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This is a top favorite Robert's film for me!

It's an odd casting for Roberts for some, but in 2023 it just shows how capable he is in practically ever genre! I'd love to see him do more of this!

THIS film is very quirky, dramatic, humorous at times ( thanks to roberts comedic talent) and a lot of not what you would expect. I'm not sure why but, I got wonderful smidgens of those wonderful old Sergio Leone films melded with modern expressionism. It's very different to describe this one because it doesn't fit neatly into a 'box'! It's part western, part drama, part comedy and a lot of surprise.

Well worth a watch if you like all above.

Eric Roberts hits rock bottom in a small Mexican town. With no money and nothing to lose, he becomes involved in a murder for hire plot. The movie moves in stalls and sprints. When it stalls it is overly talky. When it moves forward it does so with twists and surprises. Eric Roberts delivers a great performance, and this holds everything together. The Mexican locations are another plus. Although the DVD packaging looks like a "spaghetti western", this is character driven with only sparse violence. I suppose the greatest recommendation for "La Cucaracha" is that it is different, a movie you are likely to remember. - MERK

If you have ever liked an Eric Roberts performance, this film is one you should make time for. It's a very unconventional film, making surprising and funny revelations here, twisting what you are expecting to happen there, and gradually revealing itself to be one of the darkest comedies you are likely to see.

The story is pretty simple, disillusioned loner is mistaken for a criminal, hired to do a hit, and a series of unfortunate events occur which are not what you expect and comprise the film.

This is certainly not for everyone. It's a variation on James M. Cain and if that's got some appeal the film is right up your alley. I suppose I might roll my eyes if read that in a review and think, "oh not that again...". Let me assure you, there's several surprising points of departure this film takes from most which sets it apart and above.

A few scenes are over-written, there are flaws, but there are enough clever moments and Roberts' brilliant performance overcomes all the bumps in the road.

If you don't like Eric Roberts however, you'll not like the film. He's in nearly every shot.

This will quickly and deservedly develop a strong cult following.

Hoping to flee a life of all-American banality, Walter Pool (Eric Roberts)begins anew in Mexico with the aim of writing a novel. He only succeeds in becoming an alcoholic loner, as he lacks the drive and verbal polish to become a writer. His routinized escape from routine does take on a new twist when he becomes involved with shady characters who do have drive (a willingness to deceive and kill to meet their ends), and verbal polish (speaking in over-the-top purple prose to justify their crimes.)

*La Cucaracha* unveils the hollowness of cultivated words and calculated appearances (e.g. the crime king in Armani suits speaks of the ennobling power of suffering, sheds copious tears and makes spectacular shows of philanthropy); however, actions ultimately reveal character. As Pool, Eric Roberts succeeds in playing a man whose verbal inarticulateness painfully reflects his moral inarticulateness. Even though he can't find his writer's voice, does he still have a voice of conscience? Does he have the will to transform his life through action, whether corrupt or heroic? Not since *Bring Me the Head of Alfredo Garcia* have I seen the "loser in search of redemption in a tragic, corrupt world" theme played so well.

Although Eric Roberts' acting is superb (especially the scene in which he finally meets and breaks down before the woman he had so idolized), *La Cucaracha* is definitely not for everyone. There is no morally unambiguous hero, and the violence is somewhat heavy, though not mindless--the consequences of violence are frequently the subject of deliberation and remorse. Some might find the dialogue a bit stilted, although it might be more fairly compared to older noir films rather than the quick, punchy dialogue in a lot of recent crime films. If you like noir, character studies of ex-pat drifters, *and* Eric Roberts (his *Coca-Cola Kid*/*Star 80* caliber performances, as opposed to the *Best of the Best Series*), then this could well be for you.

Surprisingly good script, with solid tight direction. Performances settle undaringly into the conventions of the genre, and for those who want to see the familiar unwind before them once again, this film will more than satisfy. Die hard noir buffs who insist on being astonished every time out by every twist and double cross will find this is no Maltese Falcon by far. And likewise those who dislike noir will find this gruesome and disgusting (both physically and morally).