Aberdeen

A story of a daughter bringing her alcoholic father to her dying mother in Aberdeen. Stellan Skarsgaard (European Film Awards nominee) plays the Norwegian father to perfection, and Lena Headey also give a strong performance as the estranged daughter who's had too much life experience too young. Hans Petter Moland is moving into world class with this one!

A Norwegian film in English, with a Swedish actor in a leading role. International, to say the least. Aberdeen is a touching, funny and sad film about relationships. Mainly the relationship between parents and children. Stellan Skarsgård, one of the greatest actors in the world, is as brilliant as ever. He plays drunk most of the time, but he does it in a subtle way. When his character is humiliated because he needs a beer you can feel it through the screen. Skarsgård is a wonderful actor. Ian Hart is also a great actor and I always enjoy watching him in a film. Lena Headey impressed me with a nuanced and touching performance.

Aberdeen is a great film and the cast is brilliant. (8/10)

Showing as part of the European Film Festival currently in Brisbane, Aberdeen is a strong, narrative driven movie of a daughter sent to Norway by her dying mother to bring back her father so that the terminally ill mother can see him and her for the last time before she dies.

All the performances in this stellar outing are first class. Stellan Skarsgård as the alcoholic, former oil rig working father is simply outstanding. He plays a man losing a battle with the bottle so convincingly that it makes you seriously wonder whether he has personal experience on which to draw from for his performance.

Charlotte Rampling plays the cancer-stricken mother; even though she spends the majority of the movie talking over the phone from her hospital bed she brings to the character a dignity that is totally believable.

Ian Hart plays a English truck driver who stumbles across the daughter and father returning home from Norway and helps them out. With his shaved head I hardly recognised this veteran actor - but he again puts in another superlative performance as he comes to grips with the dynamics at play in this unique family

But the standout performance is that of Lena Headey, playing the daughter entrusted with the task of bringing her errant father to Aberdeen. She's also someone battling with their demons - she is a drug addict, nympho and does not take to trusting people easily. Having to bring home her father (whom she hates) to a mother (whom she also hates) is yet another thing to speak poorly of and bemoan her lack of a life.

I thought Lena was a relative newcomer to the acting scene - but a cursory look at IMDB revealed a wealth of acting gigs that I was not aware of. But 'Aberdeen' has to be one of her first leading roles; she is one to look out for in the future.

She won the Silver Iris award for Best Actress at the Brussell Film Festival last year.

The movie is described as a 'dark road movie'. Now when I watched it it didn't appear particularly dark - perhaps that says more about what I class as 'dark' in a movie than the tag line writer for these movies! It certainly is 'real', and 'gritty'.

If you get a chance to see this one when the festival rolls into town (some states haven't got it yet so you may still get a chance) you wouldn't go far wrong with this as one of your choices.

9 out of 10.

I am not the biggest fan of what I call "road movies." This is one of those movies about the road in a metaphorical sense, with life as the real journey. But this movie was not the typical cliched type of movie. It was well acted and directed, a must see.

I rented "Aberdeen" because I love Lena Headey and have been catching up on her work. The fact that Ian Hart and Stellan Skarsgard are also featured only made this film more attractive. I was not disappointed.

All the acting is good, including Charlotte Rampling in a difficult, passive role, but Stellan's portrayal of a wrecked man is astounding. He nails all the outward attributes of alcoholism, but never overdoes it. His eyes tell us all we need to know as his character slowly finds some piece of his own humanity buried deep inside. Astounding, when one compares Tomas to, say, the smoothly lethal Gregor from "Ronin", or the monstrous Cerdic from "King Arthur". Stellan is one of those actors whose mere presence on screen is riveting.

The story itself is simple, but this movie is all about the journey, literally. We are all damaged in some way, but holding on to bitterness and resentment for past wrongs will destroy oneself more effectively from within than any outside force can do.