not vital. The soldiers do not see the war as some "crusade against godless communism," they're looking for payback, and while ideological differences within the unit are touched upon, the Russians (note: the Russians, not the Soviets) are clearly the common enemy, and the bitterness (in varying degrees) of the Finnish soldiers is clearly evident. War movies of this kind depend on suspense rather than spectacle, and this film has suspense in spades.

The soundtrack contributes to the highly evocative atmosphere in the movie, from the excellent musical score to the buzzing of mosquitoes whenever the action takes place near any body of water. Otherwise, this film is an anorak wargamer's delight, featuring weapons very rarely seen in war movies (such as an SVT-40 Tokarev rifle in the hands of a Russian sergeant, and several Lahti-Saloranta M26 light machineguns), bicycle-mounted infantry (ubiquitous in many early 20th-century armies, but rarely seen in movies), and displaying the highly informal nature of the Finnish armed forces (the only salute in the film is a mark of respect, not of regulations). Incongruously, the platoon behaves amateurishly on occasion, e.g. bunching up while exposed to possible enemy machinegun fire, etc. but this is a minor distraction.

This film has almost everything most people could ask for; sex, violence and though the plot is a little thin in places, there's lots of character development to make up for it. I loved it.