No futuro, uma raça alienígena usará androides como bombas para atacar a Terra. Um especialista em armas do governo é acusado de ser um desses androides e precisa provar sua inocência.No futuro, uma raça alienígena usará androides como bombas para atacar a Terra. Um especialista em armas do governo é acusado de ser um desses androides e precisa provar sua inocência.No futuro, uma raça alienígena usará androides como bombas para atacar a Terra. Um especialista em armas do governo é acusado de ser um desses androides e precisa provar sua inocência.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 1 indicação no total
- Midwife
- (as Elizabeth Pena)
Avaliações em destaque
Impostor was the first of 2002's futuristic thrillers (the other two being Minority Report and the Equilibrium) and it's also easily the weakest, which is no surprise when you consider this is essentially nothing more than a blown-up short film. Not surprisingly, critics were harsh on this one, and while many of the complaints are valid, Impostor is still a bit better than its reputation.
The film's concept, that of a seemingly normal man accused of being a replicant, is a fascinating one, but it's unfortunately drowned by director Gary Fleder's obsession with shaky camera movements and quick cuts. The script, written by a committee (or at least a group of people who had a hand in it), suffers from too many logical flaws to fully work as the cerebral sci-fi it obviously aspires to be. Most importantly, the question of identity and what it means to be human is never fully addressed and only touched upon briefly.
But flawed as the film is, the cast is solid, with Sinise delivering yet again another terrific performance, and the special effects are actually convincing (the cityscapes are genuinely awe-inspiring). The movie's fast pace ensures it's never dull and there are even a few exciting action sequences (most notably the hospital fight/chase). But best of all is the climactic plot twist, a no-holds barred surprise that boosts the film up a notch. As a whole, the movie is mostly middling, but there are enough inspired moments to make this an enjoyable viewing.
I wondered throughout the movie, "Is this guy (Gary Sinise) a robot or NOT???" The sets and direction (not to mention the performances of Gary Sinise and Vincent D'Onofrio, which were intense) sucked me in. D'Onofrio makes a fabulous driven investigator. Shalhoub's role was small, but I was too busy grooving on the plot to care. My one regret in the performances is that Madeline Stowe didn't have much to do, except alternate between the roles of a stereotypical uber-doctor and a limpid, grieving wife. The one scene that hints at her acting talent occurs when she confronts her husband at the abandoned park.
Granted, the film does start out like it's going to be typical sci-fi schlock, but once it was past the first 15 minutes, I almost forgot it's science fiction.
The bottom line: This movie WORKED for me! 9 / 10 stars
Gary Sinise is always pleasure to watch on screen. And in this case his performance is flawless. D'Onofrio plays the tough security officer with enough passion. Madeline Stowe is rather frigid in her role.
In short, 'Impostor' is a gripping tale with solid plot and enough substance. A must see for every genre fan, regardless of the fact that one of the greatest sci-fi writer has penned the story.
Você sabia?
- CuriosidadesYoung Spencer Olham is played by Mac Sinise, Gary Sinise's son.
- Erros de gravaçãoThe bullet holes in Spencer's ESA jacket move around.
- Citações
Spencer Olham: [recounting the history of the atomic bomb] Oppenheimer sees the madness and urges the U.N. to gain control of thermonuclear development. The government turns around and calls him a Communist sympathizer. And when it was all over, Einstein said, "Only two things are infinite: the universe and human stupidity; and I'm not sure about the universe."
- Versões alternativasThe movie faced several release dates that were changed many times and one of those times resulting in editing and some reshoots. This was done to edit it down to PG-13 from a previous R rating.
- ConexõesFeatured in The Impostor Files: The Making of 'Impostor' (2002)
- Trilhas sonorasBoy from Ipanema
Written by Antonio Carlos Jobim / Norman Gimbel / Vinicius de Moraes
Published by Universal Duchess Music Corporation (BMI)
And New Thunder Music, Inc. (BMI)
Performed by Crystal Waters
Courtesy of The Island Def Jam Music Group
Under License from Universal Music Enterprises
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Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- Прибулець
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 30.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 6.285.176
- Fim de semana de estreia nos EUA e Canadá
- US$ 3.022.523
- 6 de jan. de 2002
- Faturamento bruto mundial
- US$ 8.694.320
- Tempo de duração1 hora 35 minutos
- Mixagem de som
- Proporção
- 1.85 : 1