No futuro, uma raça alienígena usará androides como bombas para atacar a Terra. Um especialista em armas do governo é acusado de ser um desses androides e precisa provar sua inocência.No futuro, uma raça alienígena usará androides como bombas para atacar a Terra. Um especialista em armas do governo é acusado de ser um desses androides e precisa provar sua inocência.No futuro, uma raça alienígena usará androides como bombas para atacar a Terra. Um especialista em armas do governo é acusado de ser um desses androides e precisa provar sua inocência.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 1 indicação no total
- Midwife
- (as Elizabeth Pena)
Avaliações em destaque
Gary Sinise plays Spencer Olham, a doctor along with his wife, Maya, played by Madeleine Stowe. Spencer wakes up and goes to work the next morning to find that he is a wanted man. It appears that the military and the U.S. Defense department think that he is actually a cyborg with a bomb placed in it's heart, with a mission to kill the Chancellor! Pretty far out stuff. The visuals explaining this were pretty cool, too.
Spencer manages to escape but always has the military hot on his trail. This is where the mystery comes in. The viewer is forced to wonder whether or not Spencer is actually himself, or the cyborg programmed to be Spencer. The movie does an excellent job of placing doubt in the minds of those watching, no matter which way they are leaning. If they think Spencer is really himself, it still makes you wonder. Major Hathaway, played by Vincent D'Onofrio, claims that the cyborg is merely programmed to act human, as if it really wants to live.
The special effects here are pretty good as well. At the beginning, I thought we would have another Starship Troopers (visually) on our hands. Since the story takes place in the year 2079, it would not be a good science fiction without the cool household gadgets and such. We see plenty of that here, especially in the beginning. Parts of the movie reminded me of I, Robot, Demolition Man and at times, even Star Wars. This comes recommended for science fiction fans.
The core of these stories by Dick has to do with the nature of reality and Impostor is no exception. If we have memories implanted in our minds, how can we tell what is real and what is an artificial memory? Added to this in the movie is the change in a society that comes from years of war. Can we have freedom and human rights when anyone can be a spy? This combines two great traditions in sci-fi; illusion vs. reality (Total Recall) meets taking over our minds and bodies by an alien power (Invasion of the Body Snatchers).
Add to the great story concepts is superior acting by Gary Sinise and Madeleine Stowe. The supporting cast is good with Vincent D'Onofrio playing a complex character. Is he a villain? Nothing is as it seems.
With all of these positive comments, I cannot give the film a 10/10. This is a low budget film which first started as a short film and grew into a feature. While the story of Impostor IMHO is superior in some ways to Minority Report and much better than typical sci-fi, the lack of money for Impostor shows.
The director, Gary Fleder is no Speilberg, Ridley Scott or even Paul Verhoeven. Sometimes the pace of the film seemed to need tighter editing. The script in the central part of the film could have used more work to learn more about this world. And the music was just ok in supporting the action and emotion of the film.
Still Miramax was right to decide on making this a feature film rather than a short subject or straight to TV film. Impostor has some great sci-fi story ideas and good performances. 8.5/10
I wondered throughout the movie, "Is this guy (Gary Sinise) a robot or NOT???" The sets and direction (not to mention the performances of Gary Sinise and Vincent D'Onofrio, which were intense) sucked me in. D'Onofrio makes a fabulous driven investigator. Shalhoub's role was small, but I was too busy grooving on the plot to care. My one regret in the performances is that Madeline Stowe didn't have much to do, except alternate between the roles of a stereotypical uber-doctor and a limpid, grieving wife. The one scene that hints at her acting talent occurs when she confronts her husband at the abandoned park.
Granted, the film does start out like it's going to be typical sci-fi schlock, but once it was past the first 15 minutes, I almost forgot it's science fiction.
The bottom line: This movie WORKED for me! 9 / 10 stars
Você sabia?
- CuriosidadesYoung Spencer Olham is played by Mac Sinise, Gary Sinise's son.
- Erros de gravaçãoThe bullet holes in Spencer's ESA jacket move around.
- Citações
Spencer Olham: [recounting the history of the atomic bomb] Oppenheimer sees the madness and urges the U.N. to gain control of thermonuclear development. The government turns around and calls him a Communist sympathizer. And when it was all over, Einstein said, "Only two things are infinite: the universe and human stupidity; and I'm not sure about the universe."
- Versões alternativasThe movie faced several release dates that were changed many times and one of those times resulting in editing and some reshoots. This was done to edit it down to PG-13 from a previous R rating.
- ConexõesFeatured in The Impostor Files: The Making of 'Impostor' (2002)
- Trilhas sonorasBoy from Ipanema
Written by Antonio Carlos Jobim / Norman Gimbel / Vinicius de Moraes
Published by Universal Duchess Music Corporation (BMI)
And New Thunder Music, Inc. (BMI)
Performed by Crystal Waters
Courtesy of The Island Def Jam Music Group
Under License from Universal Music Enterprises
Principais escolhas
Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- Прибулець
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 30.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 6.285.176
- Fim de semana de estreia nos EUA e Canadá
- US$ 3.022.523
- 6 de jan. de 2002
- Faturamento bruto mundial
- US$ 8.694.320
- Tempo de duração
- 1 h 35 min(95 min)
- Mixagem de som
- Proporção
- 1.85 : 1