Ruas da Liberdade

From time to time one comes across remarkable films like Liberty Heights where simple story is told in extraordinary manner. This film is about the Jewish Kurtzman family, but we follow the father and his two sons as three separate stories. Each one of them having their own struggle and challenges to face. What struck me as the most amazing part of the story was the easiness of it, how it flowed and gently tackled serious issues in the community of that time. It portrait itself in a realistic manner, where there were no real baddies or large showdown, just people going through life. The performance of the actors was brilliant, with Joe Mantegna (the father), showing once more what a talent he is. This film won't leave anyone untouched. 8/10

In Baltimore, 1954, the Kurtzman family is a Jewish family living in the area of Liberty Heights. Ben (Ben Foster) is a rebel teenager, who has a crush on his black friend Sylvia (Rebekah Johnson). His college brother Van falls in love with Dubbie (Carolyn Murphy – why this gorgeous actress has just this movie in her filmography?), a very problematic girl. He becomes friend of Trey Tobelseted (Justin Chambers), a young man from a very wealth family and boyfriend of Dubbie. Nate (the excellent Joe Mantegna) is the father, who lives from an illegal lottery of numbers. Nate loves his family and keeps them apart of his legal problems. Ada (Bebe Neuwirth) is the mother, who keeps the tradition of their family. Little Melvin (Orlando Jones) is a drug dealer, who wins a fortune of US$ 100,000 (in 1954) in Nate's lottery, raising a serious situation in the plot.

This movie is wonderful: the soundtrack, photography and costumes are marvelous. The story, about segregation of Jews and blacks and love between races, is very beautiful. The viewer will not be disappointed with this entertainment. My vote is eight.

Title (Brazil): "Ruas de Liberdade" ("Liberty Streets")

This movie is challenging on many levels and best of all is it does not insult the viewer's intelligence with pat plot lines and easy resolutions. It is very much a slice of life movie and provokes serious thought about growing up and the meaning of prejudice and racial barriers. It is a lovely film and I have resolved to see some other efforts from Barry Levinson as his is a rare talent. He lovingly captures Baltimore in the fifties in all its facets of neighbourhoods, the cast is stellar, not a false note among them, the music is wonderful and all the plot lines come together. I felt sad that it was over, I found myself quite involved with the characters who were multi dimensional with teasing snippets of background as in the disturbed Dubbie saying to Van she did not like spending time with her father and his boyfriend. And Sylvia's family being black and wealthiest by far than the others and she was following her mother and grandmother into a Black College so she could preserve the continuance. 8 out of 10. Recommended.

This movie is sort of like the concept of the TV show Seinfeld-- it's about nothing. By this I don't mean that it lacks substance, in fact, it has plenty, but I mean rather that it does not involve an intense plot line. It's more like a series of snapshots taken out of one family's album, like a brief recording of one year in their lives. It's as if these people were real, simply going about their lives in their times, and we got to peek in on them, and it is acted in just that way. I think it's very true to director Barry Levinson's vision, a vision that is clear upon viewing his other films that he includes with Liberty Heights as his "Baltimore" films. These include Diner, Avalon, and Tin Men. Because this is not the typical problem arises-conflict ensues-climax is reached-conclusion is found film, Levinson shows us that these people's lives were a series of ups and downs, joys and losses, that summarize American middle-class youth in all ages in history. There connections between the different walks of life and the idea of growing up and discovering diversity around you is what makes this film universal and beautiful, all without handing you morals and themes on a silver platter. This film takes a wonderfully objective viewpoint that allows you to make meaning of it rather than spelling it out for you.

LIBERTY HEIGHTS (LH) is a fine addition to writer/director Barry Levinson's series of nostalgic autobiographical Baltimore-set films. This episodic but heartfelt comedy-drama, set in the mid-1950s, stars Adrien Brody and Ben Foster as brothers Van and Ben Kurtzman, who come of age while grappling with anti-Semitism, their loving dad's (Joe Mantegna) shady business dealings (he runs both a burlesque house and a low-profile numbers racket. My late dad, a bookie, would've loved this guy! :-), racism (Ben and his pretty black classmate Sylvia, appealingly played by Rebekah Johnson, start seeing each other on the sly), and classism (Van falls hard for blonde WASP dream girl Dubbie, who turns out to be a nightmare -- a tragic figure, in fact -- but is capably played by supermodel Carolyn Murphy in her first and, to date, only film role that I know of). While LH isn't quite as sharp and knowing as Levinson's modern classic DINER (with which LH would make an interesting double feature; the DVD includes the DINER trailer, by the way), it's rendered with great affection and attention to detail about the characters, their world, and the changing times they're living in. For me, the wittier moments really made the film -- Ben's anarchic streak livens things up, to say the least! Best Ben moments: 1) his scandalizing his family by dressing as Hitler on Halloween; 2) the act of defiance he and his friends eventually pull at the "NO JEWS..." pool; and 3) the tender yet chaste kiss he gives Sylvia at graduation, freaking out both sets of parents. LH is worth a rental, at the very least!