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IMDbPro

C'est pas parce qu'on n'a rien à dire qu'il faut fermer sa gueule...

  • 1975
  • 1 h 33 min
AVALIAÇÃO DA IMDb
5,7/10
544
SUA AVALIAÇÃO
C'est pas parce qu'on n'a rien à dire qu'il faut fermer sa gueule... (1975)
AlcaparraParódiaComédiaCrime

Adicionar um enredo no seu idiomaMax and Riton, 2 thieves make plan to steal money in a train station office. They will operate through the wall in the public toilets.Max and Riton, 2 thieves make plan to steal money in a train station office. They will operate through the wall in the public toilets.Max and Riton, 2 thieves make plan to steal money in a train station office. They will operate through the wall in the public toilets.

  • Direção
    • Jacques Besnard
  • Roteiristas
    • Jean Halain
    • Christian Clavier
    • Gérard Jugnot
  • Artistas
    • Bernard Blier
    • Michel Serrault
    • Jean Lefebvre
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    5,7/10
    544
    SUA AVALIAÇÃO
    • Direção
      • Jacques Besnard
    • Roteiristas
      • Jean Halain
      • Christian Clavier
      • Gérard Jugnot
    • Artistas
      • Bernard Blier
      • Michel Serrault
      • Jean Lefebvre
    • 4Avaliações de usuários
    • 3Avaliações da crítica
  • Veja as informações de produção no IMDbPro
  • Veja as informações de produção no IMDbPro
  • Fotos47

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    Elenco principal23

    Editar
    Bernard Blier
    Bernard Blier
    • Phano
    Michel Serrault
    Michel Serrault
    • Max
    Jean Lefebvre
    Jean Lefebvre
    • Riton
    Tsilla Chelton
    Tsilla Chelton
    • Madame Pipi
    Maurice Travail
    • Le passager du train
    Max Amyl
    Max Amyl
    • L'agent de police
    Liza Braconnier
    Michel Brethez
      François Brincourt
      • Vendeur de voitures
      Popeck
      • Le flic
      • (as Jean Herbert)
      Sophie Leclair
      • La passagère du train
      Jean Roche
      • Le reporter + voix additionnelle
      Marion Game
      Marion Game
      • Lulu
      Bob Asklöf
      Bob Asklöf
      • L'ami de Lulu
      • (não creditado)
      Christian Clavier
      Christian Clavier
      • Le contrôleur homosexuel
      • (não creditado)
      Henri Coutet
      • Petit rôle
      • (não creditado)
      Sébastien Floche
      • Un client des toilettes
      • (não creditado)
      Marcel Gassouk
      Marcel Gassouk
      • Un client des toilettes
      • (não creditado)
      • Direção
        • Jacques Besnard
      • Roteiristas
        • Jean Halain
        • Christian Clavier
        • Gérard Jugnot
      • Elenco e equipe completos
      • Produção, bilheteria e muito mais no IMDbPro

      Avaliações de usuários4

      5,7544
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      Avaliações em destaque

      5salmig99

      Need fluent French to enjoy this one

      It is rather ironical that all the ambitious camera work and creative editing of the French "Nouvelle Vague" directors--some would probably use less favorable epithets--was followed in the late 70s & 80s by a spate of low budget comedies, many of which would involve members of the "Troupe du Splendid" with such talented new faces as Gérard Jugnot, Thierry Lhermitte, Michel Blanc, or Christian Clavier. The "Les Bronzés" series is probably the best known example of the genre.

      But let's not forget that back in the 60s the French public at large did not take all that much interest in the likes of Godard, Truffaut or Chabrol and were a lot more eager to line up in front of theaters in order to watch spoof film noir offerings like "Les Tontons Flingueurs" or traditional comedies such as "La Grande Vadrouille".

