Adicionar um enredo no seu idiomaSomeone arranges a star-studded party at Bob Hope's home and then begins murdering the guests.Someone arranges a star-studded party at Bob Hope's home and then begins murdering the guests.Someone arranges a star-studded party at Bob Hope's home and then begins murdering the guests.
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This was Groucho's final public appearance, and he hadn't been on television since his honorary Academy Award in 1974.
Marx was showing the signs of senility as early as January of 1973, and it's noticeable in his Tonight Show appearance in May of that year. By the time the 1974 Academy Awards show came around, he was very frail and had trouble making a short speech to accept the award. Groucho's son Arthur, who was embroiled in legal battles with his father's live-in companion Erin Fleming (for which litigation continued into the mid 1980's), was cognizant of this, and out of protection for his father, he made it known that Groucho was not accepting any further offers for public appearances.
When "Joys" was being cast, Bob Hope (out of courtesy) offered Marx a role in it. Arthur Marx was opposed to the idea but relented to persuasion by both Johnny Carson (who idolized Marx) and George Burns. Burns offered to do the scene with Groucho. It was said that the shooting of this short scene took quite a while, as Marx was somewhat disoriented and had trouble concentrating. The scene is a compilation of many takes (as is evident by the different sitting positions of Marx and the slightly different positions of his cap in seemingly contiguous time). The patient Burns worked with Groucho until they had enough decent footage to patch together the minute and a half scene, and the applause and laugh track were dubbed over it later.
But even in old age and senility, you can still see some of the old Groucho. When Burns notes that nobody is getting younger, Groucho asks George how hold he is. Burns (who was pushing 80 at the time) states that he's 76. Groucho retorts "You're getting younger." We even get to see a bit of the famous Groucho leer.
To correct another review, the final comment Groucho makes to Billy Barty (who played a miniature version of him in the scene) is "Don't just stand there, mingle; I want to have a good time."
It's a tribute to Marx that he even attempted this, and while it's obvious that this isn't Groucho in his prime (nor should that be expected), it's a darned good effort nonetheless.
You can find this clip on YouTube.
Marx was showing the signs of senility as early as January of 1973, and it's noticeable in his Tonight Show appearance in May of that year. By the time the 1974 Academy Awards show came around, he was very frail and had trouble making a short speech to accept the award. Groucho's son Arthur, who was embroiled in legal battles with his father's live-in companion Erin Fleming (for which litigation continued into the mid 1980's), was cognizant of this, and out of protection for his father, he made it known that Groucho was not accepting any further offers for public appearances.
When "Joys" was being cast, Bob Hope (out of courtesy) offered Marx a role in it. Arthur Marx was opposed to the idea but relented to persuasion by both Johnny Carson (who idolized Marx) and George Burns. Burns offered to do the scene with Groucho. It was said that the shooting of this short scene took quite a while, as Marx was somewhat disoriented and had trouble concentrating. The scene is a compilation of many takes (as is evident by the different sitting positions of Marx and the slightly different positions of his cap in seemingly contiguous time). The patient Burns worked with Groucho until they had enough decent footage to patch together the minute and a half scene, and the applause and laugh track were dubbed over it later.
But even in old age and senility, you can still see some of the old Groucho. When Burns notes that nobody is getting younger, Groucho asks George how hold he is. Burns (who was pushing 80 at the time) states that he's 76. Groucho retorts "You're getting younger." We even get to see a bit of the famous Groucho leer.
To correct another review, the final comment Groucho makes to Billy Barty (who played a miniature version of him in the scene) is "Don't just stand there, mingle; I want to have a good time."
It's a tribute to Marx that he even attempted this, and while it's obvious that this isn't Groucho in his prime (nor should that be expected), it's a darned good effort nonetheless.
You can find this clip on YouTube.
When I was 12, I saw this Bob Hope Special and thought it was one of the strangest shows I had seen. In addition, it must have been memorable as I've remembered it and wanted to see it once again. And, I was thrilled when I found it on YouTube today!
The show begins like other Bob Hope TV specials...with Hope doing a stand-up routine which was occasionally quite funny. However, the camera follows him from the stage and he keeps hearing from friends that they can't wait to see him at the big party at Hope's house tonight. However, Hope didn't organize any party nor did he invite anyone. Soon, his guests start getting killed and who and why this happening are to be seen.
