Agnes Browne, o Despertar de uma Vida

I thoroughly enjoyed this directorial effort by Angelica Huston. Her acting, as well as that of the actress who plays Marion Monks, was outstanding.

Left a widow with seven children, Agnes Browne, is undaunted in her spunk and determination to rise above adversity. Agnes' best friend nearly steals the movie with her believable, heartwarming performance as the down-to-earth, pungently irreverent, Marion Monks.

The children, (all seven of them) never seem like actors. The French baker next door also adds flavor as the love interest.

Working-class Ireland in the poor section is seen realistically but with much more kindness and hope than Frank McCourt's world of Angela's Ashes.

Excellent and underrated film--highly recommended.

AGNES BROWNE (1999) **1/2 Anjelica Huston, Marion O' Dwyer, Ray Winstone, Tom Jones

(cameo). Huston, who also co-produced with filmmaker Jim Sheridan and

directs in her big-screen debut, gives it her all as stoic, decent

Irish mother of seven in Dublin circa 1967 whose adjustment to

widowhood takes its toll in her daily struggle to keep her brood

under wraps even as she attempts to enjoy her life as it proceeds.

Straight forward but no real sense of palpable tension even as it

dredges up the themes of death, poverty and an unsteady future.

Yet another hidden gem. As a dealer in new and used movies, especially since I specialize in unusual, out-of-print, Indies, foreign, and other non-mainstream titles, I have the opportunity to discover many films in the hidden-gem category, like this one. Films get my attention when the demand is unusually high. This is no guarantee that the film is a good one, but if other factors are favorable, I may watch it. This one's a winner.

On my first viewing I thought it was a nice little film but nothing special. Mild thumbs up. I'm not sure why, but about a year later I decided to watch it again. I enjoyed it more the second time. Six months later I watched it a 3rd time and it seemed better yet. Today I watched it for the fourth time and I enjoyed every moment of it tremendously. The opening scene is just delicious, and hilarious. Even though I have a pretty good ear for the Irish idiom, I turned on the English subtitles and caught some bits of dialog that were not clear before.

If you are a film student, this a good one to study. It is extremely well crafted. Yes my dears, with no big stars and a small budget, you can make a fine film. The camera work is first class. Lighting is perfect. The colors pop out at you. No doubt Ms. Houston sought to bring her Ireland to life with all of it's vivid vitality, and she succeeded. She squeezed a lot into a small film. Humor, music, romance, pathos, and even a little suspense. Perfect editing. The film never lags. Perfect pacing. Perfect storytelling. Nothing is unnecessary and nothing is missing.

Yes, it is a bittersweet tale, but so is life. We have all been there. Agnes Browne and her brood are good souls, instantly likable. The beaming faces of those kids, ah, they'll steal your heart. That's what makes this movie a winner above all else. It's a movie with heart.