      "C'est pas parce qu'on a rien à dire..." was released in 1975 and marks the transition between the older generation with household names such as Bernard Blier and Jean Lefèvre playing the main parts while the upcoming generation here represented by Jugnot and Lhermitte only briefly appear but would soon become favorites of the French public in their own right.

      Interestingly, another protagonist of note in this movie, the "Dame Pipi" who is in charge of the public bathroom where most of the action takes place, is played by Tsilla Chelton (of "Tatie Danielle" fame) who taught an acting class at the time, and the Troupe du Splendid were among her students.

      As to the movie per se, do not expect anything memorable, but the dialogs are consistently funny... (trust Blier, Lefèvre, and Serrault of course to deliver them in a convincing manner)... Just keep in mind that the whole thing would be quite difficult to translate into English. I suspect that adequate fluency in the French language and a fair understanding of Parisian slang--as well as a thorough knowledge of French popular culture--are prerequisites in order to enjoy this unpretentious little movie to the full.
      10csiegwart

      Excellent film!

      This is an excellent comedy! The movie is not pretentious, not complicated; its aim is just to be very funny. No need for any special effects, no colorful exotic traveling scenes, no noisy explosions, no car races or spectacular accidents and of course not the slightest of those low-level bang-bang gunning or kicking violence shows. Just the perfect play of top actors that keeps you tied to the movie from the very first to the very last second without even a small break to get your breath back from laughing. It is also to be said that two of the four main actors were already very famous for their talent at this time. This is the kind of comedy performance that today's directors and actors are just not able to deliver anymore...

      Note: the film must be seen in original French language version! Translations are more or less impossible and all sound awful.
      5emmanuelrabu

      What we cannot speak about we must pass over in silence

      Cinematically useless but the device of the film, almost experimental: an almost unique place (public toilets where three losers take turns under different costumes to make a heist) is worth a look.
      gtran

      Cult silliness

      French cinema has a long tradition low-budget silly movies where we can imagine the director, the writer and the actors deciding to shoot the movie after a fine meal in a good restaurant. There used to be lots of movies like this, with a script reduced to a couple of sullen jokes, poor lighting and a bunch of second-rate actors. These movies were so cheap they actually made money, and the crew could pay the rent until the next one, and the next restaurant. Most of these pieces of art haven't survived in the public memory, but occasionally one of them still pop up on prime-time TV and they manage to evoke fond memories from the viewers. This is one of these movies.

      It's a sort of spoof on caper movies, with two con artists trying to break in the Bank of France through a hole of the subway toilets... But for this they have to hide from the lady who runs the place and use a lots of subterfuges to get into the bathrooms and dig the hole. I like this movie. Because of its incredible array of lesser-known actors, who did hundred of movies of the same ilk. Because you can spot some actors that will later become famous. Because in these cheap movies the authors are so little concerned by the rules of normal cinema that surreal things tend to appear randomly (like the dignified African businessman who crosses the set followed by a dozen of white carriers). Because it's filmed in a realistic, non glamorous Paris, much more like I remember it from this period than you can see it in art movies like Bertolucci's `Last tango'. Because, though full of toilet humor, some of the dialogue still makes me laugh. Because, if this movie pops up again on TV, I'll watch it again.

      Enredo

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      • Curiosidades
        Final film of Sophie Leclair.
      • Conexões
        Remade as Alt på et bræt (1977)

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      Detalhes

      Editar
      • Data de lançamento
        • 22 de janeiro de 1975 (França)
      • País de origem
        • França
      • Idioma
        • Francês
      • Também conhecido como
        • The Restroom Robbery
      • Locações de filme
        • Gare de l'Est, Paris 10, Paris, França
      • Empresas de produção
        • Trinacra Films
        • Groupement des Editeurs de Films
        • Orphée Productions
      • Consulte mais créditos da empresa na IMDbPro

      Especificações técnicas

      Editar
      • Tempo de duração
        • 1 h 33 min(93 min)
      • Mixagem de som
        • Mono
      • Proporção
        • 1.66 : 1

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