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Sh!tty acting combined with sh!tty choreography ruin this whole film. I couldn't stomach more than 30 minutess of this sh!t. The plot is BASIC, even by Kung-Fu standards. I agree with previous reviewers. Plus, why is it so hard for Kung-Fu movie producers to come up with more original title names? It makes it very hard to discern between films. I actually got this movie as one of 20 movies in a $5 20 movie Kung-Fu pack. The transfer is bad quality. Almost worse than a VHS tape. I WISH Kung-Fu movie producers would REMASTER their stuff with the original widescreen version of the film.

Point blank, this movie is a waste of time, even for hardcore Kung-Fu fans.

In San Francisco's Chinatown, Eric (Eric Lee) runs a martial arts school. His skills come in handy when a band of thugs kidnaps his half-sister for a large Chinese gang. The head thug took the job because he has a score to settle with the girl's father. The Chinese gang wants ransom money from the girl's mother, who, despite living modestly, has enough to pay it. Eric gathers a team of expert fighters from his school and goes off to get the girl back. But emotions run high when the team is joined by the father who had left his family years ago. Later, they'll be joined by a kidnapper with a conscience (Louis Bailey). In the hills, the girl escapes and gets recaptured several times. The hills are teeming not only with the members of the Chinese gang, but with female assassins and cruel bikers, too.

There's plenty in this low-grade action film to satisfy bad movie fans. Eric's mother speaks perfect English (though she often flubs her lines), but Eric himself seems to be reading his lines phonetically. All the performances are cardboard, except that of Bailey, who somehow manages to seem intelligent. Eric's band includes only one man with a gun: Paul (played by the writer and director, Paul Kyriazi), who seems a much more efficient killer than the rest of his team, especially since no one in the Chinese gang has a gun either.

The good guys always manage to win their fights, even though they're always ludicrously outnumbered. Late in the movie, the female assassins are given a big introduction in slow motion. Considering what happens in their very next appearance, it seems in retrospect much ado about nothing.

The fight scenes are violent and cartoonish, and show off the impressive skills of the martial artists. Even a bad martial arts movie needs good fighters.

Greatest martial arts movie never seen! Until now. I just watched Weapons of Death on DVD last night. Even though it wasn't a 'big Hollywood production' and all of that, almost 100% of the characters this movie are Masters of many different martial arts styles. Not just paid actors. And on top of that, most of them did it for free at the time. I was especially impressed with Master Eric Lee. His skill is extraordinary! Even to this day. This movie needs more exposure. I want to see it on TV one day for all to see.

Special thanks to my Godfather, Nathan LeBlanc (the bouncer in the opening scene) for me letting borrow it to watch it. He makes Arnold look like a stick figure! These are the Greatest martial artists and fighters most of the world has not seen. The weapons are real and so is the skill.

Take some time to watch it. You'll be impressed. I was, and iv seen every martial arts movie there is. Im gonna watch it again tonight.

Hi, Everyone, The story here is more or less Mike Brady (Robert Reed) of the Brady Bunch tries to rescue a stupid girl. It isn't really Robert Reed, but it looks like Robert Reed and we first see him in his living room so it is easy to get confused.

The kidnappee girl falls down a lot. The bad guy is a cross between a young Boris Karloff and an old Nick Nolte. He is mean and snarly. Even the bad guys don't like him.

One of the bad guys takes on an entire motorcycle gang when the gang decides to rekidnap the dumb girl. The fights are OK but sometimes it is hard to figure out for whom we rooters are to root. The toughest bad guy might be the nicest bad guy if we consider his redemption halfway through the movie.

There's this other bad guy who is the leader of the kidnappers because he is the one who hires the kidnappers to kidnap the girl nitwit. He is pleasant enough for a mob boss who likes to threaten people with a big sword and fifty or so bodyguards. They are all conveniently dressed in black so we can tell they are bad.

The young good guy in white is attractive. He has a nice face and body and he definitely knows his Karate moves. He has a couple of good fights especially one where the bad guy's sword goes flying way up into the air and then something happens. I will let you watch to see what happens.

There is a Ford Bronco. The five rescuers drive it and ride to the rescue. One of the rescuers is intelligent. He carries a gun and shoots the Karate bad guys. He looks like Richard Dreyfuss when Dreyfuss made Jaws, but with a Ron Ely build.

The foolish girl has a mom who is also the mom of one of our heroes, but I will let you watch and keep score on who married whom and who is the Daddy of the girl who gets lost a lot.

I almost forgot to mention there is a bad girl gang of Karate fems. They pop up out of ditches holding swords. One has a red dress. Her hair needs something.

I liked the movie. It is a good one for bad movie night. For a nice double feature, watch this with Detour which also has a tough girl. Instead of a Ford Bronco it has a Lincoln Continental circa 1941.

I don't guarantee you will like this movie, but you will get a laugh here and there.

Tom Willett

There is a surprisingly strong script here; sadly, it is buried by poor production values, generally amateurish performances, and a lack of any real direction that could turn these disadvantages into strengths (or at least nullify them).

However, the film is only comparatively bad - that is, if you size it up with better made American martial arts films, it will look pretty bad; if you rate it next to anything Hong Kong, it will look embarrassing when not laughable.

However, After this became obvious, I let decided I'd try to set these comparisons aside and just let the film be an cheap American action film of its era; and on its own terms, it proved watchable, and even entertaining.

The high point of the film is a sequence some reviewers complain about, that seems to drop a biker gang into the movie out of nowhere. The writing is crisp and the 'cinema verite' approach makes the violence seem brutal, despite lack of proper dramatic perspective. This actually emphasizes the almost Homeric theme of the scene, and I could help thinking that the writer had read a bit of Homer before writing the film, since similarly epic-influenced moments pop into the story throughout. It's too bad the script wasn't sold to someone or some group that could really put a package like this together.

Altyhough looking dumb at the surface, there are some interesting themes here expressed well in the dialog. And the pacing is pretty good for a cheap action movie.

One other remark - I suspect this sat on a shelf looking for a distributor for a number of years - the '80s release date is belied by the hokey '70s fashions and hairstyles.