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7,2/10
2,4 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaSpending their summer on an exotic beach, two brothers fall for the same beautiful girl, whose charm and looks may hide more than they they bargained for.Spending their summer on an exotic beach, two brothers fall for the same beautiful girl, whose charm and looks may hide more than they they bargained for.Spending their summer on an exotic beach, two brothers fall for the same beautiful girl, whose charm and looks may hide more than they they bargained for.
Avaliações em destaque
The title "Crazed Fruit" probably has different connotations in Japanese...but in English, the title seems to suggest the viewer is in for a trashy entertainment. In fact, "Crazed Fruit" is a brilliant, thoughtful, and powerful film.
The film succeeds through its strong writing and strong performances. The director seems to have a clear vision for the film -- unusual, considering it was his debut feature.
What gives "Crazed Fruit" its depth and richness is the subtlety of the plot and performances. The film ends in tragedy, but this outcome has its origins in ordinary, minor human flaws that anyone could identify with. The three main characters' weaknesses combine in a particularly unfortunate way, to produce a spectacularly bad result. The younger brother is blameless and pure in his desire to know true love; the older brother is understandably overcome by the strength of his feelings of love and passion; the girl is blameness in her desire to experience an innocent and powerful form of love. Yet together, the three work to bring about disaster.
Highly recommended.
The film succeeds through its strong writing and strong performances. The director seems to have a clear vision for the film -- unusual, considering it was his debut feature.
What gives "Crazed Fruit" its depth and richness is the subtlety of the plot and performances. The film ends in tragedy, but this outcome has its origins in ordinary, minor human flaws that anyone could identify with. The three main characters' weaknesses combine in a particularly unfortunate way, to produce a spectacularly bad result. The younger brother is blameless and pure in his desire to know true love; the older brother is understandably overcome by the strength of his feelings of love and passion; the girl is blameness in her desire to experience an innocent and powerful form of love. Yet together, the three work to bring about disaster.
Highly recommended.
This film is about a bunch of young men who live the good life (none have jobs, but they have money) in post-war Japan. The film focuses on two brothers and their mutual affection for a young lady named Eri. I don't blame them for being infatuated with her, she is next to beautiful. First its the younger brother Haruji who is able to woo her. Then the older brother Natsuhisa goes for her, out of both desire and jealousy. Eri turns out to be married to an American who spends very little time with her, so she is able to be involved in these affairs. Although this may seem a bit tame now, it was a scandalous film in 1956. It ushered in a Japanese new wave, or it at least suggested one was imminent. The film becomes better with time, as you focus on the love triangle. The actors and Mie Kitahara, who plays Eri, are all convincing. The DVD has commentary from Donald Richie, who is an authority on Japanese film. Again, risqué for the time, tame now (but so is "Rebel Without A Cause" and thats a great film), it is definitely worth your time.
Some of the negative reviews posted do not understand the historical significance of this film (obviously young viewers). You just can't compare it to coming of age films today. This portrayal of Japanese youth in the mid 1950s (ten years after the end of the war) was so shocking to Japanese audiences that the older generation often walked out on the film. As a matter of fact, no American movie at that time could show this type of adultery and sexual pleasure in a film. This movie was loved by Truffaut and very much resembles a French new wave film.
Natsuhisa and Haruji are brothers. Natsuhisa, the older brother, is a bit of a nihilist, devoting all his time to booze and women and hanging with his friends with similar pursuits. Haruji hangs around with his brother, but doesn't approve of his lifestyle. Haruji meets Eri and they date. Natsuhisa is awe struck that his brother has got such a stunning girl, and is determined to find out why. He finds out her secret, and blackmails her into starting a sexual relationship with him. A surprisingly bleak and raunchy film for 1950's Japan. The ending is quietly devastating.
This movie will fool you into thinking that its a story about something far more innocent that it actually is... im being vague so as to not give away any of the fun details. I don't know how to put it except to say that I really enjoyed the ride it took my heart on... first I was grinning stupidly at a tale of young love and by the end I had to pause for a moment to realize that my face was contorted in all sorts of disbelief and horror.... awesome!!!
One of the things I enjoy about this movie is that the true villains don't make much of an appearance. Its the character's own spoiled and frivolous lifestyles handed to them by their parents and sexual exploitation by foreigners that ruin these characters long before they ruin each other.
When the mother says, "don't hang out with your brother and his friends, they are horrible brutes etc etc" to which the boy replies "well,you raised him." In the movie this was a joke, and the characters allhad a nice chuckle... but that was the most serious point the story conveyed - the capitalist dream imploding - cuz lets face it, if you have everything you want, you're probably going to be bored and miserable.
In the same way, the very young very beautiful Hari marries the old white curr for his money, but realizes she's lost the most important thing, something priceless, her childhood innocence.
In my interpretation, its not the evil within these characters that leads to their undoing, its the evil they were subjected to. I want to believe there's good in them, and the actors do a brilliant job of keeping us wondering and uncertain about that because of the extremely nuanced and balanced performances.
The actors who play the brothers are brilliant, the younger especially, who has a very understated but creepy air about him...
In the end, all i can say is "bone chilling!!!" haha... watch it.
One of the things I enjoy about this movie is that the true villains don't make much of an appearance. Its the character's own spoiled and frivolous lifestyles handed to them by their parents and sexual exploitation by foreigners that ruin these characters long before they ruin each other.
When the mother says, "don't hang out with your brother and his friends, they are horrible brutes etc etc" to which the boy replies "well,you raised him." In the movie this was a joke, and the characters allhad a nice chuckle... but that was the most serious point the story conveyed - the capitalist dream imploding - cuz lets face it, if you have everything you want, you're probably going to be bored and miserable.
In the same way, the very young very beautiful Hari marries the old white curr for his money, but realizes she's lost the most important thing, something priceless, her childhood innocence.
In my interpretation, its not the evil within these characters that leads to their undoing, its the evil they were subjected to. I want to believe there's good in them, and the actors do a brilliant job of keeping us wondering and uncertain about that because of the extremely nuanced and balanced performances.
The actors who play the brothers are brilliant, the younger especially, who has a very understated but creepy air about him...
In the end, all i can say is "bone chilling!!!" haha... watch it.
Você sabia?
- CuriosidadesFrançois Truffaut was so taken with the film that he recommended it to the Cinematheque; this was the first Japanese film awarded that honor.
- Erros de gravaçãoHaruji is loading groceries into a car outside a small grocery stall. Eri rides up on her bike and starts talking to him. Right behind Haruji can be seen a wall clock, the hands of which indicate a time of 4:35. The camera switches to Eri's face for a few seconds, then back to Haru, but now the clock indicates a time of 4:29.
- Citações
Takishima Natsuhisa: Shall we head home? Today was a bust. That's what I get for coming with you.
Takishima Haruji: Except that girl at the station. You got a glimpse, right?
Takishima Natsuhisa: Still going on about her? She's just a kid. Perfect for you.
- ConexõesReferenced in Century of Cinema: Nihon eiga no hyaku nen (1995)
- Trilhas sonorasSobre las olas (Over the Waves)
(uncredited)
Music by Juventino Rosas
Played during the amusement park sequence
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- How long is Crazed Fruit?Fornecido pela Alexa
Detalhes
- Tempo de duração
- 1 h 26 min(86 min)
- Cor
- Mixagem de som
- Proporção
- 1.37 : 1
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