Stuart Bliss

To keep it short this movie is one of those 'you've seen it, you can't unsee it' type movies. A marvel of modern movie-making. I saw it a few years back and again yesterday and it's as fresh as it was when I first saw it. I find the surreal world is created by it's words, it's ideas and it's ideals. Strange and haunted but no more so than a dream. If you are the kind of person who can't understand James Bond movies, this is not for you. On the other hand, if you are smart intellectual and sexy, this movie will give you feverish dreams for Months. Listen to my advice, see this movie. If you don't like it, meh. But if you understand it, it will stay with you and influence you like Hollywood films never do. Everything I write, essays, novels, etc. Everything I say, has been effected by seeing this movie. Now what are you waiting for, go! Watch this movie!

STUART BLISS is a black comedy about paranoia. After Stuart's wife leaves him unexpectedly, seemingly coincidental events begin to converge in his life leaving him believing that the world is coming to an end.

SB is extremely funny and at the same time very touching. The screen writers, Neil Grieve and Michael Zelniker have walked that fine line required to successfully pull off a black comedy.

The performances are all exquisitely realized...especially Michael Zelniker as Stuart, Dea Lawrence in the dual role of Janet and Katerina, Mark Fite as Reverend Walmsley, Derek McGrath as Ted, Ania Suli as the Grandmother, and Charlotte Booker and Ken Earl as the Jehovah's Unite couple.

Neil Grieve's direction is organic and inobtrusive, in that he creates with camera the ambience that supports what Stuart is feeling. Very deftly executed.

The music and sound design by John Jones adds immeasurably to the atmosphere.

I'd recommend STUART BLISS highly.

This is a creepy and realistic vision of a man who is either a paranoid schizophrenic or a prophet. You will have to give the film about 30mins grace or more before it begins to keep you amazed, but it will. Fans of David Lynch and Donnie Darko should go for this.

I enjoyed the feel of the opening few minutes, but 20-minutes in I was liberally applying the fast-forward button. Far too many shots of Stewart (Michael Zelniker) walking from room to room, down hallways, through doors and down the street, and as many shots of him looking pensive and confused. Gave me the impression that the story had originally been meant as a short (20-30 minutes), and then stretched into a feature as a labour of love between director Grieve and star Zelniker (they co-wrote the screenplay).

It might have been more entertaining if any of the characters had anything to say that I hadn't heard said in many other films before, or if the ending wasn't - disappointingly - the one I had predicted three minutes into the film (atypical for an independent/smaller studio film). At least its heart was in the right place - it wasn't your standard formulaic Hollywood manipulative nonsense.

Stuart Bliss is so funny, and in a very dark way. The filmmakers are especially successful because they weave the tail by planting these ideas early on that pay off later on and in totally believable ways. But they never let us off the hook. We are constantly wondering, are the things happening to Stuart really happening, or only in Stuart's mind. They mine the idea that perception is reality with hilarious implications. I recommend seeing STUART BLISS more than once in order to get all the subleties offered by the filmmakers. Great to see such an inventive, original movie.