Um grupo de amigos fica obcecado com cinco irmãs que são protegidas por seus pais religiosos nos subúrbios de Detroit em meados dos anos setenta.Um grupo de amigos fica obcecado com cinco irmãs que são protegidas por seus pais religiosos nos subúrbios de Detroit em meados dos anos setenta.Um grupo de amigos fica obcecado com cinco irmãs que são protegidas por seus pais religiosos nos subúrbios de Detroit em meados dos anos setenta.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 3 vitórias e 15 indicações no total
- Adult Trip Fontaine
- (as Michael Pare)
- Chase Buell
- (as Anthony Desimone)
- Parkie Denton
- (as Noah Shebib)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
Oh. My. God. This film was beautifully done with its easy-on-the-eyes cinematography, the shades of colours, the portrayal of seasons, the flawless actors (all of them), the way they moved & spoke.
As in the book, this film is told as a memory of a group of boys' fascination & obsession with the lives of a group of very blonde sisters.
It's not your typical formula film & includes a wondrous soundtrack, to say the least, with hypnotic contributions by Air. It still lingers in my mind - the true mark of a great film, in my eyes.
The book, the film, the soundtrack: I recommend them all.
It is the premises for this admirable work of sofia Coppola to reflect, in precise manner, the universe proposed by Jeffrey Eugenides. The faithfull portrait of characters, atmosphere, life in neighborhood is one of basic virtues.
The second good job remains the acting and the surprising way to define, from Josh Hartnett to Kirsten Dunst the complexity of age, the seduction and vulnerability and life like dream, preserving the ambiguity defining the story.
Not the last virtue is the intensity of emotion of reader of novel, rediscovering details and slices , accurate adaptated.
A film about loneliness, life of small comunity , a couple loving, in his way , cold and precise, their daughters and a form of vulnerability , not surprising for teens, but defining the perspective about life in cold manner.
It isn't always clear in the movie where the movie is heading to. This is mainly because there are often characters introduced in the movie, who once after they are out of the story, make you wonder what exactly their purpose for the movie was. Characters come and go in this movie and once you think that they are going to play an important part for the movie, they are already gone again. The story isn't always told from the right perspective which makes this movie at times a bit incoherent to watch. This is also due to the fact that at times the movie is set in 'present time' (1999), while the rest of the movie is set in the '70's. Those sort of scene's make it pretty obvious that this movie is based on a book. I'm sure all those element worked just fine in the book but for a movie it is pointless and adds no extra value to the story. A lot of things still remain unclear after the movie has ended, which makes this movie as a whole an unsatisfying one to watch.
I also never really got into the characters. I never quite knew what went on in those girls heads and I never felt their desperateness and their cry for help. The portrayal of their parents (James Woods and Kathleen Turner) was also a opportunity wasted. Instead as strict and tough parents they are portrayed as simply narrow minded people, who have their own ideas about what's good and wrong for their children. If they had portrayed the parents as two completely strict and tough persons, the movie would had become more, claustrophobic, sensible, emotional and more understandable.
The cast is good and has cameos in it from Danny DeVito and Scott Glenn and roles from Josh Hartnett and Hayden Christensen before they received real fame as actors. The movie however isn't really a character movie. The main essence of the movie is put on the style and look of it. For that reason the movie also perhaps feels a bit as a waste of a great cast.
The movie is good looking and well directed by Sofia Coppola but it seemed that they forget about the story at times. It makes "The Virgin Suicides" a bit of an incoherent movie to watch at times. Because of the lacking storytelling the movie never truly becomes emotional or truly understandable and therefor it's nothing more than a just average drama that is good looking but nothing more than that.
6/10
http://bobafett1138.blogspot.com/
the acting is subtle and astute. the soundtrack lends to the film better than most films i've seen come out of new hollywood.
the only continuity flaw i saw was the elm tree being in the front yard towards the end after it was so cerimoniously cut down. being the psychological focal point of the film, they should have been more vigilant chequing the dailies...
virgin suicides and american beauty both show profound promise for new hollywood. see them both...
Você sabia?
- CuriosidadesAfter she had written the script, Sofia Coppola was heartbroken to discover that another company was already producing an adaptation of the book themselves. However, they were not happy with their script, so she showed them hers and they ended up using it instead.
- Erros de gravaçãoThe father refers to his model airplane as a B model North American P-51 Mustang in British service, however, the model aircraft is actually a Curtiss P-40 Warhawk.
- Citações
Narrator: [Narration] In the end we had pieces of the puzzle, but no matter how we put them together, gaps remained. Oddly shaped emptiness mapped by what surrounded them, like countries we couldn't name. What lingered after them was not life, but the most trivial list of mundane facts. A clock ticking on the wall, a room dim at noon, the *outrageousness* of a human being thinking only of herself.
- Cenas durante ou pós-créditosWhen the title appears, it first appears like a schoolgirl's idle writing, replete with hearts replacing the "dots" over the "i's". The title then repeats over and over, in different modes of print and script (the handwriting equivalent of different typefaces and fonts), filling the screen. It is accompanied by various decorative doodling (an eye with tears, a caterpillar, clouds, unicorns, a flower, the sun).
- Versões alternativasReleased in two versions, the general, worldwide theatrical release and an edited cut for television viewing in Germany. Runtimes are, respectively, "1h 37m (97 min)" (theatrical release) and "1h 30m (90 min) (TV) (Germany)".
- ConexõesFeatured in Air: Playground Love (2000)
- Trilhas sonorasOn the Horizon
Written and Performed by Sloan
Courtesy of Murderecords
Published by Two Minutes of Music Limited
Principais escolhas
Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- Vírgenes suicidas
- Locações de filme
- 28 Dunloe Road, Toronto, Ontário, Canadá(The Lisbon residence - the original property has been knocked down)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 9.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 4.906.229
- Fim de semana de estreia nos EUA e Canadá
- US$ 235.122
- 23 de abr. de 2000
- Faturamento bruto mundial
- US$ 10.414.053
- Tempo de duração
- 1 h 37 min(97 min)
- Cor
- Mixagem de som