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Tokyo Eyes

  • 1998
  • 1 h 37 min
AVALIAÇÃO DA IMDb
6,6/10
1,4 mil
SUA AVALIAÇÃO
Tokyo Eyes (1998)
ComédiaSuspense

Adicionar um enredo no seu idiomaThe police are tracking a man who shoots at people. But the young sister of a detective find that he's not the mad vigilante portrayed in newspapers.The police are tracking a man who shoots at people. But the young sister of a detective find that he's not the mad vigilante portrayed in newspapers.The police are tracking a man who shoots at people. But the young sister of a detective find that he's not the mad vigilante portrayed in newspapers.

  • Direção
    • Jean-Pierre Limosin
  • Roteiristas
    • Jean-Pierre Limosin
    • Santiago Amigorena
    • Philippe Madral
  • Artistas
    • Shinji Takeda
    • Hinano Yoshikawa
    • Kaori Mizushima
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    6,6/10
    1,4 mil
    SUA AVALIAÇÃO
    • Direção
      • Jean-Pierre Limosin
    • Roteiristas
      • Jean-Pierre Limosin
      • Santiago Amigorena
      • Philippe Madral
    • Artistas
      • Shinji Takeda
      • Hinano Yoshikawa
      • Kaori Mizushima
    • 19Avaliações de usuários
    • 16Avaliações da crítica
    • 52Metascore
  • Veja as informações de produção no IMDbPro
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 1 vitória e 1 indicação no total

    Fotos13

    Ver pôster
    Ver pôster
    Ver pôster
    Ver pôster
    Ver pôster
    Ver pôster
    Ver pôster
    + 7
    Ver pôster

    Elenco principal31

    Editar
    Shinji Takeda
    • K
    Hinano Yoshikawa
    • Hinano
    Kaori Mizushima
    • Naomi
    Tetta Sugimoto
    • Roy
    Ren Ôsugi
    Ren Ôsugi
    • Bus driver
    Masayuki Yui
    Masayuki Yui
    • Manager of beauty parlor
    Moro Morooka
    Moro Morooka
    • Video shop clerk
    Ken Mitsuishi
    • Video shop customer
    Fumiya Tanaka
    • D.J.
    Hidaki Oikawa
    • Bouncer
    Asaidori
    • Bouncer
    Yôichirô Saitô
    • Boy at disco
    Minako Hashimoto
    • Girl at disco
    Hiroyuki Ikeuchi
    Hiroyuki Ikeuchi
    • Boy in quarrel
    Kirina Mano
    • Girl in quarrel
    Karia Nomoto
    • Woman at phone booth
    Sakurako Mitsui
    • Girl with walkman
    Yoshitaka Kaizu
    • Victims
    • Direção
      • Jean-Pierre Limosin
    • Roteiristas
      • Jean-Pierre Limosin
      • Santiago Amigorena
      • Philippe Madral
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários19

    6,61.4K
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    10

    Avaliações em destaque

    mandy.rigtering

    Excellent!

    I've seen this movie four days ago and it still bothers me. This movie does not only give you an outline of what it must be to live in Tokio in the 90ties(as well as in any other big city), but transmits the atmosphere 100%! The actors do not talk much and still everything is said. The music is absolutely well chosen. I went out of the cinema with a feeling I never had before after watching a movie. It's like being understood for the first time. You must see this film! And if you like Takeshi, watch Takeshi's castle. If your neighbors complain about you laughing, invite them and they will understand.
    10andreas.voigt

    Good love movies exist!

    I always thought there were no good love movies in this world. Films like "Thorn Birds", "Gone with the wind", "Titanic" and "Love Story" with all that crying-suffering&dying stuff full of exaggeration never really touched me. Another reason I don't like these movies is that they completely lack in style.

    However: The 90s have been extremely generous to us, giving us three excellent love movies full of style & magic: "Los Amantes del Círculo Polar", "Der Krieger und die Kaiserin" and this gem.

