Um Jeito Melhor de Morrer

Nothing particularly unique about this movie, but it held my attention all the way through. Solid acting, direction, reasonably interesting story, good cast of characters; about the only complaint I would make is that I always felt like I was missing something. That's not specific enough to be of much use, I suppose, but it's as close as I can get to verbalizing my complaint. I give this one 6/10; watch it if you don't have anything else to do.

a B movie. like a lot of others. same hero, same bad guys, same final. and the predictable line with the expected turn of events. but , after a time, it seems be different. maybe for the presence of Lou Diamond Phillips. or for the performance, who saves a lot, of Andre Braugher. it fact, the answer is not complicated. the ambition of a young director who dreams to do a film who , at first sigh, not propose something original but reflects his love for a movie genre is the pillar who sustains fights and gun fires, fake scenes and the classic love story. and, at its end, the film has the huge virtue to remember the old story about the war between good and evil in its basic essence. a good point for be indulgent about A Better Way to Die.

As a serious crime drama, this totally sucks. But if viewed as a spoof on the genre, it's quite amusing. Every cliche is squeezed into the plot; much of the action is over-the-top. If they were trying for a hard-core, gritty flick to be taken seriously, they flopped. But if seen as a less-slapstick variation on films like Clive Owens' underappreciated Shoot'Em Up, it plays a lot better.

Scott Wiper. Scott Wiper... The name doesn't ring a bell does it? Neither did it to me. I was browsing my friends DVD collection and came across this little gem. On asking him what was it like he said just watch it and see. So I did and found it highly enjoyable.

Scott Wiper is a young actor, writer, producer, director and has gathered himself a cast that would be at the top of any hollywood directors wish list. Joe Pantaliano, Lou Diamond Phillips, Natasha Henstridge and Andre Braugher. All involved in this movie are showing the acting talents that they are capable and are clearly having fun and this fun exerts itself over the viewer.

Scott Wiper is Boomer, a chicago cop, who becomes disenchanted with the big city life after a bust. He embarks on a road trip to get to former girlfriend, who still loves him, in the picturesque village of Cedar Falls. Then all hell breaks loss...

This film is notable for a few things. Wiper as lead actor, writer, and director, Joe Pantaliano in a typically strong performance as a bizarre one-armed detective named Flash, and how wiper has managed to create a movie that looks big budget on an obviously low budget. The fantastic locals and the brilliant action scenes hint at a director who could accomplish big things given the time and the money.

At times i was thinking that Boomer's day couldn't get any worse but this helps us in feeling more sympathetic towards him in his quest to get home.

Finally i highly enjoyed this movie and would recommend it to any self respecting fan of the action genre. A definate winner 8.5!

I can see how this film could be tossed into the Violent Action or confusingly written low budget categories, but I found it to be a cut or more above those types of films because of its feel. It seemed to me more like a long waking nightmare than an action yarn. It was personal. Where Dirty Harry or Arnold type films tend to try to inject societal relevance, this is about what is happening to one lone guy's little world. It seems to start the usual way in the big city, but the road trip begins immediately after the cops vs bad guy shootout. Then it is just him against the darker side of the world.

Odd to say it, but it had elements in it of a gentle, thoughtful road film like Wild Strawberries. But these gentle experiences were incessantly subverted by the nightmarish downward spiral that was this day or so in the life of the antihero lead. Dr. Borg could not find an experience or place that could distract him for long from his regrets. Boomer's problems were less existential. He could not find a safe place, even to sleep. One thing led to another and every time it couldn't get worse it did. Sustaining that through the length of the film in writing and directing is quite an accomplishment and it all goes to Wiper. The other actors did a sturdy to inspired job of playing it on the money and not ruining the vibe.

I think of it as a Film Noir and it reminds me of an Edmond O'Brien character running afoul of Communist spies and their thugs. Constantly on the run, both to and from, never knowing what is around the next corner.

Without giving anything away, the other element running through the film is an amazing tale of, ultimately, redemption involving Boomer and Cleveland. It is of course given the necessary weight by the usual brilliant performance by Andre Braugher.

Much of the film had a claustrophobic quality to it, another departure from a typical action film. I don't say this often, but being in black and white would have taken as much away from this film as it would have added. It is pretty darn good the way it is. And it does not remind me very much of any other film I have ever seen. It is coming from another place entirely.