AVALIAÇÃO DA IMDb
4,6/10
52 mil
SUA AVALIAÇÃO
Uma jovem malandra chega ao Motel Bates, que tem seus próprios e terríveis segredos.Uma jovem malandra chega ao Motel Bates, que tem seus próprios e terríveis segredos.Uma jovem malandra chega ao Motel Bates, que tem seus próprios e terríveis segredos.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 4 vitórias e 6 indicações no total
James Le Gros
- Car Dealer
- (as James LeGros)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
This known shocker concerns about Marion Crane(Anna Heche in similar role Janet Leigh),she works at a Phoenix office when his employer(Chad Everett) trust her a money .Seeing the opportunity to take the cash and beginning a new life along with her fiancé(Viggo Mortensen in role of John Gavin).Larcenous Marion Crane leaves Phoenix(Arizona) and heads with her car toward California where lives her lover.Later,when is caught in a storm, leaves the highway and pull into to the Bates hotel.The motel with twelve rooms(and 12 showers) is managed by a strange and paranoid young(Vince Vaughn-Anthony Perkins)who seems to be controlled by his overbearing mummy , and ,she's living in a creaky old mansion nearly to hotel,then rare things start to happen.After a detective called Arbogast(William H. Macy with similar character at Martin Balsam), her sister(Julianna Moore-Vera Miles)along with Sam(Viggo Mortensen)are looking for to Marion, asking help to sheriff(Philip Baker Hall-John McIntire).
The story is a rip off from original classic picture,frame-for-frame, with a few news scenes though filmed in glimmer color and lensed beautifully by cameraman Christopher Doyle.Thus,it contains the same screenplay by Joseph Stefano and Robert Bloch infused with deliciously macabre wit,plenty of grisly murders,stabbing shots,horror,suspense and lots of blood.The highlights film are,of course,the famous murder of Marion Crane-Anne Heche completely copied scene-for-scene although with a few more nudism and the creepy final images where is turned out the killing conclusion.Again the suspenseful music score,adding impressive excitement,nowadays deemed a classic soundtrack by Bernard Hermann is arranged by Danny Elffman.The motion picture is regularly directed by Gus Van Sant(Drugstore cowboy,Elephant,among others),nowadays considered a cult-director.The original Hitchcock film is highly superior to this one and the numerous movies which tried duplicate it, like as : Psycho II(1983) by Richard Franklin,Psycho III(1986)by Anthony Perkins,and for cable TV :PsychoIV(1990)by Mick Garris
The story is a rip off from original classic picture,frame-for-frame, with a few news scenes though filmed in glimmer color and lensed beautifully by cameraman Christopher Doyle.Thus,it contains the same screenplay by Joseph Stefano and Robert Bloch infused with deliciously macabre wit,plenty of grisly murders,stabbing shots,horror,suspense and lots of blood.The highlights film are,of course,the famous murder of Marion Crane-Anne Heche completely copied scene-for-scene although with a few more nudism and the creepy final images where is turned out the killing conclusion.Again the suspenseful music score,adding impressive excitement,nowadays deemed a classic soundtrack by Bernard Hermann is arranged by Danny Elffman.The motion picture is regularly directed by Gus Van Sant(Drugstore cowboy,Elephant,among others),nowadays considered a cult-director.The original Hitchcock film is highly superior to this one and the numerous movies which tried duplicate it, like as : Psycho II(1983) by Richard Franklin,Psycho III(1986)by Anthony Perkins,and for cable TV :PsychoIV(1990)by Mick Garris
This is easily the worst remake in film history. I have never understood the idea of a remake at all. If a film, like Psycho, is so good to start with why on earth do you want to try and improve on it? If you insist on tampering with perfection, why then do you have to try to recreate it in it's whole? There is nothing original here. Gus Van Sant put nothing of himself into this film. They say imitation is the highest form of flattery, but this is ridiculous. There are a lot of sides to a character as complex as Norman Bates, and I suspect that Vaughn may have wanted to explore them. Instead Van Sant forced him into sticking to a cheap imitation of Anthony Perkins. Perkins turned in a performance that lead to one of the most memorable characters in film history and it would have been impossible for any actor, no matter how good to recreate that. The rest of the characters are stuck just as tight to similarly wooden imitations of the originals. It is almost painful to watch very talented actors (namely William H Macy) have that talent stifled. In the end, Gus Van Sant set out to pay homage to a great film. Instead he cheapened it, and created a movie that is not worthy of late night cable.
