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This was one of those movies that I caught by accident while flipping through the channels on a lazy Saturday afternoon, and I must say that it was a plesant surprise. Being a single college guy (for now, anyway), I can appreciate both the situations and the humor in this movie. The attractive characteristic of this film is that it does well portraying the lifestyle that any male 25-35 would like to have: Hottie for a girlfriend, making movies, and traveling with the greatest band ever. (Sweet loft apartment, by the way) Dorf does a good job playing an everyday character in a not-so-everyday career with a gorgeous girlfriend. (where did she come from? woo hoo!) Though a little quirky at times, this was a fun and entertaining movie made in that High Fidelity-like male perspective on relationships, full of narratives and quoteable lines

"Relationships like Russian Roulette, or the lottery, depending on how you look at it. Either way, you can't win. "

It captures that swept off your feet feeling that we can all identify with and what it's like to juggle attention between love and life and work and how unbelievably powerful the attraction to a person can be. Good directing, decent editing, better plot, laughed my butt off (get rid of the stupid cat scene). Great film!

I thought it wasn't a bad romantic comedy. It *was* hip, too, I don't know why the last guy slammed it so hard. The fast-forward driving sequences were cool and the talking/smoking cat had me rolling on the floor laughing. And the story was original and moving. An entertaining 2 hours, good for a date night in, and a lot better than the teenage romance drivel that abounds.

Seldom is there a movie produced which can incorporate the personal, immediate feeling of a play with the abstract and subtle strokes of cinematic genius; yet here it is.

The script alone is genius, and with a few minor snips here and there, it could have easily been a theatre piece. But the way that the cinematics (camera angles, rate of motion, "intoxication effect", etc) were able to bond with the work is what really elevated the film. I've never had a movie imbue me with a sense of serenity with nothing more than an accelerated frame rate and a minimal sound use, but here it is.

The problem with the whole of the piece is that it's driven towards the writer, not the audience; being a reflective piece, that is understandable. And even admirable, because there's not a doubt in my mind that when this movie was produced, Janou knew it wasn't going to endow him with financial success, only artistic. A blockbuster this is not, but a brilliant work of art it is, proving once again that with just a twist of lemony liberty, life is the best form of art.

Steven Dorff has also reached a pinnacle in my mind with this film, and again, on an artistic level--not financial. The brooding character struggling with his adolescence, once played by the typecast Christian Slater and now by Dorff, has matured. Dorff was able to take the character into an autumnal growth, transplanting the brilliance and detatchment into the shoes of an adult who sees the world for what it is, yet at the same time is able to maintain his edge.

I could go on about the supporting cast, but really, this movie is about the main character, and how he deals with near-success, utter failure, and realistic romance. Definitely not one to miss.

Fine almost-psychedelic-oriented comedy about romance, struggles in art work and just loosing your mind (and finding it back). The meaning of the word tells it all. Dorff offers a great performance. U2's performances in the movie are in the right spots and at the right time. Very experimental yet great results.

Entropy is a must for people who like the first stages of Tarantino, the visual experimentation of Olver Stone and the hilarity of Woody Allen (strange but rather great mix!).

I find it mind blowing that the plot begins with the narrator in an awful shape explaining the story and then gets to meet his own character and the movie goes on!

The ending leaves you with a melancholic feeling because all us who are still attached to this world have experienced the "Entropy" after an intense experience what ever it was.

See you in the journey to forever!

It's refreshing to see a movie like this get made instead of some of the farces we seeing studio heads giving the green light to, today. Kudos to those who both greenlighted it and who made it.

Entropy had it all for me because it was funny, tragic (funny tragic) and dramatic. I felt good throughout the movie and I actually don't know why I didn't know more about it or Phil Joanou. I blame this on the modern day movie machine not being able to properly promote movies that are both creative and eye catching. The scenes from New York's waterfront are in bold and contrasting colors, and it enlivened me further during a recent visit there. Joanou did the right thing film makers are supposed to do, he inspired us to see more into life and art and be entertained in the process. Such is the personal story that is being told in Entropy. After all, I don't think there is a single soul out there that hasn't felt some sort of incident or disaster in our romantic lives, and can't look back at it and laugh at in jest. We are not the most perfect of people, us humans, and all the better we can share the experience!

I give Entropy an "8" just because it was so entertaining and visual, and while there will be many that will call this plainly over-rating, I don't care, I just really enjoyed the movie and could watch it again and again.