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IMDbPro

Depois da Vida

Título original: Wandafuru raifu
  • 1998
  • Not Rated
  • 1 h 58 min
AVALIAÇÃO DA IMDb
7,6/10
15 mil
SUA AVALIAÇÃO
Depois da Vida (1998)
Home Video Trailer from New Yorker Films
Reproduzir trailer2:01
1 vídeo
47 fotos
DramaFantasy

Após da sua morte, as pessoas têm apenas uma semana para escolher apenas uma memória para guardar para a eternidade.Após da sua morte, as pessoas têm apenas uma semana para escolher apenas uma memória para guardar para a eternidade.Após da sua morte, as pessoas têm apenas uma semana para escolher apenas uma memória para guardar para a eternidade.

  • Direção
    • Hirokazu Koreeda
  • Roteirista
    • Hirokazu Koreeda
  • Artistas
    • Arata Iura
    • Erika Oda
    • Susumu Terajima
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    7,6/10
    15 mil
    SUA AVALIAÇÃO
    • Direção
      • Hirokazu Koreeda
    • Roteirista
      • Hirokazu Koreeda
    • Artistas
      • Arata Iura
      • Erika Oda
      • Susumu Terajima
    • 128Avaliações de usuários
    • 57Avaliações da crítica
    • 91Metascore
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 7 vitórias e 8 indicações no total

    Vídeos1

    After Life
    Trailer 2:01
    After Life

    Fotos47

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    Elenco principal35

    Editar
    Arata Iura
    • Takashi Mochizuki, counselor
    • (as Arata)
    Erika Oda
    • Shiori Satonaka, trainee counselor
    Susumu Terajima
    Susumu Terajima
    • Satoru Kawashima, counselor
    Takashi Naitô
    • Takuro Sugie, counselor
    Kyôko Kagawa
    Kyôko Kagawa
    • Kyoko Watanabe, Ichiro's Wife
    Kei Tani
    • Kennosuke Nakamura, boss
    Taketoshi Naitô
    Taketoshi Naitô
    • Ichiro Watanabe, who cannot choose his favourite experience
    Tôru Yuri
    • Gisuke Shoda, who talks about sex
    Yûsuke Iseya
    Yûsuke Iseya
    • Yusuke Iseya, who refuses to choose his experience
    Sayaka Yoshino
    • Kana Yoshino, talks about Disneyland
    Kazuko Shirakawa
    • Nobuko Amano, who talks about her affair with a married man
    Kôtarô Shiga
    • Kenji Yamamoto, who wants to forget his past
    Hisako Hara
    • Kiyo Nishimura, old lady who loves cherry blossoms
    Sadao Abe
    • Ichiro (as young man)
    Natsuo Ishidô
    • Kyoko Watanabe as a young woman
    Tomomi Hiraiwa
    • Receptionist
    Tae Kimura
    • Dining Hall Worker
    Yasuhiro Kasamatsu
    • Direção
      • Hirokazu Koreeda
    • Roteirista
      • Hirokazu Koreeda
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários128

    7,614.9K
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    Avaliações em destaque

    itateme

    why does my life suck

    this movie was lovely. i could relate to the people and what they chose as their memories. i wanted to find a memory but i couldn't find one i would want to spend eternity with. so this movie has actually made me want to create beautiful memories before it is too late. see this movie, it might make you evaluate your own life.
    7claudio_carvalho

    The Best Moment of Our Lives

    Every Monday morning, a team of advisors welcome in a facility a group of people that has just died with the mission of helping each one of them to select their best memory that will last for the eternity in the first three days. On Thursday, filmmakers begin to recreate the selected memory, and in the end of the week they screen it in a movie theater and he or she moves to Heaven.

    I bought "Wandâfuru Raifu", or "After Life" on DVD, since I was very intrigued with the summary on its cover. I saw this low budget movie spoken in Japanese with English subtitles and I found the story very original and provocative. The premise of rebuilding eternity along a week, like God created Earth, and Heaven be a projection of a movie of the best memory one could have, is fantastic. In spite of having unexplained points, like for example the need itself of lasting with only one single memory, and inconsistencies, like why the need of shooting the memory, if the staff can bring videotapes of the entire life, what matters is the originality of this unique movie. One point that has always impressed me in cinema is the fact the actors and actresses last forever in the eyes of the audiences along generations. In this movie, each one of us has the chance to be an actor or actress, and write our own screenplay. Further, I personally recalled many good moments of my life just because of the storyline of this movie, and I found how difficult it could be to select only one good moment of my life to last forever. My vote is seven.

