Um playboy muito rico e bem-sucedido se diverte roubando obras de arte, mas pode ter encontrado sua companheira em uma detetive sedutora.Um playboy muito rico e bem-sucedido se diverte roubando obras de arte, mas pode ter encontrado sua companheira em uma detetive sedutora.Um playboy muito rico e bem-sucedido se diverte roubando obras de arte, mas pode ter encontrado sua companheira em uma detetive sedutora.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 3 vitórias e 2 indicações no total
Michael Bahr
- Proctor
- (as Michael S. Bahr)
Robert D. Novak
- Proctor
- (as Robert Novak)
Joe H. Lamb
- Proctor
- (as Joe Lamb)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
I don't think you should compare the two versions, they're so very different. .
I think this is great heist movie
The thing that makes this movie stand out is the look the rich colours in the way it's filmed and it just oozes excess.
The leads have a great time working together.
Everything for me just worked and made even better with the fantastic score that adds pace when needed
Firstly, it's not a cookie-cutter remake of the original staring Mr. McQueen and Ms. Dunaway - so no comparison required.
You might say Brosnan was typecast by Bond, and the idea of a suave player getting one over on yet another woman might be the obvious outcome, but not this time! Instead we're treated to a sophisticated game of cops and robbers, played out in this stylish and seductive entertainment. Mr. Brosnan (Thomas) is at the top of his game and may be involved in something illegal. Ms. Russo (Catherine) is called in to investigate, claiming an office and sharing confidences with the local police department looking for clues. Catherine epitomises sophistication with hair, makeup and fashions styled to perfection. She's an understatement of success; a woman playing a man's game, bounty-hunting life and sex on her own terms and 'enjoying the chase'.
Once Catherine is on the trail of Thomas Crown you'll join her in a hedonistic game of one-upmanship. She's done this kind of work before and must stay on her toes if she's going to implicate the wealthy Thomas Crown. The local cops and cultured community believe Mr. Crown to be beyond reproach; an untouchable pillar of wealth and good taste.
These two characters exist in their luxurious world through strange circumstance and have made it their own through hard work and some bluffing. The movie provides glimpses into their lifestyles, and at the same time, keeps them both just outside what you'd expect from a wealthy businessman and a woman working for an insurance company.
Supporting character Mr. Leary makes a cynical, yet caring detective attempting to save face by nabbing Thomas Crown - however it's quite obvious in a city the size of New York that a bored millionaire looking for thrills by staging a theft is not his priority. Mr. Leary is guilty of a bit of cussing and jaded police behaviour, but ya 'gotta hope he's still on the force.
The story races from one clue to the next, and we glimpse a world where time means nothing, and money is just, well, not an issue. The film really sets the tone for the lush life with ultra-posh, elegant sets, millionaire-hobbies and exotic locations. The soundtrack is perfect, giving the entire movie an upmarket, worldly feel that befits a modern romance.
This is really a love story for anyone who imagines being whisked away from the mundane into places that you've only read or heard about in glossy magazines. It's a film for any person out there who'd like to have the freedom to do what they want and damn the consequences. Well, either that or have enough money to do anything, then disappear.
There is some hot on-screen chemistry between Thomas and Catherine, making the love scenes, coupled with the sexy music and breathtaking backgrounds, erotic. They have a healthy appetite for each other so the love scenes in his apartment and 'island retreat' are the 'stuff that dreams are made of.'
Yes, there are little snafus, such as a painting being folded in a manner that would permanently ruin it, and the usual gaffes that serious film-goers will pick over - but heck, it's just a movie and a love story - let yourself go and imagine you're a woman who's just crashed a black tie event in a dress making every man in the room salivate, or that you're the man she's heading for on the dance floor - then have fun with it . . .
In the end, for all their cunning, Thomas and Catherine must decide if they can trust each other, just like most men and women must do in any love story. What you may find hard to decide though, is who to root for, and who really wins the game of cat and mouse at the end of this movie.
