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IMDbPro

Os Idiotas

Título original: Idioterne
  • 1998
  • 18
  • 1 h 57 min
AVALIAÇÃO DA IMDb
6,7/10
35 mil
SUA AVALIAÇÃO
Os Idiotas (1998)
Home Video Trailer from USA Films
Reproduzir trailer1:03
1 vídeo
27 fotos
Dark ComedyComedyDrama

Um grupo de pessoas se reúne numa casa no subúrbio de Copenhague para quebrar todas as limitações e trazer à tona o "idiota interior".Um grupo de pessoas se reúne numa casa no subúrbio de Copenhague para quebrar todas as limitações e trazer à tona o "idiota interior".Um grupo de pessoas se reúne numa casa no subúrbio de Copenhague para quebrar todas as limitações e trazer à tona o "idiota interior".

  • Direção
    • Lars von Trier
  • Roteirista
    • Lars von Trier
  • Artistas
    • Bodil Jørgensen
    • Jens Albinus
    • Anne Louise Hassing
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    6,7/10
    35 mil
    SUA AVALIAÇÃO
    • Direção
      • Lars von Trier
    • Roteirista
      • Lars von Trier
    • Artistas
      • Bodil Jørgensen
      • Jens Albinus
      • Anne Louise Hassing
    • 144Avaliações de usuários
    • 50Avaliações da crítica
    • 48Metascore
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 6 vitórias e 5 indicações no total

    Vídeos1

    The Idiots
    Trailer 1:03
    The Idiots

    Fotos27

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    Elenco principal44

    Editar
    Bodil Jørgensen
    Bodil Jørgensen
    • Karen
    Jens Albinus
    Jens Albinus
    • Stoffer
    Anne Louise Hassing
    • Susanne
    Troels Lyby
    Troels Lyby
    • Henrik
    Nikolaj Lie Kaas
    Nikolaj Lie Kaas
    • Jeppe
    Louise Mieritz
    Louise Mieritz
    • Josephine
    Henrik Prip
    • Ped
    Luis Mesonero
    • Miguel
    Knud Romer Jørgensen
    • Axel
    Trine Michelsen
    • Nana
    Anne-Grethe Bjarup Riis
    • Katrine
    Paprika Steen
    Paprika Steen
    • High Class Lady
    Erik Wedersøe
    • Stoffer's Uncle
    Michael Moritzen
    • Man From Municipality
    Anders Hove
    Anders Hove
    • Josephine's Father
    Jan Elle
    • Waiter
    Claus Strandberg
    • Guide At Factory
    Jens Jørn Spottag
    Jens Jørn Spottag
    • Boss At Advertising Agency
    • (as Jens Jørgen Spottag)
    • Direção
      • Lars von Trier
    • Roteirista
      • Lars von Trier
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários144

    6,735.2K
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    Avaliações em destaque

    7Boba_Fett1138

    Successful experiment.

    "Idioterne" is a good and enjoyable to watch Dogma movie. The style (or better said; the lack of style) and storytelling are unique and help to make "Idioterne" a one of a kind movie experience. Just like the story in the movie; it's a successful experiment.

    As a sort of a social experiment, a group of people decides to release the 'idiot' in themselves to see how the environments responds to them. Sounds like good enough material to make a hilarious comedy with but "Idioterne" never goes over-the-top and always retains a sort of realistic feeling. The movie is made in documentary style with some mixed results as a direct result of this. For most part the movie is realistic and it has an improvised feeling over it but some of the sequences are obviously planned and acted out. In those sequences it becomes painfully obvious that the actors in this movie aren't really first-rate. It makes those sequence feel forced and ridiculous. Those sequences are in contrast with the rest of the movie its style and overall feeling.

    Yet the movie remains perfectly good to watch. It never becomes really great or hilarious but the movie is simply perfectly entertaining to watch nevertheless.

    The movie has some interesting sequences and confrontations in it that all helps to make this movie quite a memorable one. It's a movie that confronts at times and makes us as viewers think about how we would respond and act if we were in one of the situations as portrayed in the movie.

    For fans of Dogma this is an absolute must-see. It has everything in it what makes Dogma movies so great. It's perhaps not the best Dogma movie but it certainly is one of the most enjoyable- and more light to watch ones.

    7/10

    http://bobafett1138.blogspot.com/
    9dana_jones_23

    A stone in Your Shoe

    In Epidemic, one of his previous films, Lars von Trier noted that "a film must be like a stone in the shoe". Eleven years after Epidemic, Lars von Trier is famous, his budgets grew larger and so do the stones he puts in the spectators shoes. No, reality is never what you think it is. It stops moving when you expect it to rush, and than it rushes in a way that makes you dizzy. People that you considered to be serious collapse when it comes to testing their intentions in reality, and people that you never took a note of will prove to be the real heroes of life. At the same time Lars von Trier and his excellent actor ensemble try to explain why (non violent) social experiments always fail, in spite of what we learn at school and watch on TV. They fail for three main reasons. First, the intentions of the hardcore of every movement of this kind are different that the ones they declare on. Second, the few who take a social project seriously will remain outside the hardcore group in a lonely, non-influential position. And third: the external conditions for running an experiment of this kind are such, that it's impact is limited up front to zero, often without the acting persons realize it. A brilliant movie of a brilliant filmmaker, who revolutionized the cinema in the last generation. A must for every thinking person.
    Summie

    The Shaky Reality of Documentary

    I'm surprised that no one commented on the pseudo documentary's shaky reality as mirroring the problematic reality of the Idiots in the movie. Their attempts to be real idiots so as to appreciate their "inner idiots" parallels the feature film's attempt to mimic the documentary format so as to achieve credibility. By showing the overacting and crew shots in the movie, perhaps it was the director's way of commenting on the the shaky reality of the Idiots existence.

