Vanity Fair

There has been a ridiculous number of movies about psychopathic killers - Silence of the Lambs, Se7en, Copycat, The Cell, etc, etc - and yet for a realistic depiction of a psychopath, this mini-series leaves them all far behind. If you want to see what the average psychopath is like (or perhaps I should say above average, because there is nothing average about Becky Sharp), this is far more true to life than all the others. The reality is that for every Hannibal Lecter in the world, there are a thousand Becky Sharps, and together they do far more damage than all the serial killers. I can only think that Thackeray must have known someone like her, because you can't get this close to reality by sheer imagination, and I don't know of any literary examples he could have copied from.

Of course, the novel, and the series, are about far more than one character - they are in fact about Vanity Fair, the world that Thackerary knew and didn't particularly love, the society which was so warped and hypocritical (rather like ours today, in fact) that it allowed characters like Becky Sharp to prosper.

This is not nearly as pleasant as the usual BBC mini-series, but it is compulsively watchable; the depiction is almost flawless and Natasha Little does a brilliant job portraying the woman we love to hate. The rest of the cast is also excellent, including Nathaniel Parker as Rawdon, the principal victim of his wife's intrigues, Philip Glenister as the lovable but awfully clumsy Dobbin and David Bradley as the appalling baronet Sir Pitt Crawley.

I saw this version of "Vanity Fair" when A&E premiered it in 1998, and I was totally captivated. I had not, at that time, read the book, so I was happily tugged along by every twist and turn of this delightful tale. The acting is outstanding on all accounts, the writing is solid, and Thackeray's story is timeless.

Now I am finally getting 'round to reading the book, and I am amazed by how faithful this mini-series is to the original work. Though I usually am frustrated by the liberties that are taken with great literature, and I believe that one should always "read the book" before taking in someone else's interpretation of it, this is a case where having "seen the movie" makes it even more fun to read the book.

Becky Sharp, Emmy Sedley, and especially Captain Dobbins (Philip Glenister really shines) are vividly portrayed -- as are all of the characters. This is a real page-turner of a story, and A&E has done it justice. In either order, read the book and watch the movie. You'll have great fun!

Generally I think that the great Victorian door-stoppers are better suited to the mini series format than that of feature films because even with a running time pushed to three hours there just isn't the room for the typical panorama of characters, supporting characters, plots and subplots. Even this production unavoidably leaves much out, but it captures the essence of Thackeray--cold eyed cynicism very occasionally softened by generosity. Nearly every element worked, right down to the snorting pig that appeared at the beginning of each new installment. I admit at first I was a bit disappointed by the choice of Natasha Little to play Rebecca because I thought the actress was too tall and elegant to play a character who was described as petite and vivacious. But no matter; Little's cool headedness, verbal wit, and carefully disguised ruthlessness were all pure Becky (unlike Mira Nair, the screenwriters of this production realized that to soften this character's harder edges wouldn't modernize her; rather, it would flatten her). Frances Grey does fine in in the thankless role of Amelia Sedley. Although this was somewhat out of keeping with the novel, I did like the scene of Amelia still in bed after her wedding night, her hair spread out on the pillow, blissfully talking to her new husband. It makes her seem a bit more than stupidly devoted child-woman she is for most of the novel and makes those later scenes in which Becky and George (just weeks after George's marriage) brazenly flirt in front of Amelia all the more painful. The other characters are well cast too, with the terrifying Lord Steyne being the most memorable of all--in his final scene, without having to say a word he looks as if he really will have Becky murdered without a second thought if she ever approaches him again.

All in all, highly recommended.

I much prefer this version to the film, which naturally has its limitation of time to be considered. The cast I believe to be perfect, so much is said without words and the story plays along beautifully. It's been some years since I read the book, it's always on my list but gets pushed back because I have read it before, but perhaps this year? Becky is a delicious minx and Amelia is gullible and sweet. I loved Josh Sedley, adored Dobbin and Rawdon. There are so many brilliantly drawn characters, too many to mention. It's absorbing and entertaining, funny and heart wrenching. I have watched and enjoyed this before and no doubt will do so again.

Loved this production! I had never read the book (I will now!) but have grown to have a lot of trust in any adaptation that BBC does. I was not disappointed. Especially impressive was the ability of Natasha Little (Becky Sharp) to express Becky's manipulativeness through her subtle facial expressions and subtle use of her eyes and her voice. She was able to convey the mix of wicked cunning and refined pleasantness in a way that was really convincing. Not hard to believe that so many of the characters were completely sucked in by Becky's wiles. This subtle and superb acting ability is often lost in modern films that rely so heavily on on visual/graphic effects to make the point. Bravo,BBC!