You might say Brosnan was typecast by Bond, and the idea of a suave player getting one over on yet another woman might be the obvious outcome, but not this time! Instead we're treated to a sophisticated game of cops and robbers, played out in this stylish and seductive entertainment. Mr. Brosnan (Thomas) is at the top of his game and may be involved in something illegal. Ms. Russo (Catherine) is called in to investigate, claiming an office and sharing confidences with the local police department looking for clues. Catherine epitomises sophistication with hair, makeup and fashions styled to perfection. She's an understatement of success; a woman playing a man's game, bounty-hunting life and sex on her own terms and 'enjoying the chase'.
Once Catherine is on the trail of Thomas Crown you'll join her in a hedonistic game of one-upmanship. She's done this kind of work before and must stay on her toes if she's going to implicate the wealthy Thomas Crown. The local cops and cultured community believe Mr. Crown to be beyond reproach; an untouchable pillar of wealth and good taste.
These two characters exist in their luxurious world through strange circumstance and have made it their own through hard work and some bluffing. The movie provides glimpses into their lifestyles, and at the same time, keeps them both just outside what you'd expect from a wealthy businessman and a woman working for an insurance company.
Supporting character Mr. Leary makes a cynical, yet caring detective attempting to save face by nabbing Thomas Crown - however it's quite obvious in a city the size of New York that a bored millionaire looking for thrills by staging a theft is not his priority. Mr. Leary is guilty of a bit of cussing and jaded police behaviour, but ya 'gotta hope he's still on the force.
The story races from one clue to the next, and we glimpse a world where time means nothing, and money is just, well, not an issue. The film really sets the tone for the lush life with ultra-posh, elegant sets, millionaire-hobbies and exotic locations. The soundtrack is perfect, giving the entire movie an upmarket, worldly feel that befits a modern romance.
This is really a love story for anyone who imagines being whisked away from the mundane into places that you've only read or heard about in glossy magazines. It's a film for any person out there who'd like to have the freedom to do what they want and damn the consequences. Well, either that or have enough money to do anything, then disappear.
There is some hot on-screen chemistry between Thomas and Catherine, making the love scenes, coupled with the sexy music and breathtaking backgrounds, erotic. They have a healthy appetite for each other so the love scenes in his apartment and 'island retreat' are the 'stuff that dreams are made of.'
Yes, there are little snafus, such as a painting being folded in a manner that would permanently ruin it, and the usual gaffes that serious film-goers will pick over - but heck, it's just a movie and a love story - let yourself go and imagine you're a woman who's just crashed a black tie event in a dress making every man in the room salivate, or that you're the man she's heading for on the dance floor - then have fun with it . . .
In the end, for all their cunning, Thomas and Catherine must decide if they can trust each other, just like most men and women must do in any love story. What you may find hard to decide though, is who to root for, and who really wins the game of cat and mouse at the end of this movie.
I am very fond of the Norman Jewison original particularly for Dunnaway and for the song The Windmills of My Mind. This is a very worthy remake, and almost on par in my opinion, and I thought I'd never say that after seeing far too many pointless ones along the odd truly great one. The story is not quite as convincing here, it does have some great scenes that also some that don't quite work like the dance scene which was not very well filmed and didn't enhance the story as much as the chess scene of the original. However, visually it is very stylish, with striking locations, crisp photography and editing and great fashions. The direction as expected from John McTiernan is very convincing, the screenplay is taut and the soundtrack is memorable. Pierce Brosnan and Rene Russo are fine leads, and their chemistry is somewhat steamier than the original's, and there is also some great support from Denis Leary and Faye Dunnaway herself. Overall, a more than worthy remake, loose of course but very stylish and classy. 8/10 Bethany Cox
This remake in every way tops the original which you seldom see in a remake. Though Steve McQueen was considered the King Of Cool, Pierce Brosnan played Crown with all the debonair and confidence required of the character without going to far.
