Risco Duplo

Double Jeopardy actually seemed like my sort of film, and when I finally saw it I thought it was enjoyable. It is far from flawless, although the premise was interesting the story itself has some credibility lapses and has a lot of derivative elements. The film has the odd draggy moment and the characters are rather clichéd. On the other hand, Double Jeopardy looks wonderful, with striking scenery and stylish photography and editing. The music is not too generic either and it helps the atmosphere, and the script is well paced and sharp. Double Jeopardy is also well directed and Tommy Lee Jones and Ashley Judd give great lead performances, and although the rest of the characters aren't as interesting or as well written, effort is done both in written and performance quality to make them credible. Overall, an enjoyable film. 7/10 Bethany Cox

Despite all the flaws in logic and legal proceedings, Ashley Judd and Tommy Lee Jones make this movie an enjoyable watch. The premise is kind of ridiculous, but their charisma and performances keep you engaged. I'd actually forgotten a lot about this film since the first time I saw it, so it was fun to revisit it again.

If you listen to the critics who knows where we would be. I

ignored the comments that this was another Fugitive only a female version, but found the movie fast paced and well acted by Tommy Lee Jones and Ashley Judd, as well as the whole cast. I liked the story line and it was exciting and the time just flew by. Go see it you will enjoy it!!!!

I've read all the bad reviews-I can say that it's really not THAT bad-granted-this picture has no realism whatsoever but-I could rattle off the names of many movies even more unbelievable that are still considered good films.

Not that this is a really GOOD film or anything-but it does what it does well-which is to get your attention and hold it-no great analysis, no deep conversations afterward about "what it all meant". Just a bit of time away from day to day life.

The movie is also trying to appeal to a particular crowd, the type who like these type of "mind thrillers'(Guilty as sin is another one, Malice, Final analysis etc etc) There's a whole host of movies like this one.

Now this particular movie stars Ashley Judd who is so talented she almost had me thinking she really was locked up-definitely a quality actress-and if your a female and have just had a really BAD breakup you may wanna see it for that "woman will triumph" quality.

Not that I'm saying this movie is great but I always tend to look for the bad AND the good-I thought one of the worst thrillers(a lot worse then this) was malice with Kidman and Alec Baldwin-that one was not only improbable but also extremely boring-but I'm getting off the subject at hand...

I liked this. saw it in the theater and rooted for Ashley all the way.

Seen a lot worse in my time.

And lastly if you wanna check out ridiculous movies(and it's a SEQUEL to boot) rent "revenge of the stepford wives".

Yes, common law does contain a "double jeopardy" principle: one cannot be tried for the same crime twice. A friend of mine who knows something about legal theory (I know next to nothing) points out that one can nevertheless face the same CHARGE twice. If I am convicted of stealing Fred's car it's just not true that the law can't touch me if I steal his car a second time - in the eyes of the law, which is not a complete ass, I have committed TWO crimes, even though they both bear the same description: `stealing Fred's car'.

Let us suppose, though, that it's different in the case of murder, at least in some jurisdiction somewhere. (It's easy to see why murder might be a special case.) Suppose that Libby Parsons, falsely convicted of killing Nick Parsons, now has the legal right to REALLY kill him. What of it? Murder is the ONLY crime Libby is at legal liberty to commit; but how does one commit ONLY murder? It's just not possible. In order to murder Mick, Libby must break any number of other laws: she must inflict grievous bodily harm, or damage property, or endanger someone's safety, or carry a concealed firearm, or create a public nuisance, or loiter, or jaywalk - I'm sure there are enough laws on the books to keep her locked away from precisely as long as if she'd simply been convicted of murder a second time, and a good thing too.

It's hard not to think of this when she JUMPS PAROLE in order to go in search of her presumed-dead husband. What's the point of this detail? The film wants to wave what it supposes to be a clever gimmick in our faces: the fact that Libby can commit murder within the law. If she then breaks a law - which she needn't have done, and which the film certainly needn't have been constructed so as to make it the case that she needed to have done - what's the POINT of the double jeopardy routine? I don't know that there was much point anyway. Do we really want this woman to break out of jail and murder her husband? Of course not. We like her. She's not yet a killer and we don't want her to become one, even if killing her husband is in her interest, which it isn't. This would have been a better film if Beresford had at some point halfway through made it clear to us that the "legal principle" Libby had heard from her friend in jail was but a distortion of the truth.

Anyway: this bugged me. But it's not to say that "Double Jeopardy" isn't otherwise a well-made thriller, distinctly enjoyable to watch. It has Tommy Lee Jones doing his schtick, for one thing. I actually prefer his character here to the one he bore in "The Fugitive". Everyone remembers his reply in the earlier film to "I didn't kill my wife": "I don't care." But it's a line that was just thrown in because it sounds cool. In "Double Jeopardy" Jones has a more discernible character, and he's more fun.