Bamboo Gods and Iron Men

"From Harlem to Hong Kong, they fear the name, the fame, the fury of Black Cal Jefferson, the Champ!" Cal Jefferson is on his honeymoon in the land of Bamboo Gods and Iron Men (i.e. Hong Kong) when they buy up a Buddha statue in a shop that a bunch of bad guys want, which leads to a bunch of boxing vs. Kung-fu fight scenes. BAMBOO GODS AND IRON MEN is a so-bad-it's-good kind of movie. The acting is embarrassing, the story is dumber than dumb, and worst of all, the fight scenes are soooooooo bad. Our hero even gains a mute helper buddy along the way after rescuing him, making the film even more stupid! This movie is strictly amateur hour, but like I said, it is so bad that I was able to enjoy it for its ineptitude. However, the movie did have a funky score that I legit enjoyed.

James Iglehart (Randy Black in "Beyond the Valley of the Dolls") is front and centre for this amiable, goofy Filipino martial arts action flick. Iglehart plays Cal Jefferson, American prizefighter honeymooning in Asia with his new bride (Shirley Washington). While shopping, they obtain a seemingly worthless Buddha statue that actually contains something very valuable to some very bad guys. Leo King (Filipino exploitation mainstay Ken Metcalfe, who also co-wrote the story & screenplay) is chief among them. But Cal has an asset: a mute Chinaman (Chiquito) whom he dubs "Charley"; Cal saves Charley from drowning and the grateful Charley becomes Cals' constant companion.

"Bamboo Gods and Iron Men" is overall not a terribly memorable movie, but making it above average for a movie of this kind is its generous doses of comedy. It's often very funny, and director Cesar Gallardo and company play all of this material with real winks in their eyes. This movie has quite a bit of energy, and superb pacing. It also makes sure to be exploitative, of course, with a fair bit of eye candy for viewers. The fight scenes are generally well executed, and the stars all handle themselves capably. The story makes great use of a MacGuffin and concludes with a very bright gag, with several characters bursting into laughter at the absurdity of everything.

Iglehart could easily have had a more extensive career, as he has charisma and good chemistry with the sexy Ms. Washington. Chiquito is extremely appealing, and he and Iglehart likewise make a good pair. The supporting cast of familiar faces includes Metcalfe, offering a decent performance as the villain, Eddie Garcia, and Joseph Zucchero. Devotees of Filipino cinema will be pleased to note the presence of the always welcome Vic Diaz, in a cameo as a hotel clerk.

"Bamboo Gods and Iron Men" delivers solid, diversionary entertainment for 96 straight minutes, and deserves to be better known.

Eight out of 10.

This film essentially begins with a ruthless crime boss by the name of "Leo King" (Ken Metcalfe) hiring some men digging up the grave of an ancient Chinese scientist and then taking a pouch that supposedly contains a mysterious substance that can change the world. Once he knows that the pouch is being shipped to him, he then has the person in charge of the graverobbers killed. The scene then shifts to an American boxer by the name of "Cal Jefferson" (James Iglehart) arriving in Hong Kong on a honeymoon with his bride "Arlene Jefferson" (Shirley Washington). While touring the city Arlene decides to buy a wooden Buddha and, since it's a bit heavy, Cal asks the shopkeeper to have it sent to his hotel room. To that effect, the shopkeeper subsequently sends one of his employees with it but, on the way there, the young man carrying the wooden Buddha is accosted by some of Leo King's and a pouch is carefully placed within the box containing the merchandise before being delivered to Cal Jefferson's hotel room. The scene then shifts again to a young woman being sexually assaulted by three thugs when a local wanderer known simply as "Charley" (Chiquito) comes out of nowhere and tries to save her. Although the woman manages to escape, Charley is thrown into the harbor and is saved by Cal who just happens to be in a nearby boat with Arlene. Feeling indebted to Cal for saving his life, Charley willingly offers his servitude which Cal positively does not want. That eventually changes, however, when thugs working for Leo King come around and decide to take possession of the wooden Buddha and, if necessary, kill Cal in the process. Now, rather than reveal any more, I will just say that this low-budget, blaxploitation-kung fu movie suffered somewhat from its lack of financial resources as both the acting and some of the action scenes could have used a bit of improvement. To be sure, I don't consider this to be a bad film necessarily, but it didn't really impress me all that much and I have rated it accordingly. Slightly below average.

Grungy but likable AIP blaxpoitation/chop-socky mashup, produced in the Philippines and destined for the stateside grindhouse/drive-in circuit.

Genial beefcake James "Beyond the Valley of the Dolls" Iglehart toplines as a boxing champ honeymooning in Hong Kong who becomes the unwitting target of a murderous gang hellbent on recovering a priceless statuette. Needless to say, the bad guys get more than they bargained for since Brother Iglehart is one of the titular iron men. Our hero kicks ass, takes names, and wears the most eye-searing paisley shirts this side of Walter Matthau in EARTHQUAKE. Indeed, his threads alone seem weaponized to damage an opponent's optic nerves.

Bone-crushing action, mega-seedy locations and funkadelic music abound. Hardcore '70s action movie completists, take note.

Also in the house: Filipino comedy icon Chiquito as a cute mute, the ubiquitous Eddie Garcia (BEAST OF BLOOD's mad Dr. Lorca) and the inevitable and always welcome Vic Diaz.

Almost forgotten today, this combination of blaxploitation & kung-fu is pretty watchable. Not great or anything to really seek out, but it does manage to keep your attention throughout. The martial arts fights are "old school", but they manage to be both realistic and pretty exciting. The humor is pretty broad at times, but there is some amusement at times.

Strange that despite all the sexy ladies on display, there is only one sequence of nudity - and it's from the Asian lead! In fact, the Asian lead seems to be made fun of and pushed/slapped about a lot, and this treatment at times is a bit hard to sit through.

The screenplay shows signs of being hastily put together without being seriously reviewed for weaknesses and plot holes. For example, the origin of the Asian lead isn't really explained too much. Also, the movie ends with some minor but noticable plot threads left hanging. But the whole thing is lensed well (it looks more expensive than other Filipino movies of the era), and adding that to the other positives, people who have an interest in Filipino exploitation and/or drive-in exploitation will probably be pleased enough by this.