In Dublin, 1967, a woman with seven children is suddenly faced with the travails of widowhood in `Agnes Browne,' directed by and starring Anjelica Huston. After the unexpected death of her husband, life becomes something less than a picnic for Agnes (Huston), what with children ranging in age from two to fourteen and no assets to speak of. She keeps her head above water and some food on the table by selling fruit at an outdoor market, but makes barely enough to make ends meet, while she awaits her widow's pension from her late husband's union. But even when and if it comes, she realizes it won't be enough on which to live. It's a bleak state of affairs for Agnes, who luckily has a dear friend, Marion (Marion O'Dwyer), who is always there for her; and with friendship, a sense of humor, and the dream of seeing Tom Jones in concert, it's enough to keep her going as she manages to take it all one day at a time. There are poignant moments in this character driven, heartwarming film, as well as some funny ones; Huston has done an outstanding job of creating a mood and an atmosphere that brings the Irish working class vividly to life, and she populates her landscape with characters who are not only real, but incredibly rich in their humanity. She captures the heart of Agnes and the others with an emotional depth that draws in the viewer and allows the empathy through which an intimate bond with the characters is established. And they quickly become more than just characters in a story; these are people you come to care about, and when something bad or untoward happens to any of them, you feel it just as deeply as they. Huston gives a terrific performance as Agnes, imbuing her with both a strength and vulnerability that make her real. She has a look of world-weariness about her, but there's a glint of hope and humor in her eyes, which are like a doorway to her soul; you need only look there to know what she is feeling inside. And Huston plays it all so perfectly. In her motion picture debut, O'Dwyer gives a memorable performance as well, as Marion; though nondescript in appearance, there is nevertheless something charming about this woman, and it has everything to do with `character.' Through her unwavering loyalty to Agnes she personifies the meaning of friendship, and exemplifies how invaluable a true friend can be, especially in times of need. It's a touching portrayal that is one of the strengths of the film. The supporting cast includes Niall O'Shea (Mark), Ciaran Owens (Frankie), Roxanna Williams (Cathy), Carl Power (Simon), Mark Power (Dermot), Ray Winstone (Mr. Billy), June Rodgers (Fat Annie), Jennifer Gibney (Winnie the Mackerel) and Tom Jones as himself. No stranger to all things Irish, Huston was the perfect choice to star in and direct this project. With `Agnes Browne,' she succeeds splendidly, with a film that is striking both visually and emotionally. And, lest it be taken for granted, one need but consider Alan Parker's `Angela's Ashes,' which visited the same territory but came off flat and uninspired, especially compared to Huston's film, which so distinctly and fervently imparts the essence of the proud Irish poor. Largely ignored during it's theatrical release, this film hopefully will find a second life on DVD and video, and realize the acclaim it so richly deserves. A real sleeper, this is a gem of a film just waiting to be discovered. I rate this one 8/10.

`Agnes Browne' is a genuine charmer, a simple, but heartwarming comedy/drama directed by and starring the magnificent Anjelica Huston. Set in a lower class Dublin neighborhood in 1967, the story centers around Agnes, an attractive woman whose husband has just died leaving her sole provider for her seven children, ranging in age from early adolescence to diaper-wetting toddler. With the love of her best friend, Marion, to support her (this almost seems to be more of a love story between them than between Agnes and Pierre, the local Frenchman who falls for her), Agnes learns to cope with financial set backs, the neighborhood extortionist, the growing pains of her children and, most tragically, the terminal illness of someone very dear to her heart.

`Agnes Browne' could have emerged as a heavy-handed wallow in tragedy and bathos, but those involved both in front of and behind the cameras have managed to maintain an air of breezy likeability even in the film's darkest moments. If there is a criticism to be leveled against the movie, it would probably be that the film is actually - at a mere 92-minute running time - a bit too short. We occasionally feel we are being rushed from one event to another without time for proper reflection. Moreover, a number of the characters – prime among them Pierre and several of the children – tend to get lost in the shuffle. As the silent, sensitive and understanding merchant who woos and wins Agnes, Pierre simply seems too much like the `ideal man' stereotype who always seems to be just waiting in the wings the moment one of these attractive but harried movie widows/divorcees is starting life anew out on her own.

A much more well rounded and three-dimensional character is that of Agnes' best friend, Marion, (beautifully portrayed by Marion O'Dwyer), a warmhearted, fun-loving woman who provides the kind of confidant and companion that all of us would love to have in our lives. But the real selling point of `Agnes Browne' is, undoubtedly, the luminous performance delivered by Anjelica Huston herself. This fine actress manages to flow seamlessly in and out of a wide variety of emotionally demanding moods and moments. Stern and demanding one moment, she can be forgiving and loving the next. Whether alternately strong or vulnerable, idealistic or pragmatic, heartbroken or joyful, Agnes is a character who demands and earns the complete attention and respect from the audience who can't help but be riveted by her every move. With her glowing portrayal, Huston literally lights up the center of this movie.

Yes, the fairy tale ending may seem a bit out of place perhaps. Yet, in a way, for all its moments of death, heartbreak and sorrow, `Agnes Browne' never really aspires to be anything BUT a charming fairy tale. Given the quality of so much of what we see up on the screen, we really couldn't ask for more.