    "Tokyo Eyes" is full of cool music, excellent camera work, cute scenes, and good storytelling, creating a mood that absorbed me right from the beginning. It's not pretentious in any way and it didn't annoy or bore me for a single second (As most other love movies do). The last five minutes are fantastic and contain one scene that in my opinion is one of the best in movie history (at least in terms of camera work). Shinji Takeda does a great job as "K" and Hinano Yoshikawa covers her missing acting skills by cuteness beyond good or evil. The cameo by Takeshi Kitano is nice as well.

    P.S: Though I wouldn't consider this movie to be utterly weird or totally different from standard Hollywood movies, some people may find it too slow-paced, lacking in action or even pointless.

    10 points out of 10.
    dmuel

    stylish without substance

    This is an intriguing film in its early running. Its protagonist is driven by estrangement to aberrant behavior, and his budding relation with a kindred spirit makes for a potentially unusual story. But, ultimately it falls flat, never delivering any real punch. The acting is a little light weight to boot, too. Tekeshi Kitano has a near cameo role which does nothing for the momentum of the film, playing a Yakuza who shows up to retrieve a gun, and is more a distraction than anything else. There are many better Japanese films directed by real Japanese.
    7sebastian_goofy

    Great expression of the "Techno-Culture"

    This movie is of course about a killer. A killer that misses his target by intention. But this movie is beyond this plot something else: It is the movie that is the best expression of the "Techno-Culture" (the style "Techno", of electronic music) i ever saw.

    I'm not talking about the culture as it is seen from outside- people that are said to be (and often are) using synthetical drugs to dance the whole night to "stupid" music. I'm talking about what Techno is like, the feelings we had, why we listened to Techno.

    This movie is about a boy, who wants to change the people in the world he lives in. Not in big means, just in small steps. In what he can reach. And he wants to do so in a (somehow) peaceful way. Also, it has some incredible beautiful scenes, scattered throughout it- like the faint moments of beauty in the monotone beat. There is some kind of a monotone background as you see the masses of concrete, the city with the crowds going to work or returning home, where these beautiful moments are scattered upon in a chaotic manner.

    So do we feel, like the movie: Lost in that chaotic world, emotionless and grey as concrete, drifting through our life. Sometimes, we see the beauty, in nature, in the eyes of our girlfriend, or hear it in the music, or just feel it. And we want to change the world to something better, at least where we can achieve it, in a subtle way.

    This movie feels like the morning when you danced through the night before, lost in the music. When you go outside, climb up from the club to the streets, the sun already risen, and the people doing their business, and you are completely lost in that world- and you feel the beauty of life. When you see the beauty of this morning, and you know all the people surrounding you could see it too, if they were awake. This is what Techno feels like. Nothing more. But nothing less.
    grizzabella_cat2003-1

    a nice black humor comedy

    Maybe the actors are not very well known and the plot is kinda strange but the story is really funny and entertaining is ideal in order to have a good time. It's a movie that combines comedy, action and a kind of strange romance.

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    Enredo

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    • Curiosidades
      At first, the Tokyo Eyes original script was written like a traditional French film, with local cast and crew and the movie had to be shot in Paris. However, the director suddenly changed his mind and decided to shoot it in Japan with a Japanese cast. The director and the chief-operator, both French, did not speak Japanese but they decided to take the challenge anyway and accepted to work with a Japanese cast and crew.
    • Conexões
      Features Star Wars: Episódio IV - Uma Nova Esperança (1977)
    • Trilhas sonoras
      Pauvre Lola
      Written by Serge Gainsbourg

    Principais escolhas

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    Detalhes

    Editar
    • Data de lançamento
      • 9 de setembro de 1998 (França)
    • Países de origem
      • Japão
      • França
    • Idiomas
      • Japonês
      • Francês
    • Também conhecido como
      • Глаза Токио
    • Locações de filme
      • Tóquio, Japão
    • Empresas de produção
      • Euro Space
      • Lumen Films
    • Consulte mais créditos da empresa na IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      • 1 h 37 min(97 min)
    • Cor
      • Color
    • Mixagem de som
      • Dolby SR
    • Proporção
      • 1.66 : 1

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