    Title (Brazil): "Depois da Vida" ("After Life")
    8wisewebwoman

    One of my all time favourites

    I saw this movie in the theatre. It is always a pleasure to be at a viewing where there is spontaneous applause at the end. This is one of those movies. It speaks to your very soul. I understand that quite a few of the cast were not professional actors, but spoke from their own lifetime experiences. There is a very simple premise: you get to choose the most favourite moment of your life after you are dead and then help to recreate it, staging, cast of characters, scene - and the total non-professional manufacturing of this moment I found very touching - so that it can be savoured for all eternity. The perfect heaven. Of course some recently dead people can't think of anything, some remember very simple things, some are given assistance, like the record of their entire life in video form to review and extract a memory, if they can. The cast and direction is brilliant. I shudder to think of what modern Hollywood would do with this ("What dreams may come" being a case in point). It was all extremely simple and believable and has certainly had me talking about it for quite a while since I have seen it. 8 out of 10.
    9henry's_cat

    Beautiful.

    Afterlife is another film offering an answer to the unanswerable question "What happens after you die? ". Although this has been asked many times through cinema in the past, few films have answered as elegantly as Afterlife.

    Directly after dying the departed are received by a group of counsellors who assist them in finding what was, for them, the most beautiful and perfect, single experience of their lives. For some the choice is easy and they are instantly able to provide the moment, which, once recreated by technicians, they remain in forever but the majority of the film concentrates upon those who are unable to find their perfect moment, and need extra help to recall past loves and lost days of their youth. The institution has the perfect means to assist this choice, with the complete life of everyone on grainy home-video, perhaps a comment on the tehcnology and recording-obsessed Japanese.

    Many of the scenes are visually exceptional, especially those in the snow and everything seems very real, and, ironically, down-to-earth, especially the school building being used throughout the film giving an institutional feeling, but the interaction between the staff is where the film holds its true strength. Especially interesting is the relationship between Shiori, a newly employed worker, and Mochizuki, her mentor, which develops throughout. The film is slow to start due to the documentary style often used, but proceeds in an enveloping manner holding your attention to the end. Along with "Heaven can wait" and "Beetlejuice" this film offers another novel look at life, death and the hereafter.

    The Japanese title was "Wandafuru raifu" (wonderful life, after Frank Capra) and, even though the film is dealing with death, it is a statement of how wonderful life is.

    I loved this film and it stuck me stunningly and reminded me of how good films can be when they try.
    9KFL

    A thought experiment for humanists (and for humanists only)

    The Afterlife is best thought of as a kind of thought experiment, perhaps in the same vein as Groundhog Day. The point is not that this may be what we experience after death; it is rather that we need to think more about what it is in this life that we'd really like to keep with us forever.

    This point needs emphasis. When asked what we want most in life, most of us will talk about our career, or a business venture perhaps, or some other accomplishment. This movie suggests that these kinds of things may not, at the end of the day, be so important as some other experiences we may have. In any case, it challenges us to rethink what it is we really value.

    Some reviewers complain about the quite ordinary surroundings and "poor production values" of the movie. I prefer to think of the choice of sets etc as humble and realistic. Could any movie, whatever its budget, ever possibly do justice to this subject matter?

    Much of this movie is devoted to explorations of the lives of a number of rather ordinary people, trying to identify their most cherished memories. Some reviewers have condemned The Afterlife as boring, boring, BORING on this account. It all depends on whether other people interest you. If all you want to see is car chases, sex, explosions, cool special effects,...avoid this movie. Only, it's worth noting that the lives and thoughts of others may help us to better understand ourselves. And nowhere more so than in this movie.

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    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      Much of the action in After Life is shown as interviews conducted with the recently deceased regarding their lives. Some of these interviews were scripted, but many were done impromptu, with real people (not actors) reminiscing about their own lives.
    • Citações

      Kenji Yamamoto, who wants to forget his past: Say I choose a memory, from when I was eight or ten years old. Then I'll only remember how I felt back then? I'll be able to forget everything else? Really? You can forget? Well, then that really is heaven.

    • Conexões
      Featured in Siskel & Ebert & the Movies: Notting Hill/Besieged/Trekkies/Tea with Mussolini/After Life (1999)

    Principais escolhas

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    Perguntas frequentes18

    • How long is After Life?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • 17 de abril de 1999 (Japão)
    • País de origem
      • Japão
    • Idioma
      • Japonês
    • Também conhecido como
      • After Life
    • Empresas de produção
      • Engine Film
      • Sputnik Productions
      • TV Man Union
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Faturamento bruto nos EUA e Canadá
      • US$ 801.985
    • Fim de semana de estreia nos EUA e Canadá
      • US$ 11.791
      • 16 de mai. de 1999
    • Faturamento bruto mundial
      • US$ 801.985
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      1 hora 58 minutos
    • Cor
      • Color
    • Mixagem de som
      • Mono
    • Proporção
      • 1.66 : 1

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