    But even though we know that it's a feature film trying to be a documentary, we are still drawn to the vicarious experience of the movie - we still enjoy it as a movie. Perhaps another statement about finding happiness in a fake reality?

    Like Idiots, the audience goes into an escaped reality when they go to the cinema, hoping to experience what the protagonists feel on screen. But like the idiots, the denial is only temporary. The final fate of Karen seems to warn the the audience that at the end of the day, this escaped formed of reality is no match to the "real" world that is out there.
    Infofreak

    Astounding, brave, funny, touching.

    Look I know jack about Dogme, but I know what I like and I like 'The Idiots'! A LOT.

    I find it hard to understand how so much has been said about the "lack" of production values or the nudity in this movie, which to me aren't even worth mentioning, but hardly anyone comments about how astounding the ACTING is! The actors in this, and in Von Triers' previous 'Breaking The Waves', display completely realistic acting very rarely (if ever!) seen in Hollywood. So next time some Hollywood mediocre "actor" is up on the podium clutching their Oscar, force 'em to watch 'The Idiots' and see if they can pull off performances of this calibre! The "biker scene" in itself is one of the bravest, most funny/scary sequences I've ever seen in all my years of move watching!

    While I think all the actors involved are faultless, I would single out Jens Albinus as Stoffer as being particularly outstanding. I hope to see him go on to bigger and better things. I say "better", but you won't find many contemporary movies "better" than 'The Idiots'!
    CogansTrader

    https://twitter.com/#!/joesreviews91

    At the close of Cannes 2011; Lars Von Trier's reputation as one of the most gifted yet controversial film makers around was firmly intact hitting new levels of outrageousness; however, it wasn't the first time he has managed to get the crowd at arguably the world's most prestigious film festival talking. In 1998 The Idiots aka Dogme #2 made its debut causing mass controversy; mass criticism; and mass discussion.

    Naturally for a film which caused such a stir it's an unusual watch. It's a strange sensation to be made to feel uncomfortable yet totally engrossed in a film and stranger still, feeling guilty for enjoying it. The term "guilty pleasure" is usually used to hide embarrassment e.g. captain of the school sports team loves a chick flick; yet here the term really is applicable.

    Credit to the cast who participated largely unaware of what the script would demand of them. We are introduced to Karen (Bodil Jørgensen, playing the films and our conscience) who is then caught up in an anti- middle class gang who spend their time in public 'spassing' out; in other words, pretending to be disabled (PC alarm bells ringing from the off then) in order to release their inner "idiots". Rule three of Dogme 95; a hand-held camera, works particularly well; from the off we are thrown right into the heart of the group, we might as well be made to feel as if we are documenting it.

    The film certainly makes an interesting comment on how social behaviour can restrict us and, for lack of a better word, the "licence" given to those struggling with mental illnesses to behave more outlandishly. The character's main release is to pose as those without social confinements in public; however the gang eventually do away with only doing it in view of the public eye; is it a hobby or an addiction? Certainly different members of the group enter into it with different motifs and levels of seriousness.

    The Dogme 95 movement on the whole polarised audiences so to say that The Idiots; one of the most famous of all Dogme films, will not be to everyone's tastes is an understatement. The actual subject matter will be off putting to some; a topic such as this being played for laughs in certain parts makes for uncomfortable viewing; even more so due to the fact that it is funny. The film also asks the question of how disabled citizens are treated by society; nearly fifteen years on and it isn't hard to imagine people still being perturbed at the thought of allowing mentally disabled yet completely harmless people to walk around their garden.

    Throughout the film Von Trier gives us uncomfortable laughs; mocks the middle class attitude to the disabled; and manages to throw in a shockingly graphic orgy. All of this building up to a real emotional sucker punch of a climax. It isn't until the closing scenes that the film stops trying to provoke the audience's brain and instead aims straight for the heart. If nothing else, The Idiots will get you talking; as if Von Trier would have it any other way.

    8/10

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    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      Infamously, English critic Mark Kermode got thrown out of the screening at the Cannes film festival for loudly heckling the film and yelling "il est merde!" at the screen on multiple occasions (French for the vulgar critique, "this is shit").
    • Erros de gravação
      This is a film that adheres to the 'Dogme 95' manifesto, so the usual goof rules do not necessarily apply. This includes shots of the crew, microphones and other equipment, as well as continuity errors.
    • Citações

      Susanne: Being an idiot with you is one of the best things I've ever done.

    • Versões alternativas
      To avoid an NC-17 rating, the U.S. distributor used black bars to cover all shots of male genitals and penetration during the orgy scene.
    • Conexões
      Featured in De ydmygede (1998)
    • Trilhas sonoras
      The Swan
      Written by Camille Saint-Saëns (as Camille Saint-Saens)

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    Perguntas frequentes19

    • How long is The Idiots?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • 20 de maio de 1998 (França)
    • Países de origem
      • Dinamarca
      • França
      • Países Baixos
      • Alemanha
      • Suécia
      • Itália
    • Central de atendimento oficial
      • Dogme 95 collective
    • Idioma
      • Dinamarquês
    • Também conhecido como
      • The Idiots
    • Locações de filme
      • Dinamarca
    • Empresas de produção
      • Zentropa Entertainments
      • Danmarks Radio (DR)
      • Liberator Productions
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Orçamento
      • US$ 2.500.000 (estimativa)
    • Faturamento bruto mundial
      • US$ 2.804
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      1 hora 57 minutos
    • Cor
      • Color
    • Mixagem de som
      • Dolby
    • Proporção
      • 1.37 : 1

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