Rene Russo was a perfect fit. Her sex appeal surpasses that of Faye Dunaway in the original but in Dunaway's defense, the censors of her day would not have allowed what Russo got away with and McQueen was against nudity in movies. It goes without saying though that Russo and Prosnan had great chemistry.
The pacing was perfect, the music much better than the original, and the ending was totally unexpected. As a minor spoiler, I like how they don't reveal how he stole the other painting. There's a lot to like about this movie.
Rene Russo was a perfect fit. Her sex appeal surpasses that of Faye Dunaway in the original but in Dunaway's defense, the censors of her day would not have allowed what Russo got away with and McQueen was against nudity in movies. It goes without saying though that Russo and Prosnan had great chemistry.
The pacing was perfect, the music much better than the original, and the ending was totally unexpected. As a minor spoiler, I like how they don't reveal how he stole the other painting. There's a lot to like about this movie.
Forget all the explosions, car chases, crazy villains, special effects... The Thomas Crown Affair is not an action movie. It´s not even a thriller. Instead, it´s a well-done cat-and-mouse movie that´s smart, entertaining and very sexy. If you had to use one word to describe the film it would have to be sophisticated. The movie might appeal more to mature audiences as both the leading man and the leading lady are over 40 years old. Pierce Brosnan can obviously do other roles beside James Bond, but the role of Thomas Crown is at least somewhat similar to 007. Both guys "enjoy women" and are very suave. Overall, Brosnan gives a solid performance and is overshadowed only by Rene Russo who simply oozes sexuality and class. She is simply perfect in her role and though she´s twice as old as I am I find her a real knockout. Not only is she extremely hot, but also a very talented and charismatic actress. A perfect combination! The classy dance scene between Brosnan and Russo belongs to the most sexually-charged scenes in history and the following love-making scene manages to be both sexy and stylish. Usually nude scenes in Hollywood movies seem somehow "uneasy", but in this movie the scene is done in real style and with sensual music the atmosphere is sizzling. Who would want a disposable bimbo like Britney Spears when you could have a real class-act woman like Rene Russo? I would also like to mention Bill Conti whose simple yet refined music is simply outstanding. Just listen to the music during the scene in which Crown and Banning go glider flying... You can just close your eyes and listen to this wonderful music. Now I have to find the soundtrack for this film! I guess I should mention that I´ve never seen the original Thomas Crown, but now I don´t even have to bother as its updated version is a true pleasure to watch. I have nothing negative to say about it so just go get this film on DVD and enjoy!
Você sabia?
- CuriosidadesThe line "You're not boring, I'll give you that" was ad-libbed by Rene Russo.
- Erros de gravaçãoWhen Crown walks in front of the delivery truck, the shot from the cab clearly shows that a car is stopped 9 feet in front of the truck. So, why was the delivery truck traveling so fast to begin with? Then, in the long shot after the driver moves on, he accelerates at a high rate, as if there was no car stopped in front of him. If there is a traffic-jam, the car would not have traveled far at all during that time.
- Citações
Catherine Banning: Damn, I hate being a foregone conclusion.
- Cenas durante ou pós-créditosThis motion picture was in no way authorized, sponsored or endorsed by any museum, nor was any portion of the motion picture filmed inside a museum. The events, characters and other entities (including the museum) depicted in this motion picture are fictitious, and any similarity to actual persons, events or other entities is purely coincidental.
- Trilhas sonorasSinnerman
Adapted by Nina Simone
Performed by Nina Simone
Courtesy of Mercury Records
Under license from Universal Music Special Markets
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Detalhes
- Data de lançamento
- País de origem
- Idiomas
- Também conhecido como
- El caso Thomas Crown
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 48.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 69.305.181
- Fim de semana de estreia nos EUA e Canadá
- US$ 14.600.719
- 8 de ago. de 1999
- Faturamento bruto mundial
- US$ 124.305.181
- Tempo de duração
- 1 h 53 min(113 min)
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1
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