Film! What a mystery. Nobody can doubt that Gus Van Sant is a truly gifted filmmaker - I'm writing this after "Milk" - so how can it be that remaking a classic like "Psycho" shot by ,virtually, shot, Van Sant fails so miserably. Not an ounce of what made the original what it is, makes it to the remake. Every wrong choice found a home here. Anne Heche? Who thought of it? She is so bad with that unbearable little voice, one kind of wants her to die. Julianne Moore makes her Vera Miles part a butch, unattractive character. Viggo Mortensen, an actor I love, is kind of embarrassing as is William H Macy in the Martin Balsam part. The wardrobe is unforgivable and Chris Doyle, one of the best living cinematographers, creates a flat, painful, jarringly colorful frame but the worst of all is Vince Vaughn. Absolutely unforgivable. What a terrible, terrible performance. The exact opposite of Anthony Perkins where everything was intensely personal. Here it feels like a Saturday Night Live sketch, one of the less fortunate ones. I haven't been able to forgive Vince Vaughn. That silly, shallow giggle he gives to Norman Bates, will return to haunt him.
The most disposable movie in the history of cinema?This one is a strong contender!Why waste so much money for such a pointless useless work? The only difference between the HItchcock classic and this poor imitation is color,wide screen and Leila's Walkman!!A movie which's supposed to generate thrills and fear leaves me completely indifferent.
Now you' re going to tell me it will urge the young generations to see the original?balderdash!This "psycho 1998" is a giant spoiler.
They could have done something different,for instance ,by casting an actor closer to Bloch 's Bates ,an obese man.They content themselves with an obnoxious rehash!A pox on it!and long live Alfred Hitchcock!
Now you' re going to tell me it will urge the young generations to see the original?balderdash!This "psycho 1998" is a giant spoiler.
They could have done something different,for instance ,by casting an actor closer to Bloch 's Bates ,an obese man.They content themselves with an obnoxious rehash!A pox on it!and long live Alfred Hitchcock!
Watchable in a film school project kind of way, but its obsession with trying to do everything exactly like Hitchcock's version leaves it cold and emotionless. Who'd have ever thought seeing Marion Crane slashed to death in a shower would inspire nothing more than a simple shrug? As a stand alone movie, it doesn't work very well.
Você sabia?
- CuriosidadesIn Psicose (1960), Sir Alfred Hitchcock wanted his opening shot to be a long, complete pan and zoom over the city into Marion's hotel room. Sadly, the technology was not yet perfected, and he achieved his effect through a series of pans and dissolves. The remake does a complete travelling shot, as Hitchcock had intended.
- Erros de gravaçãoSome continuity errors were deliberately included, being copied from the original Psicose (1960).
- Citações
Norman Bates: A boy's best friend is his mother.
- Cenas durante ou pós-créditosThanks to John Woo for use of his kitchen knife.
- ConexõesEdited into Tough Guise: Violence, Media & the Crisis in Masculinity (1999)
- Trilhas sonorasLiving Dead Girl
Written by Rob Zombie, Scott Humphrey
Performed by Rob Zombie
Courtesy of Geffen Records
Under license from Universal Music Special Markets
Principais escolhas
Faça login para avaliar e ver a lista de recomendações personalizadas
- How long is Psycho?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- Psicosis
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 60.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 21.485.655
- Fim de semana de estreia nos EUA e Canadá
- US$ 10.031.850
- 6 de dez. de 1998
- Faturamento bruto mundial
- US$ 37.170.655
- Tempo de duração
- 1 h 45 min(105 min)
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
Contribua para esta página
Sugerir uma alteração ou adicionar conteúdo ausente