The Trench

My father fought in WW1. Yes, you read that right, my father and not my grandfather. He was at Ypres, Passchendaele and the second battle of the Somme. His older brother died in front of him on the battlefield. He didn't speak much about it, I guess he didn't want to re-live it. Subsequently, WW1 looms large in my life and I am always drawn to movies like this. Make no mistake, this is no 1917...but then again, it never could have been. What it is, though, is an affecting portrayal of what it must have actually been like featuring an excellent cast and some fine character development. You care about the men, knowing as you do that it doesn't end well. The sense of impending doom is overwhelming.

As I've stated, I have watched plenty of movies that basically cover the same ground and this is definitely one of the better efforts. Special praise must go to Daniel Craig as the war-weary scouse sargeant, Julian Rhind-Tutt as the anxious toff officer and most surprisingly Paul Nicholls (yes, him from Eastenders) as the wet-behind-the-ears private who, as the movies true 'everyman' character, we're all rooting for to survive. It seems somehow inappropriate to call such a harrowing story enjoyable, but it is enjoyable all the same. Recommended to anybody with an interest in the subject matter.

Who would choose to make their debut a WWI character piece set within the confines of one trench? For his first directorial effort William Boyd has not tried to run before he can walk, and Paul Nicholls in his first released feature plays a role he clearly empathises with.

The relative inexperience of Boyd is evident in the modesty of the production - no expensive effects, no epic locations - but that actually works well in this study of young men trying to cope with the unthinkable horror that characterised the World War One battlefield.

Cooped up for days in dreadful conditions, the various characters - the naive (Nicholls), the intellectual (D'Arcy), the objectionable (Dyer), the loveable fattie (Strachan) - at turns argue with and provide support for each other, but at the end of the day have to face almost certain death on their own and in their own way.

This is not a great film, it doesn't quite provide a strong enough focus to help you empathise with the characters, for the most part it feels like a filmed play, but as a film it is able to provide moments of real visual power such as the final scenes as the boys finally leave the trenches to face the German guns.

For those last few minutes, the realisation of what they are about to do hits you hard, you can really sense the terror that they must have felt.

Despite it's "theatrical" feel at times, and the constraints of its setting, this is a fine and evocative film, with an excellent cast. Paul Nicholls, Danny Dyer and James D'Arcy are not alone in giving faultless performances, but the star of the film must be Daniel Craig, who is superb as Sgt Winter, a man who has survived the battlefield once, but knows his luck is about to run out.

The focus of "The Trench" obviously is on the human aspects of the British men who have gone to war in World War I. It does a good job of portraying the British soldiers with their emotions, thoughts and trepidations about their circumstances in the trenches of northern France. But it also seems to distort some of the human trappings and demeanors of the time. When movies impose modern mores and culture on the past, they distort that time and its culture and history. Thus, people who don't study such things or have knowledge of the times wind up with an inaccurate notion of history or of the reality of that time.

Two things seem obvious as cultural distortions in this film. The first is the casual, almost disrespectful attitude and unruliness of the soldiers. This isn't something that happens just once or twice, but frequently. While all military throughout history likely has had some humor and playful banter among troops at times, it seems to be more of the rule among this platoon of Brits. The second is in the language. Again, all military throughout history likely has had some use of foul or rough language. But here, it seems that this 1916 platoon of British soldiers has adopted early 21st century British street talk (is it really that vulgar among society in England today?). And, I doubt that the British may always have had more vulgar mouths than we Yanks. But, by the standard of this film, the Brits make the service times of my family, from WW II through Vietnam, seem like baby talk.

There may be any number of other distortions as well. Anthony Strachan, who plays Horace Beckwith, is very good in his role. But I doubt that a man so much over weight would have been conscripted or allowed to join the British Army then, or any time. I knew some men a little over weight at my boot camp, but they were whipped into shape by the end, usually with much less weight to carry around. The men in this film seemed almost constantly to be smoking cigarettes. Cigarette smoking grew immensely during WW I, but it wasn't yet to the point shown in this film among British soldiers. In a long documentary film of WWI that came with the DVD of this movie, I didn't see a single scene of men smoking cigarettes on the French, British and German lines. But, several scenes showed Allied soldiers in the trenches smoking pipes.

The last couple of gross inaccuracies are in the setting. The movie folks did a credible job building the set of trenches – except for one thing. Where is the water and mud? The Allied trenches of WWI were notorious for their foul water and mud, yet we don't see any of that here. And, the scene of the battlefield that the Brits have to charge onto is a lush green meadow. That was almost laughable. Both sides had been bombarding that area for days on end. The land was a desolate wasteland.

The distorted portrayal of the conditions and culture are significant enough to cost this film two stars, so I can rate it no higher than six stars. I base that mostly on the fine performances of the cast – all the actors. The setting of this film was in the days leading up to the first day of the British attack in the Battle of the Somme (July 1 to November 18, 1916). That first day – when this film ends – cost more than 60,000 British soldiers wounded or killed. It's considered the bloodiest slaughter in the history of the British Army.

I mentioned a bonus documentary that came on the DVD with this film. "World War I: On the Western Front" is an excellent lengthy documentary of WWI. It is a CBS News documentary that shows only actual battle film of the French, British and German forces. It is narrated by actor Robert Ryan. That documentary is centered around the Battle of Verdun which cost more than 500,000 lives. It shows scenes all along the Western Front. Men are standing in deep water in the trenches. Men and machines try to move over drenched and muddy roads and fields. And, battlefields between the lines are a no-man's wasteland. Not a blade of grass, flower or tree can be seen. None of that was staged by Hollywood, but Hollywood (in the U.S. and abroad) would do well to study such actual war films to better and more accurately portray scenes in war movies.

This movie is an unusual type of war movie. 99% of the movie is shot inside of this 8 foot wide, 600 mile long trench, filled with British soldiers just only becoming men. It has a sense of claustistiphobia, and itensity among young men that are practically scared to death about the world around them, and every little thing counts. This movie was very intense, and you couldn't take your eyes off it for a moment. 8.8 out of 10.

I went considerably out of my way to be the only woman in the theater to see "The Trench" from Britain, a conventional continuation of the British obsession with World War I as being the most symbolic war. Not much new here that wasn't in "All Quiet on the Western Front" or "Paths of Glory" or "Gallipoli", but I suppose some lessons need illustrating for new generations.

Taking place claustrophobically in the trenches just prior to the bloody Battle of the Somme with the sounds of war all around--though it could also have been taking place in the canals of Mars against aliens-- the characters are typically class-based Brits (from ineffectual aristocratic officer to working class blokes whose conversations need subtitles for American viewers), but manage to stay above stereotypes through excellent acting (with actors familiar to us from PBS's "Mystery" and "Masterpiece Theater") and personalization.

I'm probably the only one other than Daniel Craig's family (and the webmasters at his fan site) who went to see the movie for him, but his career soldier sergeant in particular is a real human being.

Otherwise, as always with ensemble war movies, I have trouble telling the young guys in uniform apart to keep the characters straight.(originally written 12/2/2000)