The show essentially is like a long, extended Hope monologue...as his guests also spout the same sort of humor as they talk. What's odd is that many of them AREN'T comedians, such as David Jansen and Jack Albertson and Charro. However, most guest ARE comedians...ranging from A-list to D-list. One of the big guests is actually very sad to watch, as Groucho Marx looks half dead and had difficulty with his lines....and considering how quick-witted he HAD been, it was tough to watch.
So is the show worth seeing? Well, I think much of it depends on your age. Younger viewers won't recognize most of the actors (particularly the likes of Jerry Colonna)...so they might not enjoy it very much. For people my age and older, it's great to see all the old faces...even if they are often D-listers like Marty Allen and Jack Carter.
Overall, while the jokes are hit or miss, the overall effort is far more interesting that Hope's other 1970s-80s TV specials.
The show begins like other Bob Hope TV specials...with Hope doing a stand-up routine which was occasionally quite funny. However, the camera follows him from the stage and he keeps hearing from friends that they can't wait to see him at the big party at Hope's house tonight. However, Hope didn't organize any party nor did he invite anyone. Soon, his guests start getting killed and who and why this happening are to be seen.
The show essentially is like a long, extended Hope monologue...as his guests also spout the same sort of humor as they talk. What's odd is that many of them AREN'T comedians, such as David Jansen and Jack Albertson and Charro. However, most guest ARE comedians...ranging from A-list to D-list. One of the big guests is actually very sad to watch, as Groucho Marx looks half dead and had difficulty with his lines....and considering how quick-witted he HAD been, it was tough to watch.
So is the show worth seeing? Well, I think much of it depends on your age. Younger viewers won't recognize most of the actors (particularly the likes of Jerry Colonna)...so they might not enjoy it very much. For people my age and older, it's great to see all the old faces...even if they are often D-listers like Marty Allen and Jack Carter.
Overall, while the jokes are hit or miss, the overall effort is far more interesting that Hope's other 1970s-80s TV specials.
I only saw this once as a kid as well, but obviously it left an impression.
I found a copy of it on VHS....I believe the official title is Special Joys.
The cast included: Don Adams, Jack Albertson, Marty Allen, Steve Allen, Desi Arnaz, Billy Barty, Rona Barrett, Milton Berle, Foster Brooks, Les Brown, George Burns, Red Buttons, Pat Buttram, John Byner, Sid Caesar, Sammy Cahn, Glen Campbell, Jack Carter, Charo, Jerry Colonna, Mike Connors, Scatman Crothers, Bill Dana, Angie Dickinson, Phyllis Diller, Jamie Farr, George Gobel, Jim Hutton, David Janssen, Alan King, George Kirby, Don Knotts, Fred MacMurray, Dean Martin, Groucho Marx, Jan Murray, Wayne Newton, Vincent Price, Freddy Prinze, Don Rickles, Harry Ritz, Telly Savalas, Phil Silvers, Larry Storch, Abe Vigoda, and an uncredited villain! 90 minutes.
I found a copy of it on VHS....I believe the official title is Special Joys.
The cast included: Don Adams, Jack Albertson, Marty Allen, Steve Allen, Desi Arnaz, Billy Barty, Rona Barrett, Milton Berle, Foster Brooks, Les Brown, George Burns, Red Buttons, Pat Buttram, John Byner, Sid Caesar, Sammy Cahn, Glen Campbell, Jack Carter, Charo, Jerry Colonna, Mike Connors, Scatman Crothers, Bill Dana, Angie Dickinson, Phyllis Diller, Jamie Farr, George Gobel, Jim Hutton, David Janssen, Alan King, George Kirby, Don Knotts, Fred MacMurray, Dean Martin, Groucho Marx, Jan Murray, Wayne Newton, Vincent Price, Freddy Prinze, Don Rickles, Harry Ritz, Telly Savalas, Phil Silvers, Larry Storch, Abe Vigoda, and an uncredited villain! 90 minutes.
Mr. MacIntyre's review is quite accurate. Groucho sits with his beret on, glassy-eyed and weak-voiced, along side George Burns, who still has a few good decades left in him. Billy Barty provides some movement, while Groucho can't even follow him with his eyes.
This is from memory. I saw the show when it was originally aired 26 years ago.
This is from memory. I saw the show when it was originally aired 26 years ago.
