Spriggan

Person who said that Spriggan "isn't revolutionary but is still fun" summed it up best.

Only thing that I found negative was the scenes of really pointless, over-the-top, violence. The only reason Little Boy had the offensive capabilities he had, was so that the viewers could see his victims explode in explosions of gushing blood.

More flash than substance, but still a fun rental.

BTW, the word "Spriggan" (as far as the title reference goes) has nothing to do with the ugly, baby-stealing gnomes of European lore.

"Spriggan" is the "Americanization" of the Japanese word "Supurîgan," which means "Striker" and is the original name of the manga series "Spriggan" is based on.

Spriggan (1998) is a relentless action-packed anime that throws logic, subtlety, and storytelling structure out the window in favor of nonstop brawls, explosions, and conspiracy. Based on the manga of the same name, it's very much a product of its time-with visuals, pacing, and dialogue that scream "late 90s anime."

Kevin and I from the K J and A Podcast describe it best: "This movie is 90% action and 10% everything else." That "everything else" includes a loosely strung-together plot about ancient alien technology (OOPArts), government black ops, psionic kids, and an ancient ark capable of controlling weather, life, and stasis-yep, it does everything.

The animation is surprisingly fluid and detailed for the era. The action choreography stands out-especially the city sword fight, the Jeep minigun scene, and the brutal hallway brawl with Fatman. Kevin praised it as "one of the best anime fights from the 90s," while I noted the fight scenes often seemed like "setups for trailers more than natural plot beats."

The characters are mostly archetypes: the brooding teen super-soldier (Yu), the creepy child villain with god powers (McDougal), the cigar-chomping cyborg thug (Fatman), and a handful of scientists there to yell exposition. The story hints at something deeper with Yu's dark past in Project COSMOS, but barely scratches the surface.

It's not essential viewing, but definitely a fun one if you're into 90s anime explosions and overpowered protagonists yelling things like, "I'm a f***ing Spriggan!"

Yu is a member of the group ARCAM; a organization set to hide and stop people from uncovering ancient artifacts. Yu is also a Spriggan, an elite fighting machine. He's strong, fast, agile and extremely deadly. When one of Yu's friend commits suicide with the message that Noah will be your grave, Yu starts to investigate. Colonel MacDougall, a psychic experiment kid, has found Noah's Ark and intends to use it to start a new world.

Spriggan is a visually amazing animation that puts you right into the action. The action sequences are fast paced and intensely violent. The inter film moves at a lightning pace, it doesn't stop to take a breath. So in that respect it isn't boring. But the draw back is the script. At times it seems heavy handed and doesn't explain everything. It doesn't have much depth to it, but its a very interesting topic to use. The action does pick up the flaws of the script, but action cant always save a film from bad writing.

Taking it ques from Raiders of the Lost Ark and Akira, its a wild and extremely fun ride, it just could have been a lot more.

A big, loud brash anime that in many ways has more of a Hollywood blockbuster feel to it than a normal anime film. This film moves along at a smart pace, with very few, if any slow patches.

The animation is of a high standard, especially the scenes set in Istanbul, although some of the CGI effects used in the film were not necessary. Spriggan has one of the best English dubs yet seen in anime, the quality of the voices & the technical mixing of the soundtrack both excellent. A must see for anime fans. 8/10

"Spriggan" is a fairly decent piece of anime showcasing some of the best high action / movement animation I've ever seen; technically it is quite a well-developed film with many intricate cuts and superb editing. For anyone interested in a decent action / sci-fi thriller, I recommend this movie without prejudice.

Thematically, I don't think it is as deep or metaphysically intriguing as films like "Akira" or "Ghost in the Shell" nor do I think it raises enough questions and insights about its subject matter as say "Neon Genesis Evangelion," particularly in how it deals with its own use of religious iconography and mythology; they are more of a "technology" than anything else, however, the film is still enjoyable.

And of course there's the completely benign homo-social relationship between Yu and Jean to add to the fun.