One wishes to like this film, to find in it that which will it make it recommendable, low budget underdog independent production that it is, led by a first-time director, having a colourful urban setting with an emphasis upon romantic relationships, and an attractive young cast; however, a drastic flaw in the writing quickly casts doubt upon its having a chance to rise above mediocrity. The core of its story consists of the experiences of Marty (Ron Livingston), a would-be novelist living in Manhattan, expatriate from Maine, struggling ineffectively with the familiar conundrum of young men seeking amorous satisfaction until he, within the space of a few days, discovers that two attractive young women, each named Nina, are smitten with him, and he therefore must face an inevitable decision to select one of them, thereby abandoning the second, all while assuring that the liaisons will not converge to his total loss of romance. From his roost upon a bar stool, Marty's best friend Dave (Bray Poor), performs as Chorus, face to the camera, to describe his pal's adventures in love, along with his own, with events moving to a somewhat predictable climax hastened by Marty's carelessness in not keeping his lovers separate. The mentioned shortcoming in the writing is a penchant of tyro scriptor/director Neil Turwitz to have each of his characters speak in the same manner, as dialogue for all is distinguished by consistent syntax, vocabulary, and rhythm, whether man or woman, and only the skill of Poor (who gains acting honours in this piece) in maintaining his precision of timing, and natural actress Cara Buono as one of the Ninas, somewhat leavens an otherwise monochromic script. An overly naturalistic tenor in the screenplay frequently grates upon one's sensibilities, but a decision to prevent some flubs from winding up on the cutting room floor works well enough, although those components of post-production that require dubbing and mixing are often errant, in line with generally woeful D.J. selection that comprises most of the scoring for a film that sinks from its shallowness.