Oh, how I wish this was on DVD/VHS! A couple of other reviewers found this a pretty sad affair, but I have to disagree. In some instances, for those of us who saw it as kids, it was the first experience of some of the "elder statesmen" of comedy, and getting to see them interact with some of the then-new practitioners was a particular treat.
The show opens with Vincent Price looking very sinister and mysterious in a trench coat and fedora, relating to us the facts in one the most amazing cases he's ever encountered. Hope discovers that someone has sent out invitations to a party at his house, and goes home to get to the bottom of things. What follows alternates between comic and creepy, as necessarily brief (sometimes 1 or 2 lines) appearances are divided by shots of black-gloved hands pouncing on the guests, until Hope himself is dispatched. He then delivers his sign-off with wings and a harp, calling down to Price that he'd at least like to know who done it - but before Price can reveal the killer's identity, he too is strangled. The camera then cuts to the studio audience, as the black-clad killer removes his gloves, his hat and finally his mask, revealing Johnny Carson, who delivers the punchline, "Now I can be on EVERY night..." For those too young to remember, there was a period when Carson only hosted "The Tonight Show" 2 or 3 nights out of 5, the remainder of which had a guest host, not a few of whom were "bumped off" at Hope's party!
This special wasn't a brilliant piece of timeless television art, but it had some fun moments - Les Brown and His Band of Reknown, holed up in Bob's hall closet ("You never know when you're gonna need a good music cue..."), Phil Silvers and Jerry Colonna getting in a bit of their respective character bits, and (despite other reviewers' disgruntlement to the contrary), Groucho's exchange with "Groucho"-disguised Billy Barty, "I'm paying you a lot of dough for this - I'd better be having a good time!" George Kirby gets to do a few impressions (including an amazing Eddie "Rochester" Anderson), Harry Ritz gets in his licks, and a number of actors we don't typically associate with comedy get to play for a few laughs. If I had a complaint, it was not seeing more of my favorite performers in it - Red Skelton, Jimmy Durante, Jonathan Winters,... But there wasn't really enough time to do justice to all the guests as it was.
Maybe I'm just seeing it through the golden haze of my youth, but I remember enjoying "Joys" quite a lot and wishing everyone had had a bit more screen time.
The show opens with Vincent Price looking very sinister and mysterious in a trench coat and fedora, relating to us the facts in one the most amazing cases he's ever encountered. Hope discovers that someone has sent out invitations to a party at his house, and goes home to get to the bottom of things. What follows alternates between comic and creepy, as necessarily brief (sometimes 1 or 2 lines) appearances are divided by shots of black-gloved hands pouncing on the guests, until Hope himself is dispatched. He then delivers his sign-off with wings and a harp, calling down to Price that he'd at least like to know who done it - but before Price can reveal the killer's identity, he too is strangled. The camera then cuts to the studio audience, as the black-clad killer removes his gloves, his hat and finally his mask, revealing Johnny Carson, who delivers the punchline, "Now I can be on EVERY night..." For those too young to remember, there was a period when Carson only hosted "The Tonight Show" 2 or 3 nights out of 5, the remainder of which had a guest host, not a few of whom were "bumped off" at Hope's party!
This special wasn't a brilliant piece of timeless television art, but it had some fun moments - Les Brown and His Band of Reknown, holed up in Bob's hall closet ("You never know when you're gonna need a good music cue..."), Phil Silvers and Jerry Colonna getting in a bit of their respective character bits, and (despite other reviewers' disgruntlement to the contrary), Groucho's exchange with "Groucho"-disguised Billy Barty, "I'm paying you a lot of dough for this - I'd better be having a good time!" George Kirby gets to do a few impressions (including an amazing Eddie "Rochester" Anderson), Harry Ritz gets in his licks, and a number of actors we don't typically associate with comedy get to play for a few laughs. If I had a complaint, it was not seeing more of my favorite performers in it - Red Skelton, Jimmy Durante, Jonathan Winters,... But there wasn't really enough time to do justice to all the guests as it was.
Maybe I'm just seeing it through the golden haze of my youth, but I remember enjoying "Joys" quite a lot and wishing everyone had had a bit more screen time.
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- CuriosidadesFinal performance of Groucho Marx.
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[referring to Arnaz's autobiography]
Charo: What did you call your book?
Desi Arnaz: A Book.
Charo: You called your book "A Book?"
Desi Arnaz: Yeah, what do you expect me to call it, "A Helicopter?" I wrote a book, I called it "A Book!"
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