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IMDbPro

O Tédio

Título original: L'ennui
  • 1998
  • 2 h 2 min
AVALIAÇÃO DA IMDb
6,0/10
2,4 mil
SUA AVALIAÇÃO
O Tédio (1998)
DramaRomance

Adicionar um enredo no seu idiomaMartin is a philosophy teacher in the midst of a mid-life crisis. Lacking direction or purpose in his life, he initiates an affair with Cécilia, a young artist's model who might have killed ... Ler tudoMartin is a philosophy teacher in the midst of a mid-life crisis. Lacking direction or purpose in his life, he initiates an affair with Cécilia, a young artist's model who might have killed her former lover.Martin is a philosophy teacher in the midst of a mid-life crisis. Lacking direction or purpose in his life, he initiates an affair with Cécilia, a young artist's model who might have killed her former lover.

  • Direção
    • Cédric Kahn
  • Roteiristas
    • Cédric Kahn
    • Laurence Ferreira Barbosa
    • Alberto Moravia
  • Artistas
    • Charles Berling
    • Sophie Guillemin
    • Arielle Dombasle
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    6,0/10
    2,4 mil
    SUA AVALIAÇÃO
    • Direção
      • Cédric Kahn
    • Roteiristas
      • Cédric Kahn
      • Laurence Ferreira Barbosa
      • Alberto Moravia
    • Artistas
      • Charles Berling
      • Sophie Guillemin
      • Arielle Dombasle
    • 25Avaliações de usuários
    • 19Avaliações da crítica
    • 59Metascore
  • Veja as informações de produção no IMDbPro
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 1 vitória e 5 indicações no total

    Fotos61

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    Elenco principal38

    Editar
    Charles Berling
    Charles Berling
    • Martin
    Sophie Guillemin
    Sophie Guillemin
    • Cécilia
    Arielle Dombasle
    Arielle Dombasle
    • Sophie
    Robert Kramer
    Robert Kramer
    • Meyers
    Alice Grey
    • Cécilia's Mother
    Maurice Antoni
    • Cécilia's Father
    Tom Ouedraogo
    • Momo
    Patrick Arrachequesne
    • Doctor
    Mirtha Caputi Medeiros
    • Meyers' concierge
    Pierre Chevalier
    • University dean
    Oury Milshtein
    • Jean-Paul
    Anne-Sophie Morillon
    • Agnes
    Marc Chouppart
    • Ferdinand
    Cécile Reigher
    • Ferdinand's girlfriend
    Antoine Beau
    • Pierre
    Serge Bozon
    • Philosophy Student
    Nicole Pescheux
    • Owner of disreputable bar
    M'mah Maribe
    • Girl in disreputable bar
    • Direção
      • Cédric Kahn
    • Roteiristas
      • Cédric Kahn
      • Laurence Ferreira Barbosa
      • Alberto Moravia
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários25

    6,02.3K
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    10

    Avaliações em destaque

    Karl Self

    Good as light entertainment, unconvincing as a "deep" movie

    I came across this movie unexpectedly while watching TV late at night. This is probably the best context you can watch this movie in, as fairly light entertainment, with a story I can generally relate to, a pretty lead actress and a frequency of love scenes that is characteristic only of French art house or Californian porn movies. As a serious film though, "L'ennui" does not manage to pull it off -- probably the classic case of a good book being transformed into a lesser movie. The male character comes across as a schoolboy high on testosterone, not the philosophy teacher he is supposed to be (incidentally a position that exists only in French movies where no one ever has to do any real 9 - to - 5 work), the sex scenes in all their explicitness are curiously prudish (the lovers always appear to do it fully dressed and panting as if they had just completed the Ironman contest), and Cécilia's part is just too one - dimensional. Nevertheless, I found the movie entertaining, and it really made me want to read the book (by Alberto Moravia). And you can't say that about too many movies nowadays, can you?
    8msvb60

    Excellent and painful

    Even though I'm not a philosophy professor nor in mid-life I felt every bit of the emotions that Martin went through. I lived much of the same experience(divorce and then new relationship) he does in this movie. The movie evoked strong emotions in me and was almost painful to watch as Martin became more obsessed over Cecelia. Sophie Guillemin is gorgeous and Cecelia was a perfect counter for Martin. While I rate this movie very highly I'm not sure I ever want to see it again. Much too painful, but also excellent.

    I've been watching a lot of foreign(mostly French, Italian and Japanese) movies of late and this ranks right near the top.
    10groggo

    Existentialism in full view

    When you adapt a work by Alberto Moravia to the screen, you know that human detachment, alienation or themes thereof are going to dominate.

    That's what happens in 'L'Ennui' -- characters driven by excess, searching for the unsearchable or the unreachable. The ambiguity of the word 'ennui' fits very well: in English translation, the word can mean not only boredom but also human emptiness. This is what I believe director Cedric Kahn was aiming for, and he's certainly on target.

    This is a descent into an obsessive abyss by Martin, played by Charles Berling with such frenetic neuroticism that he all but leaps off the screen. He lives and suffers through the lives of others. He meets Cecilia, a 17-year-old artist's model, stunningly portrayed by Sophie Guilleman. Martin asks questions about the artist, who died shortly after an obsessive love affair with Sophie. Despite his extensive intellectual training in philosophy (a Moravia-Kahn 'in-joke' here), Martin cannot fathom the emotional emptiness of Cecilia, who is a character straight out of, well, the existential literature of Moravia and Camus (Cecilia reminded me of the latter's Mersault in 'L'Etranger,' a classic study of human detachment).

    Martin asks Cecelia endless questions about emotional matters, but she cannot answer them. She only understands transient forms of pleasure (never 'happiness'), and her laissez-faire attitude drives Martin into increasing levels of madness. He thinks he loves her, but he has no understanding of love at all, and cannot find the centre of Cecilia's amiable indifference. He screams about 'possessing' her, as if she were a commodity. She neither loves nor hates him; she is simply neutral, which Martin cannot grasp.

    This is a brilliant work on a difficult subject, although it's perhaps about 20 minutes too long. Slowly and meticulously, Kahn unpeels the layers of the endless human dilemma called love.

    Once again, the French have delivered a film that just wouldn't see the light of day in Hollywood. I can hear the producers in LaLaLand now: who wants to pay for a film that focuses on a basic philosophical problem: the nature of human existence? Fortunately, we can still see these kinds of films, but they'll never come from Hollywood.
    7paul2001sw-1

    Pretty Vacant

    Very French film in which a jaded, self-centred philosophy professor becomes embroiled in a physically consuming, but emotionally vacant, relationship with a blank young girl. Unpleasant, claustrophobic and sharply humorous, it boasts strong performances from all its cast. But eventually the film's focus, as narrow as that of its central character, starts to become a little wearing. Not wholly successful, but interesting nonetheless.
    8DUBOSTg

    Identification to Berling's character

    Based on the novel of Alberto Moravia, "L'Ennui" tells us the story of a philosphy teacher (Charles Berling) who, just separated from his wife, meets the young and buxom Cecilia, former model of a painter who died making love to her. As their relationship grows, we fall with Berling into despair (when he is unable to quit her even if he wants to) and even jealousy. The famous scholar cannot find relief in his knowledge, nor in his irritated former wife and is therefore condemned to wander alone, following this woman, directly out from a Renoir painting, he love and despise at the same time and his depiction is really living.

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    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      Sophie Guillemin's debut.
    • Citações

      Sophie: Abstinence is turning you sour; give it up.

      Martin: I have.

      Sophie: Really? Do I know her?

      Martin: No, I met her in odd circumstances a few weeks ago.

      Sophie: Really? You must be pleased.

      Martin: You're quite wrong, I don't like her at all. She's totally uninteresting. I'm trying to get rid of her.

      Sophie: Why? Is she ugly?

      Martin: Not particularly.

      Sophie: Is she stupid then?

      Martin: No. Not at all. She never says anything stupid. It's complicated. She bores me. I have no contact with her. Or rather only physical contact.

      Sophie: Why complain? That's not so bad.

      Martin: You can't imagine how basic she is, she has no conversation. When she speaks, she sounds silent. Her only means of expression is sexual.

    • Conexões
      References Jade (1988)
    • Trilhas sonoras
      Melao de Cana
      Performed by Celia Cruz with Sonora Matancera (as La Sonora Matancera)

      Written by Hippolita Pedroso

      Edition Originale EDITORA MUSICAL DE CUbA

      Sous éditions J. GARZON

      © DECLIC

    Principais escolhas

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    Perguntas frequentes16

    • How long is Boredom?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • 16 de dezembro de 1998 (França)
    • Países de origem
      • França
      • Portugal
    • Idioma
      • Francês
    • Também conhecido como
      • Boredom
    • Empresas de produção
      • Gemini Films
      • Ima Films
      • Madragoa Filmes
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Faturamento bruto nos EUA e Canadá
      • US$ 36.666
    • Fim de semana de estreia nos EUA e Canadá
      • US$ 14.064
      • 10 de out. de 1999
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      • 2 h 2 min(122 min)
    • Cor
      • Color
    • Mixagem de som
      • Dolby SR
    • Proporção
      • 1.85 : 1

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